Joan Didion's writing is fabulous, insightful, spare. She deserves much better treatment than she gets from Diane Keaton, whom I love as an actress, but who is NOT a good reader. Her mispronunciations are legion, and it is painfully obvious that she is doing this reading cold. But frankly, I blame Audible's obvious desire to whip through these recordings rather than taking the time to produce something flawless--which both the author and the reader deserve. Would it kill them to go back and dub a few mistakes? Didion deserves better.
Still worth a listen, though, because even though Keaton's not so hot, Didion is that good.
The always biting and hilarious Mr. Hiassen has created another bunch of unique characters and turned them loose in the Everglades. he has an unmatched eye for detail and an ear for perfect dialogue. This may be his funniest book yet.
Stephen Hoye's flawless narration, complete with different voices and accents, brings out the best in what is already the best. Who could ask for anything more?
A first-class narrator, some very funny character sketches, and descriptions of early seventies fashion and interior design that are truly cringe-worthy make this piece of fluff worth a listen.
I never liked Jerry Lewis, and I'm not old enough to remember the team, but Stephen Hoye's narration makes me want to go and find some old video to see what all the fuss was about. He manages to sound more like Martin and Lewis than they did.
This is, as the subtitle indicates, a love story, and who knows how accurate it is, but it's a picture of a long-lost time, and a tour de force performance.
A lovely book. Really, it's remarkable that so little of substance has changed since this book came out. The narrator is terrific. The story is affecting and, I'm guessing, will still be relevant in yet another hundred years.
Okay, first of all, I have to admit that I will listen to ANYTHING that Stephen Hoye reads. He's got the brains, the accent, the voice. He doesn't mispronounce or misinterpret. If he got me to listen to this POS, that's proof enough. The book is mildly amusing, for someone who is a) female, and b) doesn't play golf. But Hoye makes it accessible and hilarious. Love that guy. Will I listen to the author's sequels? Not a chance.
I would deny it if someone I know asked me, but just between us, I love this guy's books. They are slick, witty, superficial yet somehow meaningful in a Nicholas Sparks (but with an intellect) sort of way. I loved The Book of Joe and This is Where I Leave You. But what's up with these narrators? Are they just...affordable? Tropper deserves more than this. Scott Brick should have read all of his books. Tropper has earned that.
This is a truly terrifying account of psychopaths and the idea that they are all around us all the time. The narrator is iffy--he mispronounces a few words--but what else is new? Audible seems to not care about those details.
You'll find yourself going through the list of people you know and comparing them to the list of symptoms in this chilling book. Fascinating.
This story is sweet and funny and touching (but not corny) in all the right ways. It's smart and just biting enough to keep the attention of adults smart enough to appreciate it. Jill Clayburgh isn't its best feature, but my guess is that she was reading to kids and not to their mothers. All is forgiven. A first-rate YA book.
I loved her music as a teenager and love her music now. I was tickled to find this book here, and not even a bit disappointed. Loved every minute of it, and no one else could read it and do it justice. Brava!
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