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Katherine

I'm the managing editor of the Fantasy Literature blog. Life's too short to read bad books!

St. Johns, FL, United States | Member Since 2009

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  • Viriconium

    • UNABRIDGED (19 hrs and 50 mins)
    • By M. John Harrison
    • Narrated By Simon Vance
    • Whispersync for Voice-ready
    Overall
    (127)
    Performance
    (109)
    Story
    (109)

    Available to American readers for the first time, this landmark collection gathers four groundbreaking fantasy classics from the acclaimed author of Light. Set in the imagined city of Viriconium, here are the masterworks that revolutionized a genre and enthralled a generation of readers: The Pastel City, A Storm of Wings, In Viriconium, and Viriconium Nights. Back in print after a long absence, these singular tales of a timeless realm and its enigmatic inhabitants are now reborn and compiled to captivate a whole new generation.

    Max says: "Virocon, Virocon, still the ancient name rings on"
    "I will remember Viriconium"
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    Viriconium sits on the ruins of an ancient civilization that nobody remembers. The society that was technologically advanced enough to create crystal airships and lethal energy weapons is dead. These Afternoon Cultures depleted the world???s metal ores, leaving mounds of inscrutable rusted infrastructure with only a few odds and ends that still work. The current citizens of Viriconium are baffled by what they???ve dug up, but they have no idea what any of it is for.

    The Pastel City, published in 1971, is the first part of M. John Harrison???s science fantasy epic VIRICONIUM which, according to sources, was inspired by Jack Vance???s DYING EARTH and the poetry of T.S. Eliot. Characterization and pacing are sometimes a bit weak, but the scenery in The Pastel City is grand, and I enjoyed the story. In many ways it reminded me of THE LORD OF THE RINGS ??? a group of comrades (including a dwarf) travel through beautiful and desolate landscapes (across rivers and marshes, through mountain tunnels, etc.) on a quest to destroy something so they can save the world. A major difference, and what saves the book from being simply another quest fantasy, is the post-apocalyptic vision of an unknown advanced civilization which died out mysteriously, leaving samples of their devastating handiwork behind. Thus, the dwarf arms himself with an 11-foot tall mechanical skeleton and carries some sort of laser. Cromis and his friends ride into one battle on horseback, but leave in a glass blimp. Cool.

    A Storm of Wings is the second part of M. John Harrison???s VIRICONIUM sequence. Viriconium has been at peace for eighty years after the threat from the north was eliminated, but now there are new threats to the city. Something has detached from the moon and fallen to earth. A huge insect head has been discovered in one of the towns of the Reborn. The Reborn are starting to go mad. Also, a new rapidly growing cult is teaching that there is no objective reality. Are the strange events linked with the cult???s nihilistic philosophy? And what will this do to Viriconium???s peace? Tomb the dwarf and Cellur the Birdlord, whom we met in The Pastel City, set out to discover the truth.

    A Storm of Wings was published in 1980 ??? nine years after The Pastel City ??? and M. John Harrison???s writing style has evolved. In some ways it???s better ??? characterization is deeper and the imagery is more evocative. This world feels fragile and moribund and the reader gets the sense that, as the cult proclaims, it???s hard to tell what???s real and what???s just a warped perception. Or perhaps Viriconium is slipping from reality into a dream. Or into a different reality altogether. The story is strange, outlandish, and blurry.

    In the third part of the VIRICONIUM omnibus, The Floating Gods (aka In Viriconium), we visit the old artists??? quarter of Viriconium ??? a lazy decaying place where gardens bloom and the smell of black currant gin exudes from the taverns where the increasingly lackadaisical citizens used to sit and talk about art and philosophy. This part of the city used to be vibrant and innovative, but it has been deteriorating as a psychological plague has been creeping in from the high city. The artists??? patrons, infected by this plague of mediocrity, have become dreamy and only want to purchase uninspired sentimental watercolor landscapes. And all they want to talk about is the debauched antics of the Barley Brothers, a couple of twins who act like buffoons but are rumored to be demi-gods.

    This part is funny, witty, and brilliantly written with sharp humorous insights into disagreeable human behavior. As the plague crept closer, I could feel the beloved city of Viriconium decaying ??? its fountains drying up and its gardens becoming unkempt and shabby. Like the previous book, A Storm of Wings, The Floating Gods is intensely atmospheric. This is a better book, though, because the atmosphere is balanced by humor and plot.

