Yamhill, OR, United States | Member Since 2009
Dear Ice and Fire Junkie
The popularity of the HBO series, Game of Thrones has enticed many folks to pick up and start plowing through the entire series of tomes from which the TV shows derive their inspiration. And, once you’re sucked in, it’s pretty much like quicksand. The brilliant acting of most, if not all, of the characters along with the masterful writing of their roles and place in this Tolkienesque saga makes us easy prey for this quagmire. But beware good reader, there is much more to this sticky wicket than a mere addiction.
Before you get too heavily invested in this series, if you haven’t already, you owe it to yourself to pay attention to the negative reviews of Books 4 and 5. Among those reviews, the breakdown in narration after Book 3 is particularly egregious. I am generally a fan of Roy Dotrice. He is not my favorite narrator / performer but he is unquestionably a very good one but mostly for playing the roles of older men. The characters of young men seem to present Mr. Dotrice with something of a challenge and that of female characters, especially young ones, a challenge that is unsurmountable. That being said, Mr. Dotrice’s contribution to the powerful and stunningly produced first three books in this series was not insignificant. There were parts in the writing of those that seemed to drag on and on too long but they were still made entertaining by the narrator. In Books 4 and 5 there were many more dull, uninspired passages that were also made less entertaining by the narrator.
And, that being said, what in the heck is up with the changes in pronunciation of names and the voices of their owners? Was anyone paying attention to the editing and production of these last two books? I don’t know if it was Random House Audio or Audible who dropped the ball here but it all starts with Roy Dotrice. He’s the common denominator here and has to be aware of this huge distracting shift that took place between books and has to have the most responsibility for better quality control.
As far as the story goes, I will repeat here some of what I wrote in a review of Book 1. While I loved a lot about the writing in the first installment, I cared so much about the characters, to have so many of these good and honorable protagonists tortured and killed, I thought that I did not need to continue beyond Book 1. But, continue I did and was not sorry after Book 2. I enjoyed the third installment but things slid downhill in all respects after that. There are characters that I am still interested in and wish to know about their fates, even a couple of the villains. But, will I invest 2 more credits in this series? Me thinks not, at least not at this time. It is not That great.
Oh, and lest I not forget, the ending. This was the worst ending of any book I have ever picked up. If an author lacks so much imagination that s/he cannot satisfyingly end a book even if it is not the last in a series then me thinks the author's imagination needs work. I believe that authors owe it to their readers to finish a book and not just entice their readers to buy the next installment. Shame on you GRRM.
I finished this book searching and hoping for something redeeming at least in the ending. I never found it.
The book could easily have been written by an above average high school student.
Okay, only three words so as not to waste any more time on this book:
Silly, Simplistic, Uninspired.
This is probably the most enjoyable book I have read/listened to all year and the year is 2/3 complete. For those among us who gravitate to fantasy, this is certainly that. For those looking for something quite unique this is that also. For those among the hopeless romantics, you have come home. I loved everything about this book: the story, its depth and its ending. And narrated by George Guidall; what more could one ask for?
The nature of my world these days has caused me to cut back on the number of reviews that I am able to write. But I just have to share what I find to be the truly wonderful books I come across and this is one of them.
Brandon Sanderson is one of my favorite authors. His development of unique characters, worlds and systems-of-magic are perhaps for many of us without parallel in modern writing. It is in the actual writing that I am sometimes left frustrated. The story-telling is superb and keeps me coming back there's no question about it. I finished the book in less than a week and that after spending the previous week reading Book 1. Every available and non-sleeping moment was spent with the book. But there was always something missing... something that said this is still just not a literary work. Maybe it just seemed to me to be a bit too commercial. But Sanderson is young and I have no doubt that his writing will mature even more and I will come to a completely different conclusion about his place in history and the body of works considered great literature.
The production and narration by two premier narrators was excellent.
If you were to read one book on the subject of introversion, I would highly recommend Quiet. The book was superlative. The Introvert Advantage communicates many of the same tenets as Quiet just not as completely or entertainingly.
This book has been around and promoted for a while now. I've seen and been tempted but not so much till it went on sale. While I think it was worth the sale price, it was not worth my time. I was tempted to quit in a number of places but continued to hope it would somehow redeem itself. It didn't.
The book has almost 1000 ratings on Audible and over 4 stars. I don't get it. I thought the book was silly, trivial and uninspired. You can read what the book was about and why others liked it elsewhere. But for me, I'm done.
This was one great book. I loved every minute of it. Sure there were nautical terms bandied about (it's a book about the Royal Navy) and a awareness of these terms can help in its enjoyment but such knowledge is not essential. At first I thought this was a coming-of-age story and in some respects it is. And, while it could be classified as YA, this story has something for everyone. The actor/narrator Christian Rodska takes the book to a whole other dimension. His voices for all of the characters seem spot on.
