This review concerns only the narration. This may be a great book, but I simply cannot get past the narrator's technique. I really tried. I was just a little nervous at first with the narration (every sentence has the same stress: (da-da-da-da DA), but I thought I could get used to it for the sake of the story.
Then, less than 2 minutes into the recording comes the voice of 'Milo.' A parody of 'hard-bitten cop.' Almost unbearably unconvincing. Okay, well, maybe he won't be a main character. Then comes the principal, Linda Overstreet, Ed.D. OMG! It was fascinating to try to figure out what kind of audio manipulation created this voice. and what, exactly, was supposed to be conveyed by her absurd breathlessness (sexy? overmedicated? just weird?). I knew there would be children's voices coming up, so I masochistically listened on and, yep, distractingly bad.
It's hard to do voices. Really hard. But not impossible. Sorry this book wasn't matched up with a more skilled reader.
Report Inappropriate Content