    Viriconium Nights is the last book in M. John Harrison???s VIRICONIUM epic. It???s a collection of seven short stories set in and around the city of Viriconium which contain some of the characters we???ve met in the previous VIRICONIUM books and include many allusions to recurring events and motifs: mechanical metal birds, tarot cards, locusts, the fish mask, big lizards, the Mari Lwyd, etc. Each story stands alone but focuses on the city of Viriconium and particularly the bohemian residents of the Artists??? Quarter. All of Viriconium is decaying, but this part of the city feels especially bleak, probably because it???s peopled with brooding artistic types whose desperation results in freakish hedonistic behavior.

    Though there are recurring characters in the VIRICONIUM works, we never get to know any of them very well. The haunting, weird, incomprehensible city is the main character. M. John Harrison has explained at his blog that he didn???t want Viriconium to be ???tamed??? or ???controlled,??? so he has confused and disoriented the reader by making it impossible to understand what it would be like to live in his world: ???I made that world increasingly shifting and complex. You can not learn its rules. More importantly, Viriconium is never the same place twice.??? I think this is more successful in the last three parts of VIRICONIUM ??? the first novel, The Pastel City, is almost a traditional quest fantasy.

    VIRICONIUM is one of those works that I feel like I should give 5 stars just because it???s original and M. John Harrison???s prose is brilliant. Harrison is a master of style and his writing is superior to most of what???s offered on the SFF shelves. However, the truth is that though I recognize Harrison???s genius, I can???t say that I enjoyed every moment of VIRICONIUM, which may be a reflection on me more than on the work itself. Spending so much time in a city that???s unknowable and decaying resulted, for me, in an overwhelming feeling of disorientation and hopelessness. The characters and the plot, which feel like they are there only to support the role of the city, don???t make up for this. A month from now, I probably won???t remember any of the plots in Viriconium Nights. But I will remember Viriconium.

    This audiobook was produced by Neil Gaiman Presents and is narrated by Simon Vance who is one of the absolute best in the business. This is a high-quality production and highly recommended for anyone who wants to read one of M. John Harrison???s best-loved works.

    5 of 5 people found this review helpful
  • The Enchanted Castle

    • UNABRIDGED (7 hrs and 40 mins)
    • By E. Nesbit
    • Narrated By Virginia Leishman
    • Whispersync for Voice-ready
    Overall
    (3)
    Performance
    (3)
    Story
    (3)

    Jerry, Jimmy, and Kathleen can’t go home for their school holiday because their cousin is sick with measles there. Instead, they stay at Kathleen’s school with the French teacher. One morning, they set out to find adventure. Instead, they find an enchanted place - and magic, too! Walking through a nearby forest, they discover an enormous mansion, where a girl lies asleep in the garden. Although she pretends to be an enchanted princess, she is Mabel, the housekeeper’s niece. But she has a ring that really is magical. It can make the wearer invisible and grant wishes.

    Katherine says: "An endearing classic"
    "An endearing classic"
    Overall
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    Another endearing children’s fantasy by a woman who obviously knows what children like. You can’t go wrong with Edith Nesbit and most of her books are in the public domain so you can get the free ebook at Amazon and add the whispersync narration. Great deal.

    1 of 1 people found this review helpful
  • Tigana

    • UNABRIDGED (24 hrs and 50 mins)
    • By Guy Gavriel Kay
    • Narrated By Simon Vance
    Overall
    (810)
    Performance
    (488)
    Story
    (492)

    Tigana is the magical story of a beleaguered land struggling to be free. It is the tale of a people so cursed by the black sorcery of a cruel, despotic king that even the name of their once-beautiful homeland cannot be spoken or remembered.

    But after years of devastation, a handful of courageous men and women embark upon a dangerous crusade to overthrow their conquerors and bring back to the dark world the brilliance of a long-lost name: Tigana.

    Robert says: "Says a lot about who we are."
    "Fascinating story filled with passion"
    Overall
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    Originally posted at Fantasy Literature.

    Nobody remembers Tigana — a land bright with beauty, culture, and wealth — nobody but those who lived there before the land was cursed by the conqueror Brandin of Ygrath after the prince of Tigana killed Brandin’s son in battle. When the now-oppressed Tiganese try to tell outsiders about Tigana, the name just slips out of the listener’s mind. Only those born in the land are able to keep its beautiful name in memory.

