I've always been a big Ray Bradbury fan and this is one his best. The weakness with this audio book is the reader. Scott Brick is just too intense ALL of the time. There are moments when stress is needed but not for the entire book. It got old for me in a hurry. Of course that's a personal opinion (as all reviews are). If you like his style you probably will want to give this one five stars. Bradbury's book is an all out winner. Enjoy.
Hilton's story is a classic, well worth the listen. It makes you (or at least, it made me) imagine being in Shangri-la, with no cares at all. A most inviting place. The negative here is the performance. De Morgan's reading is fine, most of his voices are quite good, but the production quality is lacking. At least three times I heard something falling in the background. And the pace is interminable (a digital reworking could clean things up quite a bit). Loooong pauses are frequent. But I recommend you put those problems aside and just listen. I've said before here, classics become classics for a reason. "The Lost Horizon" is well deserving of the honor.
Poor story, poor narration, poor, poor, poor. The plot was very dull, and Steve West is a dreadful narrator. Stay away unless you already are a fan.
There is nothing in this tale to recommend it. The story, while somewhat believable, concludes in an absurd, totally UNBELIEVABLE manner. This is the first Rafferty book I've listened to, and will certainly never listen to another. Gordon Griffin, however, did a fine job of narration. Unless you're a fan of the series, avoid this nonsense.
First off, Marcella Riordan's narration was excellent. I loved her accents for virtually all the characters, and hope to hear more of her work. As for the story, I feel a bit guilty about enjoying it as much as I did. That is because the second main character is a stalker. And freely admits it. Initially it reminded me of my early teens when, due to extreme shyness, I'd look up the address of my latest crush, and then ride my bike past her house to see if I would find her outside (it actually worked once!). But this goes far beyond that bit of youthful innocence, and most definitely crosses to the creepy side.The victim doesn't seem to mind, although she does have her moments. But I still was interested all the way through and find myself hoping for a sequel. The mystery was a bit overreaching, but then it did all tie together, in its way. If you're touchy about the subject you might want to give this one a miss. Otherwise, I think you'll find it a worthwhile listen.
I loved reading the McNally books and was delighted to see them available on Audible. The story is still as good as ever, and Victor Bevine was great reader with one exception. That exception, alas, is Archie himself. He seems to deliver Archie's best lines as if he were reciting a mathematical formula. The sass, the flippancy is lacking. There were times I wanted to shout out, 'don't be so damn solemn'. I may try another to see if he changes his delivery any (and it may be the director's fault, not the reader) but I probably will not. Too bad. I enjoy the character very much, but not like this.
This has got to be the worst narration I have ever heard, and Lord knows there are some bad ones. I couldn't finish. I could barely get started. I've read many of Anne Perry's books and really looked forward to this book but it was IMPOSSIBLE to listen to. You know that old joke that goes 'Who did you sleep with to get this job?', Ask Eric Brooks. DO NOT DOWNLOAD THIS BOOK!
I'm not kidding. The narration is awful.
Books and the movies based on then so frequently have little in common I didn't know what to expect from this book. But, because I loved the movie 'The Outlaw Josie Wales' I decided to give this a try. And am very glad I did. The film took the book very much to heart, including much of the exact dialog (and why the devil don't more movies do the same?), that I could almost hear the actors in their roles. But don't take that to mean Ed Sala didn't do a top notch job of narration. His delivery tied the whole story together in a simple convincing way. I will definitely listen to this one again (and again) and strongly recommend it. Whether or not you've seen the Eastwood film, don't miss this. A real treasure.
I hadn't read these stories since I was a boy and somehow remembered them fondly. They are still in print so someone must think there is something in them. But, my Lord, how verbose Irving is. Thedescriptionsofeverythingjustwentonforeverandeeverseeminglywithoutendwithnoobviouspurposethantomakethestorylonger. Audible is courteous enough to offer me a refund since I rated it so lowly, but I went into this with my eyes wide open, so I'll wait for another major disappointment before I take advantage of that offer.
John MacDonald does a fine job with the narration. How he manages NOT to sound bored means he well earned his money.I have NO desire to listen to these stories again.
I found this to be a very enjoyable listen. A lot of the specific details of the invention of the compass can never be known, so Aczel tells what is known, then goes off on different entertaining tangents of the times and places that are relevant to the story. At the end what you really know is that too much is unknowable. But it is still worth the trip. Henry Leyva does a very nice job reading, never sounding overbearing. Give this one a try. Rick.
I read this book as a boy and enjoyed it very much. (As I did the David Niven/Cantinflas film). And I strongly recommend you give it a listen because it still is an absolute delight. Verne's story is considered a classic, and rightly so. He makes a little fun of the English, and many others along the way, as he relates the story of the unflappable Fogg. Frederick Davidson does an outstanding job of narration (and I've gripped about him in other books) and keeps the story going strong all the way through. If, like me, you've read this book before, then reacquaint yourself with it now, and if you are unfamiliar with it give it a try. You'll be glad you did. Rick.
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