The prologue to Unger's book had me worried by the number of superlatives he used to describe Monroe. As I got further into the book, I realized Unger's Monroe was a saint, practically perfect in every way. I found this book to be a one-dimensional portrait of a man, not Unger's saint, whose main legacy, largely ignored by Unger, was bitter party politics (witness the election of 1824) and a refusal to address in any meaningful way the festering sore of slavery.
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