    But the prince of Tigana’s son still lives and he and his companions plan to restore their land’s name. But, not only must they kill Brandin of Ygrath, but also Alberico of Barbadior, who rules the other half of their peninsula. Otherwise, they will merely be consumed by a different tyrant.

    I was entranced by Tigana right from the first page. What I noticed immediately was the passion — this is a story lovingly wrought by an author who loves language, loves his characters, and loves the world he’s created. Guy Gavriel Kay’s prose is heavy (sometimes too heavy) with imagery and emotion yet it reads, for the most part, easily (except for the occasional unexpected shift in point-of-view).

    Kay’s characters are distinct, well-developed, and likable. The prince’s companions are a diverse group, each with his/her own personality, strengths, and weaknesses. The actions and motives of the villains are completely understandable — in fact, I felt sympathetic toward them.

    The story of the struggle to free Tigana was fascinating. There were some slightly unbelievable or contrived plot devices, but the rest of the story was excellent enough that I was perfectly happy to overlook them. The end was surprising and bittersweet.

    I listened to most of Tigana on audio (and read some it in print). Simon Vance is the reader, and he is one of the very best. If you’re an audiobook listener, I’d definitely suggest that format for Tigana. But, either way, Tigana is a must-read.

    2 of 2 people found this review helpful
  • Ubik

    • UNABRIDGED (7 hrs and 7 mins)
    • By Philip K. Dick
    • Narrated By Anthony Heald
    • Whispersync for Voice-ready
    Overall
    (391)
    Performance
    (203)
    Story
    (213)

    Glen Runciter is dead. Or is everybody else dead? Chip works for Glen Runciter's anti-psi security agency, which hires out its talents to block telepathic and paranormal crimes. But when its special team tackles a big job on the moon, something goes terribly wrong, and Runciter is seemingly killed.

    Mirek says: "Ubik - the classic of sci-fi"
    "Use only as directed"
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    Originally published at Fantasy Literature.

    Warning: Use only as directed. And with caution.

    Written in 1969, Ubik is one of Philip K. Dick’s most popular science fiction novels. It’s set in a future 1992 where some humans have develop psi and anti-psi powers which they are willing to hire out to individuals or companies who want to spy (or block spying) on others. Also in this alternate 1992, if you’ve got the money, you can put your beloved recently-deceased relatives into “coldpac” where they can be stored in half-life and you can visit with them for years after their death.

    As Ubik begins, Glen Runciter, the head of one of New York City’s top anti-psi organizations, discovers that all the operatives of the top psi organization (whose telepathic fields they like to keep track of) have disappeared. This means less work for Runciter’s employees and he’s concerned about how they’re going to get paid. When Runicter’s company is offered a big job on the moon, he figures they’ve found the missing telepaths and he’s eager to hire out as many of his inactive inertials as he can, including the new one who has a strange and disturbing power: she can nullify events before they happen. But when Runciter’s inertials get to the moon, disaster strikes, and when they return to Earth, they find that life is not how they left it. In fact, time seems to be going backward and something is killing them off one by one. The only thing that might help is Ubik — a mysterious product in an aerosol spray can… If only they can find it!

    Ubik is a fast-paced SF thriller full of classic PKD themes such as an unreliable reality, time running backward, precognition, telepathy, paranoia, drug abuse, hallucinations, and spirituality. The story is quite funny in places and includes a bit of horror, too.

    There are several plot twists in Ubik, including a big one at the end, which means that the reader is as unsure about what’s going on as the characters are until the big reveal and, still, there are some questions left unanswered. Mainly we’re left contemplating what PKD is suggesting about death, salvation, and God. Ubik is one of those books where, at the end, you have to review the plot in light of your new knowledge just so you can try to put it all together.

    I listened to Blackstone Audio’s version read by Anthony Heald. Heald successfully handles a rather large cast of alive and dead humans, not to mention the talking appliances and doors. Thanks to Heald’s skills, Ubik on audio was thoroughly entertaining.

    Ubik has been named by Time Magazine as one of the Top 100 English-Language Novels From 1923 (list compiled by Lev Grossman). I can’t say that I agree with this accolade, but I can say that I enjoyed Ubik and can recommend it to anyone who likes science fiction. For Philip K. Dick fans, Ubik is an essential read.

