Kamloops, British Columbia, Canada | Member Since 2011
My daughter read this and gave up less that half way through. I think you have to hear her deliver her own prose. She is a master. I adore her. I get her humor even though I'm not a New Yorker but I am an ex smoker. She makes me laugh out loud. She writes very well-although I understand she had a long period of writer's block. Until I read this I thought she was famous just for being all over the social pages of Vanity Fair. I hope she writes and narrates more for 'our listening pleasure'.
Edward Petherbridge has exactly the Edwardian delivery that Foster needs. Can I give the narrator 10 stars? I read this book years ago but this reading that I bought on the recommendation of a friend, uncovers humor and nuances that I totally missed before. I actually lost sleep not wanting to turn if off for the night.
I was only exposed to metaphysical poets in high school and developed an aversion for adult poetry. There are much read children's poetry books on my shelf but the gifts of Auden, Frost ,TS Eliot etc. have sat unread and unappreciated. I woke up to the fact that I need to HEAR poetry after a visit to my brother who can recite reams of it. Catching Life by The Throat was my first venture into really listening to poetry. This is a great selection with interesting commentary and excellent readers. Who knew that Roger Moore could do such a good job with Kipling?
I downloaded this simply because Lessing died recently and I felt guilty that I had never read her. The narrator was also an incentive.
To my surprise, although I loved the book , found the heroine to be completely believable and found it confusing, (had to go back and re-listen) it was the structure of the book as well as the writing that I found completely compelling and absorbing. This book was dismissed in the past as a 1960's feminist tract. It's so much more than a book about a woman in the 60's. Juliet Stevenson is a superb reader: there are accents and dialects involved and she nails every one. I think this book is a keeper and I will listen again.
This is one of the best books I have listened to. I knew nothing of the attempts on Victoria's life and their effect on her reign: the first one rescued it. The relationship between the Queen, Albert, the court and the police and how these attempts helped to modernize the police force and establish Albert's place in England are well researched and described .A really good detective story taken from records of the time.
That said I wish I had read it.
The narrator is not English and went to no effort to do his homework regarding speech patterns. Victoria was raised by her German mother and a German confident. (Albert hardly spoke English when he first married Victoria). The Upper class accents are ridiculous and if he had done some preparation he would have known the correct pronunciation and emphasis for a multitude of names places and things. An L is a pound an S is a shilling ,a d is a penny. Lazy and irritating ;however the narrator's voice is clear and his speech is fluent with no unnecessary histrionics.
For me the narrator completely ruined this reading. His background voice has a nasal Birmingham twang to my ears,which has no place in a London based book and was completely distracting. His female voices are awful and irritating. I am spoiled by the TV series in which Linley and Havers are played to perfection. I would not read another Linley narrated by this reader.
I should have known better. I don't think there is anything here that we couldn't have gleaned from a tabloid over the years. This book reads like a full length tabloid article and although I was fascinated by the man after about 10 minutes I was asking myself 'Why am I bothering?' I'll get a refund and watch the movie.
This book describes Phyllida Law's care of her dementing mother in Scotland while she was trying to sustain an acting career from her home in London. It is a glorious book full of gentle and rip roaring humor in the face of what must have been dreadful to witness. Phyllida had already cared for her mother-in law who was very deaf at the same time she was raising Emma and Sophie Thompson her actress daughters.Husband and father,Eric Thompson ( Magic Roundabout narrator for any Brits reading this) died very young.
Phyllida has the most expressive, beautiful voice and narrates her exquisite prose to perfection. I listened to this book without a break and have bought another audible because she is narrating it.
I have to admit to having been unable to read Sophie's choice and almost couldn't watch the end of the movie. What first drew me to Styron was his small volume on depression, Visible Darkness expanded from an article in the New Yorker. I never lent a copy that came back: I must have 'given' over a dozen away. Styron broke new ground writing from the perspective of someone who suffered from debilitating depression compounded by liberal use of alcohol. Alexandra grew up grounded by her mother Rose with a brilliant,difficult mercurial father. As a contemporary of Plimpton and Mailer he moved in high, rabble rousing literary, society and this aspect is fascinating. This is not a Mommy Dearest rant,rather a literate, thoughtful telling of a daughter's struggle to understand her father. That she loved him there is no doubt. Alexandra's training in the theater makes her an intelligent and clear narrator.
A beautiful 'slim volume' ostensibly about his father but also containing some wonderful insights into his own impressive acting career on the stage. I have never seen him on the stage and am unlikely to, living where I do; however, he is going to be in The Magistrate by Pinero live in HD from the National Theater London. Jan 2113-check your local listings.
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