It took me a little while to adjust to this book partially, I think, because it reads more like fiction than a non-fiction. Also, there are so many people that someone of a newer generation may not recognize names like Edna Ferber, etc. But once I got started, I enjoyed this book very much... especially the parts about Zelda and F. Scott Fitzgerald. There were so parts that are just too funny... like about F. Scott Fitzgerald being chronically obsessed with his small ****. I thought this was a splendid book and well-narrated.
This story is masterful in the way its written. I recently finished reading a few other 'mystery' type books where you hit pockets when the author sort of loses you in the suspension of disbelief and you know its a fictional book. Not with Tana French. You get pulled in and its all very real. I don't know why, but the recording on this book sounds slightly muffled. But you get over it after a few minutes and, other than that, its narrated pretty well especially with all the Irish slang and accents. I really thought the plot of this one was brilliant compared to other books not only in this series but in this genre as a whole.
I was introduced to McKinty through the Duffy trilogy, which is still his best work so far. I really found the subject of this book a bit of an odd direction for him, but also I was curious to see how he would handle it as an author. Overall, I found this to be an interesting book. Not as compelling as other books he has penned, but interesting. McKinty's style is there and it dances with wanting to be a Duffy or Forsythe book, but manages to hold its own identity despite being a crime investigation story. Gerard Doyle did an amazing job of narrating. This book had just the right length too, as one more hour would have killed it. Overall, it's a brief, interesting read.
First off, I hate Naked Lunch. Maybe the worst book I've ever read. Burroughs is one of those writers you feel like you're supposed to like, then you read Naked Lunch and decide for yourself its all academic snob hype and nothing more. Junky is a different beast altogether. Junky is very blunt, very well-written. It transports you back in time very easily to the 1950's. It falls into line with On the Road, but to me is the darker, brooding kid brother. Narration on this is great. If you hated Naked Lunch, give this a shot (in the arm).
Opinions on these books range. I liked the second book the best. This one didn't suck me in, but around the middle I started to like it more. Then it grew on me and I was satisfied. I burn through this author's audiobooks so easily. They read (or play, I should say) so easily. The writing is top-notch. Then, on top of that, you have Gerard Doyle's impeccable delivery on the narration. If I listen to more than three hours in one day, I start speaking in an irish accent the next day at work. No joke.
Here's my short story. I read all Sean Duffy 3-book series by this author first. Took a break. Read the first of the Michael Forsythe books (Dead I may well be), and thought it was just ok. I didn't think I was going to continue with the series. But, I decided to give this second book in the forsythe series a go and I'm glad I did. This is the best book I've read by this author yet. I really thought this was a superb book and superb narration. If there were a hundred books by this author and narrator combo, I'd buy every single one of them!
I feel like this book would fare better with Italian readers who might appreciate a more existential way of writing. I am all for existentialism, but not when it applies to a crime novel. You literally go half way into this book before you even understand what is going on with the man convicted of the crime, so its hard to care about the crime part of it. The rest is the narrator's marriage and random things about his life. I just don't feel like its a good mix. A crime novel succeeds for me when it is more plot driven, with the characters secondary. I'm an American though. I just felt like he wanted to write like Camus and Raymond Chandler at the same time. Before attempting this author, search Mediterranean Noir on Wikipedia to get a grasp for what this book is like. Aside from my qualms with the book itself, narration was great.
I went into this book blind. I found it very slow for most of the book and the narrator has some awkward pauses and mouth noises throughout. I would knock out a few hours, forget about the book for a while. Come back to it a week or two later, get a little further. Then I hit a point where it got very good. The writing is superb. Highly talented. Narration could use improving but overall this is a great audiobook and unfortunately I will probably buying everything else this writer has written as a result.
I got into McKinty with the Duffy series, which moved a lot quicker for me and I like better than the Forsythe books. Honestly, I went four hours with this book, not really connecting with it. Then it got better. The descriptions of New York are awesome. The narration on this is perfect as in all the other books. If you are first breaking into McKinty, ready Cold Cold Ground first (The trouble trilogy).
This was unavailable in audio for many years. I am happy to see they've finally released it. I've read four Murakami novels and most of the short story collections. I don't think this book is as popular as 'Wind up Bird' and some of the others, but in my own opinion this is his best work. Wind Up Bird and Kafka are paced very slow with chapters and chapters of stuff that is intereting to read, but overall does not contribute to the story. This book is slim, to the point. Wistful romance of the only-child. It is very haunting without trying too hard. I've read the other Murakami novels once, but this book I've read at least five times. I am surprised it is not as popular as his other books. If you already like Murakami, I think you will like this. If you're new to Murakami, I can't think of a better novel to start with.
I loved the first two books of the series. Like many other reviewers have written, I had never heard of this author before "Speaks the Nightbird." Leave it up to audible to ensnare people with their first-of-a-series sales aka 'gateway drug.' I almost went ahead and bought all four available Corbett novels. Glad I didn't. I literally burned through the first two books. The writing, pacing and characterization was top-notch. You felt like you were in the passenger seat and the author was sprawling a great journey before you. This third book, however, is completely the opposite. It is well-written, but lacks heart. It starts off intriguing enough, but then goes into this deal with Mr. Slaughter which is neither thrilling or interesting. Mr. Slaughter reminds me a lot of Heath Ledger in the second batman film, where he tries sooo hard to be soooo crazy and wicked that its just kind of ridiculous. I kept pressing myself to listen to this book, but it shouldn't be that much work. I gave up a few hours shy of the end because, well, I could not force myself to care anymore. I am debating whether or not to even read the fourth book in the series. And the strangest thing off all is that Mr. Corbett has made some decisions in this book that make him really unappealing as a main character as a series. The pacing in this book also suffers, whereas it was almost perfect in the other books. I don't know what threw me off with this one, but it didn't 'feel' like the other books. It bored me.
Report Inappropriate Content
If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.