    1 of 1 people found this review helpful
  • The Hunger Games

    • UNABRIDGED (11 hrs and 14 mins)
    • By Suzanne Collins
    • Narrated By Carolyn McCormick
    • Whispersync for Voice-ready
    Overall
    (32631)
    Performance
    (23949)
    Story
    (24275)

    Could you survive on your own, in the wild, with everyone out to make sure you don't live to see the morning? In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by 12 outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of 12 and 18 to participate in the annual Hunger Games, a fight to the death on live TV.

    Teddy says: "The Book Deserves The Hype"
    "Unputdownable"
    Overall
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    Story

    Unputdownable. This is very dark for YA. The audio version narrated by Carolyn McMcormick is excellent.

    0 of 0 people found this review helpful
  • Something from the Nightside: Nightside, Book 1

    • UNABRIDGED (5 hrs and 51 mins)
    • By Simon R. Green
    • Narrated By Marc Vietor
    • Whispersync for Voice-ready
    Overall
    (1110)
    Performance
    (588)
    Story
    (598)

    "Taylor is the name. John Taylor...My card says I'm a detective, but what I really am is an expert on finding things. It's part of the Gift I was born with as a child of the Nightside - the hidden heart of London where it's always three a.m., where inhuman creatures and otherworldly gods walk side-by-side in the endless darkness of the soul. Assignment: Joanna Barrett hires me to track down her teenage daughter, who decided to forgo the circus and run away to the Nightside."

    Angela says: "The Nightside"
    "Imaginative world, great audio"
    Overall
    Performance
    Story

    Simon R. Green has created a cast of zany characters in a dark imaginative world that's fun to explore. The audio is very good. However, this series starts to go down-hill after the first few books. It gets extremely repetitive and I ended up not liking the series in the end.

    1 of 1 people found this review helpful
  • Furies of Calderon: Codex Alera, Book 1

    • UNABRIDGED (19 hrs and 58 mins)
    • By Jim Butcher
    • Narrated By Kate Reading
    • Whispersync for Voice-ready
    Overall
    (3668)
    Performance
    (2365)
    Story
    (2400)

    In the realm of Alera, where people bond with the furies - elementals of earth, air, fire, water, and metal - 15-year-old Tavi struggles with his lack of furycrafting. But when his homeland erupts in chaos - when rebels war with loyalists and furies clash with furies - Tavi's simple courage will turn the tides of war.

    Eric says: "great fantasy series"
    "Doesn't stand out"
    Overall
    Performance
    Story

    This story is a pretty straight-up very long boy-with-a-destiny-and-friends-must-defend-the-keep-from-the-evil-enemy-horde kind of epic fantasy that doesn’t stand out. There are a lot of the usual tropes which made it impossible for me to forget I was reading an epic fantasy novel (rather than becoming absorbed in the story). At first it’s hard to really like any of the characters but by the end I liked them better and I thought the plot was heading in a more interesting direction (away from the evil enemy horde). The romances are very thin but the occasional dry humor is appealing. I’m willing to read the next book, but mostly because I already have it on my shelf.

    1 of 2 people found this review helpful
  • Boneshaker

    • UNABRIDGED (13 hrs and 42 mins)
    • By Cherie Priest
    • Narrated By Wil Wheaton, Kate Reading
    Overall
    (950)
    Performance
    (623)
    Story
    (622)

    In the early days of the Civil War, rumors of gold in the frozen Klondike brought hordes of newcomers to the Pacific Northwest. Anxious to compete, Russian prospectors commissioned inventor Leviticus Blue to create a great machine that could mine through Alaska’s ice. Thus was Dr. Blue’s Incredible Bone-Shaking Drill Engine born.

    Darwin8u says: "Excommunicate and Banish This Book"
    "A zombie story in an interesting setting"
    Overall
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    Story

    Zombies aren’t my favorite thing, but I did enjoy the story and the non-zombie characters in Boneshaker. Interesting setting — a mist-filled walled-off portion of Seattle.

    2 of 3 people found this review helpful
  • Slaughterhouse-Five or The Children's Crusade: A Duty Dance with Death

    • UNABRIDGED (5 hrs and 53 mins)
    • By Kurt Vonnegut
    • Narrated By Ethan Hawke
    • Whispersync for Voice-ready
    Overall
    (2283)
    Performance
    (999)
    Story
    (1015)

    Kurt Vonnegut's absurdist classic introduces us to Billy Pilgrim, a man who becomes 'unstuck in time' after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden.

    William says: "What more can be said?"
    "Excellent audio!"
    Overall
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    Originally posted at Fantasy Literature.

