I did not enjoy this second book in the trilogy nearly as much as I did the first largely because of one the narrators - Bernadette Dunne - reads as if she is voicing a cartoon. Her characters come off as caricatures, not people. Really too bad. I also could have done with out all the hymn-singing, even tho they were written by Atwood. They were just silly and pulled me out of the narrative. I recommend listening to "Oryx and Crake," then reading the next two in the series. I think this would have sounded better in my head.
I gave up 2/3 of the way through this listen. Let it be known that is 24 hours - a whole day. And yet this book failed to grab me. I found it to be overly long. I don't think there is a point in the book that Tartt does not belabor - she told me 57 times that Theo's mother was a saint, his father a jerk, etc. But worse, there are only abut 3 hours of plot within the first DAY of listening. Tartt seems to be in love with the sound of her own voice, her own (very estimable) powers of description and gift for dialogue. But she needs the hand of good editor - someone who can say "kill your darlings" and get on with the story. A real disappointment - tho read by a very good reader.
I would recommend this listen with a few caveats. I thought this book started out very well - I was extremely interested in the characters and the story line, and at one point even gasped out loud as a plot point was revealed. But after that point - about 1/3 of the way thru, the story itself seemed to run out of gas, as if the author had come to the climax of the story too early. Then I began to get frustrated with some of the characters, who fell into predictable patterns - Talmadge was always "confused; Della always "didn't understand," Angeline was always "quiet" and "watching." It got somewhat boring, always knowing how the characters would act and react. That said, I loved the writing which was very moving and poetic. And the narrator was superb, really involved with the emotional lives of the characters without being overly dramatic. I would love to read Coplin's next work as I think she shows great promise as a writer. She just had a bit of difficulty with this first effort.
I had always been curious about this book, which I understand is the first mystery novel. It was very good, though marred a bit by time, especially in the way the women characters are drawn. But what made this a great listen was the way the several narrators brought the characters to life. The best by far was Patrick Tull's reading of the butler obsessed with "Robinson Crusoe." Definitely worth listening to if you are a fan of British lit - just let yourself get lost in the performances and don't worry about the silly women or the improbable plot.
I am a huge fan of Masterpiece Theater's "Brideshead Revisited" and have tried to read the book at least twice. Just could not get through it. But this Audible version is the next best thing to the television production. In it, Jeremy Irons channels all his co-stars from the BBC series - my favorite is his John Geilgud impression - bringing the whole series alive again. He brings Waugh excellent prose to life in a way the physical book just couldn't for me.
What a great book! Read a glowing review of it in the NYTimes and the audio book did not disappoint. The story is a continuation of Grenville's "The Secret River" - also a great listen - and I really recommend reading/listening to that first to get the full impact of this story. What a compelling character Grenville has crafted in Sarah - I rooted for her, my heart broke for her and I was uplifted when she was uplifted. Emma Fielding does a top-notch job of capturing Sarah's unique voice and making it her own - no play-acting here, just real feeling. Excellent all around.
This was really a wonderful listen. The book plays with the idea of class and what people will do to rise. In this case, the main character, William Thornhill, is London's lowest of the low. But when he is sent as a convict to Australia, he discovers a class of people even lower than he is - "blacks," the aboriginal people. Through really complex characters and a well-developed story line, Grenville looks at what one man is willing to sacrifice to climb the social ladder - a question she is asking of Australia as a whole. In Thornhill's case, the price is high - very high - and the payoff not as sweet as he thought. I loved this book, especially Simon Vance's narration - he is just excellent and really brings to life every story he reads. Now, on to download "Sarah Thornhill," a continuation of the Thornhill family's story.
This was another of those books rich in atmospherics and poor in plot. I made it well into the 9th hour before I gave up. Why are so many books like this? Who praises them in the first place? Is it enough that an author is of a certain background or ethnicity? Should not he or she also know that a story needs A STORY. Conflict! Characters who WANT SOMETHING AND CHANGE!!! Ugh.
If you loved "Let the Great World Spin," as I did, this is an interesting read because you can see McCann work out some of the themes of that book here. I did not love it, but it held my attention and got me thinking and I was completely wrapped up in the characters and their story. The narrator was really excellent - acted the parts without seeming fake or forced. A good listen - but go for "Let the Great World Spin" first.
I had very high hopes for this listen, as it seemed to promise what I love most in a summer read - historical fiction rendering a place I have traveled to. Alas, I had to stop listening after the first five hours. Bryce Courtenay really needs an editor. He has apparently never learned one of the first rules of fiction - show, don't tell. And for God's sake, how many times do I need you to tell me the same thing - the main character is cheap, we know already! He's a coward - yes, you told us that about 40 times rather than showed us once. Mostly, this was just one long narration of the actions of characters whose brains you never got into. And when they did speak, it was like some bad parody of Dickens. Courtenay says in the beginning that he wrote this over a long period of time, and it has the feel of some amateur author's book pulled out of a drawer and worked on at odd moments. I thought the narrator did as good a job as he could possibly have done with such mundane junk.
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