I write only in regard to the production of the audiobook, not as to the text itself, which is great and worthy. The slovenliness of the recording, with gaps, repeats, and periods where the reader is obviously having a conversation with a third party (editor? recording technician?) are beyond the minor and forgivable. Are these things not edited? Vetted by quality control? Does no one bother to listen to an audiobook before it is mass-produced and distributed? If no one at the publisher does, then someone at Audible ought to.
This is a wonderful book about American anti-intellectualism, but as often seems to be the case, the reader is a problem. Particularly for a book about the decline of learning and respect for erudition in America, it is important that the reader make the effort to learn unfamiliar words in preparation for recording. The sort of person likely to read this book is also likely to be jarred by the many mispronunciations: William Shirer's last name contains a long "I," Lord Elgin's a hard "g," Alfred Kazin's is pronounced "KAY-zin," not "kazz'n," there is no "n" in the final syllable of "pundit," and Oscar Wilde wrote "The Ballad of Reading Gaol," which is not, in fact, a misprint for "goal." These are but a few of the errors I have heard without yet completing the first half of the audiobook. There is a certain irony in a book by the brilliant Susan Jacoby being butchered thus, more or less making the very point of which she writes.
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