    Kurt Vonnegut was a POW in Dresden during World War II. He only survived the allies’ bombing of Dresden because the Germans housed the American prisoners in a meat-locker in a building they called Slaughterhouse-Five. For years afterward, Vonnegut attempted to write a book about his experiences, and in 1969 he eventually produced Slaughterhouse-Five, a fictional biography of one of his fellow soldiers who he calls Billy Pilgrim. In the first chapter of Slaughterhouse-Five, Kurt Vonnegut explains that his novel will be short and “jumbled” and that it’s “a failure” because “people aren’t supposed to look back” and “there is nothing intelligent to say about a massacre.” Well, the book is short and jumbled, but it’s not a failure — it’s interesting, irreverent, and very funny (if you like bleak black humor).

    Billy Pilgrim has become “unstuck in time” — he seems to move up and down his own timeline, experiencing his life — his uneventful childhood, his inglorious experiences as a POW, his mundane marriage, his time in an insane asylum, his dull but lucrative career, and his death — out of order and repeatedly. Billy also believes that he was once abducted by aliens and taken to the planet Tralfamadore where they put him in a zoo so they could observe human behavior. The Tralfamadorans, who experience four dimensions and are outside of time, have a fatalistic philosophy of life, war, and death, which Billy embraces.

    Vonnegut’s non-linear narrative and his repetitive imagery and language evoke a feeling of bizarreness, disorientation and impotence, which mirrors Billy Pilgrim’s feelings about his life — especially his feelings about the war where he was a weak, ineffective soldier who did nothing but get caught by the Germans and witness the deaths of thousands of innocent people. Vonnegut keeps repeating the phrase “And so it goes” after any mention of death. The phrase is used over 100 times and, rather than becoming irritating, it lends a fatalistic air. It also gets funnier each time, in a gallows humor kind of way. (The phrase is even used after we’re told that the champagne is flat.)

    Along with the jumping around in time, Billy’s delusions about Tralfamadore make us assume that he’s insane. Was he insane before he went to war, or does he have Post-Traumatic Stress Disorder, a disorder that, at that time, the military either didn’t recognize or didn’t acknowledge?

    On the surface, Slaughterhouse-Five, though entertaining and funny all the way through, seems absurd and pointless. But that is the point: War is absurd and pointless. It’s illogical, irrational, and unstoppable. Vonnegut never overtly condemns war — the novel feels fatalistic instead; there is war, people die, and so it goes. If Slaughterhouse-Five is a condemnation of war, it’s a subtle condemnation, and maybe that’s why it works so well. Nobody likes to be hit over the head with a Message. Instead, Slaughterhouse-Five makes us consider the absurdity of war for human beings who, unlike the timeless Tralfamadorans, live in only three dimensions.

    I listened to Harper Audio’s production of Slaughterhouse-Five. The narrator, Ethan Hawke, was amazing. This was one of the best audio productions I’ve listened to recently. Hawke, who sounds laid back and like he just smoked a couple of joints, speaks almost in a whisper. He sounds intimate and philosophical. Hawke’s narration greatly enhanced my enjoyment of Slaughterhouse-Five. There’s also an interview with Kurt Vonnegut at the end of this Harper Audio production.

    3 of 3 people found this review helpful
  • The Lies of Locke Lamora

    • UNABRIDGED (21 hrs and 59 mins)
    • By Scott Lynch
    • Narrated By Michael Page
    • Whispersync for Voice-ready
    Overall
    (2586)
    Performance
    (1927)
    Story
    (1933)

    An orphan's life is harsh---and often short---in the island city of Camorr, built on the ruins of a mysterious alien race. But born with a quick wit and a gift for thieving, Locke Lamora has dodged both death and slavery, only to fall into the hands of an eyeless priest known as Chains---a man who is neither blind nor a priest. A con artist of extraordinary talent, Chains passes his skills on to his carefully selected "family" of orphans---a group known as the Gentlemen Bastards.

    Luke A. Reynolds says: "Stupendous, but be warned."
    "Fascinating world"
    Overall
    Performance
    Story

    Scott Lynch has created a unique and fascinating world full of wonderful creations such as a crime boss who rules his empire from a houseboat, his little daughter who sits on his lap drinking ale and kicking subordinates with her steel-toed boots, a blind priest who begs for alms and eats gourmet meals off fine plates in his luxurious cellar, noblemen who live in glowing glass towers, a blood-sucking rose garden, alcoholic oranges, and women who fight jumping man-eating sharks for sport. This is truly entertaining stuff!

