While I enjoyed listening to this book very much, I preferred Zuckoff's other plane crash book, "Lost in Shangri-La". But I recommend both of them.
As these Pendergast books go, I thought this was one of the best, and a book that could almost stand on its own without reading others in the series. There was none of the red herring supernatural plot twists that are in other books, and none of those annoying mind journeys. Just a ripping good mystery with lots of bad guys and swamp mud. I said that the book could almost stand on its own. There is a sub-plot involving Pendergast's ward that would not make much sense if you didn't read the previous books, but it is not crucial. If you're tired of Sherlock Holmes, it's time for Special Agent Pendergast.
I was ho-hum about the first book so I don't quite know why I ordered the second book, but I'm glad I did. The characters were much more developed and there was a great deal more dramatic tension in the second book. As others have noted, it's hard to say much more than that without getting into the plot, but I'll just say, if you find yourself rolling your eyes in the first book, hang in there to Book Two.
This was a fascinating head-scratcher right up to the last chapter, and then it was a disappointment for me. I can't say more without being a plot spiller, but when it came down to the end, the pieces didn't fit. Having said that, I got the second volume, so maybe I will love that and eat my words.
It's been a while since I bailed on a book in the first hour, but I couldn't get past the readers and the hokey background music.
More action than a Batman comic book! More smart-aleck one-liners than a Groucho Marx routine! These books are just flat fun.
I bailed out on this book about two hours in, but came back later and started over, and I was glad I did. This was the first Nesbø novel I have read and I was interested enough is his dark, psychological plot that I want to read more of his work.
This is a beautifully written book, and even if you know how it is going to end it is a joy to hear how the author creates the arc of Charlie's experience. The narrator does a fine job of creating the characters in the story, but mostly in finding the perfect voice for Charlie each step of the way.
This is the fourth of Greenberg's composer series that I have listened to, the others being on Shostakovich, Stravinsky, and Bach. While Mahler is my least favorite composer of the four, I thought that these lectures were the best I've heard so far. Greenberg connects Mahler's life with his music in very compact chunks that made me want to hear more. As usual, Greenberg's lecture style is charming and amusing and he moves the lectures along at a good pace.
While I enjoyed these Bach lectures, I didn't like them as much as the Stravinsky and Shostakovich lectures by Greenberg because of a surfeit of Music 101. There were times when I wish he would have said, "Anyone who ever took Music Theory and got a C+ or better can skip to the next lecture." But I guess when you're talking about Bach you can't assume everyone knows how a fugue works or what secondary dominants are or how many strings are on a violin. In spite of all that, Greenberg's presentation of the Goldberg Variations was fabulous, and I will listen to those four lectures again. Greenberg is a charming lecturer, and you want to invite him over for beers and small talk about Bartók.
This is my second of the Great Courses and they have both been great. Though I was familiar with USSR history in the 20th century, and with Shostakovich's music, these lectures put it all together for me by showing how the music connected with the horrible history. I quite enjoyed the reader. Some might think him over-dramatic -- and I must say, he reminds me a bit of the guys on "Car Talk" on NPR -- but I enjoyed his enthusiastic take on things, in spite of some ouchy French and German pronunciations. This series is highly recommended and I will listen to it again.
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