Brings to full light and fruition all the weighty themes, characters, conflicts and insights that the move could only that the movie could only brushed against lightly. Though very different from the film, I think the screenplay was authentic as it could be with its limitations.
To the ear, Ondaatje's prose flow more like a Bach three part invention with the interweaving of the characters stories in and out, flowing smoothly against an almost cryptic "timeline". But the experiences of love, hate, war, desire and destiny are eternal/universal so story can be picked up or dropped anywhere, and always resonate with the reader.
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