    3 of 3 people found this review helpful
  • The Mote in God's Eye

    • UNABRIDGED (20 hrs and 27 mins)
    • By Larry Niven, Jerry Pournelle
    • Narrated By L J Ganser
    • Whispersync for Voice-ready
    Overall
    (3574)
    Performance
    (2062)
    Story
    (2087)

    The Mote In God's Eye is their acknowledged masterpiece, an epic novel of mankind's first encounter with alien life that transcends the genre. No lesser an authority than Robert A. Heinlein called it "possibly the finest science fiction novel I have ever read".

    J. Rhoderick says: "A great read!"
    "A classic First Contact story"
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    Originally posted at Fantasy Literature.

    The Mote in God’s Eye, co-written by frequent collaborators Larry Niven and Jerry Pournelle, is a classic First Contact science fiction story which Robert A. Heinlein called “possibly the finest science fiction novel I have ever read.” The story takes place in 3017 AD in the future of Jerry Pournelle’s CODOMINION universe (though it’s not necessary to have read any of those books to enjoy The Mote in God’s Eye). Humans have developed the Alderson Drive which allows them to immediately jump to certain points in space. Thus they’ve been able to colonize many planets which are ruled by a single government similar to the British monarchy.

    Up to this point humans have assumed they’re the only intelligent species in the universe, but an alien spaceship has just been detected near the Mote system. The spaceship MacArthur, captained by Lord Roderick Blaine, is dispatched to intercept the alien. Besides its regular crew, MacArthur has a couple of civilian passengers temporarily on board: Horace Bury, a trader and political prisoner, and Sally Fowler, a cultural anthropologist (how fortuitous) and senator’s niece.

    It turns out that the alien in the probe ship is dead, but the humans figure out where the home planet must be, so Roderick Blaine, Sally Fowler, Horace Bury, a priest, the crew of MacArthur and a team of scientists are sent on a diplomatic mission to the planet they call Mote Prime. The ship Lenin is sent for back up. It’s captained by Admiral Kutuzov, a ruthless but effective man whose job is to not let the Moties learn anything that could help them build an Alderson Drive and escape the bounds of their own solar system.

    Upon arrival at Mote Prime the diplomats find that the Moties are friendly and want to be allies. An alliance and trade agreement with the Moties would be beneficial to the human empire because, except for the lack of an Alderson Drive, the Moties are far more technologically advanced. But that means they’re also a threat. The diplomatic mission must discover all they can about the Motie society so it can make a recommendation to the empire about how to deal with this species they’re sharing the universe with. This, of course, is not as easy as it seems. Do the Moties really have pure intentions toward the humans, or are they deceiving them for some reason?

    The Mote in God’s Eye, published in 1974, is a nice change of pace from most of the human vs. alien science fiction that had been previously published. Niven and Pournelle create a truly alien society and explore its evolution, history, sociology, and motivations. The story is compelling because Niven and Pournelle capitalize on the mystery, leaving the reader as much in the dark about the Moties’ true intentions as the human characters are. The truth is surprising (though, I thought, not completely believable).

    Niven and Pournelle write unique stories but they’re not superior stylists; I read their books for the plot and ideas — not to admire their use of structure or language. This particular story is interesting, has a few great characters (Blaine, Kutuzov, the priest, and the Brownie aliens), and has an occasional nice touch of humor, but it sometimes suffers from shallow characterization, excessive dialogue, and an old-fashioned feel. The action is exciting, but limited. There is a lot of the normal “hard SF” explanation of drives, fields, stars, ships, etc, but there are also a lot of meetings in which the humans (or aliens) are trying to figure out what the aliens (or humans) know, assume, intend, and plan. Some of this was amusing (for example when the aliens are trying to figure out some aspects of human behavior) but many of the discussions just go on too long. Also, for a story set in 3017, ideas about birth control, sex, and women’s roles in society feel rather quaint.

    The Mote in God’s Eye was published in 1974 and nominated for the Hugo, Nebula, and Locus Awards. Nearly 20 years later Niven and Pournelle published a sequel called The Gripping Hand. It was not well received so, in 2010, Jerry Pournelle’s daughter J.R. Pournelle wrote and published another sequel called Outies.

    I listened to Audible Frontier’s audio version of The Mote in God’s Eye. L.J. Ganser does a great job with the narration. This title has recently been released in CD format by Brilliance Audio.

    3 of 3 people found this review helpful

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