The book is truly exciting, touching and hilarious. I highly recommend it. I loved it.
You’re presented with three doors. Behind one door is a car and behind the other two doors are goats. Sound familiar? It is. You pick door number one. Instead of opening your choice, Monty opens door number two and reveals a goat. He then asks you if you wish to keep what’s behind your original choice (door one) or change your mind to door number three. If you think it makes no difference whether you switch or not and that your odds are 50/50 either way, you might be surprised at the answer and enjoy reading this book. If you are surprised by the answer to this ridiculously simple challenge, you’re in for a plethora of awakenings about the assumptions we make of the numbers and statistics we hear in our daily lives.
Peppered with charm and wit; wonderfully read by Sean Pratt, I would highly recommend this title to anyone interested in a history of the development of statistics. Books about numbers are especially not easy ones to listen to but Sean Pratt reads this one at just the right pace and with just the right inflections to make listening to and learning from The Drunkard’s Walk totally accessible. I will often read two or three books at a time. This one, however, was just so captivating, it monopolized my complete attention. But then I’m a nerd and that too might be a requirement for truly enjoying this title.
There was a lot to like about this book. I felt it was original having been written in the 1st person with a protagonist who is autistic. My understanding is that the author has personal experience with a family member who is autistic and we can probably rely on its authenticity. Thinking and speaking from the perspective of one who is autistic was for me sometimes painful. I wanted to give up on the book at times. But I could not, which must say something for the book in itself.
From the aforementioned perspective, the book is quite simple. And this is not meant in any kind of derogatory sense in that respect. If most of us were more simple not only in how we view and feel about the world but also in how we relate about those things to others, there might be fewer misunderstandings among us. I think that the strongest aspect of the book is its ability to really get inside the head of the protagonist and help us to feel what he must have been feeling especially in his frustration with "normal" people. And truly, he was much more normal if not more ideal than many of us who do not carry the label of autistic.
I believe that the book deserved a better plot. The plot seemed almost too trivial given the nature of the subject material. The ending was not what I expected and it seemed too short. Further, I have to think that in the end, I would not have chosen for myself what the protagonist chose for himself. Perhaps the book was deeper than I thought and I might have missed something. But I don't think so.
I'd liked to have given the book a 3.5 stars rating but since I could not, and because for me it was quite original, I gave it 4 overall.
I think many of us are sometimes either encouraged to purchase or dissuaded from reading a book by a publisher’s summary. I know that I can be influenced by them. Like most things in life we are trying to decide about, we search for support of our position to do something that we are leaning toward such as purchasing a book. We use these summaries as well as the reviews of others to give us that little extra nudge to hit that “Add to Cart” button. In deciding to purchase The Art of Procrastination..., I believe that I was totally misled by the summary and in disagreement with most of the reviewers. This book was one of the smallest wastes of time I can imagine.
The book was one of the smallest wastes of time only because it was so short. I finished it in one round trip drive to and from a work assignment. Thank goodness I didn’t waste that time doing something that required my full attention... or... maybe I did. There’s continuing debate about whether we can safely multitask while driving. Though the book certainly was not so profound as to draw my attention away from the road. It was not so laugh-out-loud funny as to cause my eyes to tear up and obstruct my vision of the road. It was not so wise as to cause me to ponder and plumb its depths and unconsciously and dangerously change lanes. Not once did I think of Thurber, Wodehouse, or Harry Frankfurt’s *On Bullshit* though there was plenty of dung to conjure those thoughts and be analogous to the contents of this book along the country roads of my drive. The book was not for me at all insightful, charming or witty. It did not entertain, educate or illuminate.
I can only conclude that the author is, as he claims to be, the consummate procrastinator: Anything else the author might have had to do and that he put off doing, had to be more important than writing this book. If you are looking to procrastinate, justify and avoid doing something else more important then read or listen to this book. But I can promise you that almost anything else that you do instead will be more rewarding. If your wish is to discontinue your procrastinating, you will find no insights here: avoid it.
This is a wonderful little book. I have a hard copy but with Simon Vance doing the narrating and being on sale, I could not resist the audio version. This may not be a book for everyone. Taoism is probably a rather arcane subject for the uninitiated. For those who have delved its depths or even those who have not but have an interest in the subject, this is a great little primer. The book is simple and deep at the same time (yin and yang). It is both serious and humorous. The narration is impeccable.
If you are interested in further reading on the subject, for the original Tao Te Ching, I would highly recommend the translation by Stephen Mitchell who is also the narrator and available on Audible.
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