United States | Member Since 2013
I'd listen again because the characters were so darn like able and because I love Renee Raudman's narration.
Marnie. Like all of us, she's had tough times. Not traumatic but challenging. But she still believes in people and opportunities and she's not going to give up on her dream of being a wedding planner because the situation isn't made-to-order.
Renee is the bomb with vocal characterization.
I'm looking forward to the next installment of Thrillseekers.
Normally, I love Renee Raudman but her voice just did not sync with this story. And it completely detracted from the story - which I now will read since I adore Ilona Andrews. Maybe it's not as marginal as the audio version.
The British narrator speaking at light speed ruined a story that might have been salvageable. Occurring in America's northwest, the English accent completely threw the thin storyline of werewolves coexisting in our urban reality. The speed of the narration matched the storytelling where I was forced to question, 'two weeks passed and the emotional development is static. I might've been able to suspend belief if I could live with the narration. Alas, I couldn't even finish it.
Loaded with puerile mind-chatter, absolutely yawn-worthy smex and a limited storyline, this is a marketing ploy with no substance. The plot is so thin in between, graphic and boring sex scenes, I forced myself to finish the listen. Sophomoric vocabulary, crap research ( when does a hospital release someone from surgery and 20 minutes later say the person will be 'fine?') and one week after a gsw, pacing, able to strap into a seatbelt and accept full hugs. Not worth credit or sale.
Don't get me wrong - I love KC's writing and the worlds she creates. I work in an Indie bookstore and prop the Arcana Chronicles like the paranormal floozy I am. But, honestly, looking at the publishing schedule and the length of the books, we know the trilogy could be wrapped into one delicious read. But the math works like this: one $20+ audiobook discounted to under $10 in less than a year. Or 3 audios released over two months with the discounted price netting almost $15.
It's only her recent books that have pushed the $16 to $20 mark and we all try use credits on those. No way would we waste a credit on $4.61 audio. So all the middlemen are making more money at the expense of the consumer and the needy characters who want their story completed in one book.
Will I buy the rest of the series? Absofloozy! But I tend to shy away from overt marketing ploys with other books and have written KC about my concerns with this series. Maybe she'll tell the gurus she was nucking futs to agree to this capitalization and it won't happen again.
I loved this book because it MOVED. Listeners weren't subjected to long internal dialogues or angsty navel-gazing. Right from the start we're treated to action, quality character contact and suspense. Priced right to purchase or use a credit on. You'll be hooked on this author.
Sophomoric narration and a really plodding storyline make this a good book to type to. In other words, rather than escaping with a good book, you want to find shelter from it.
The story had promise as we follow Franny Darling's life. However, the plot plodded with altogether too much angst and too little progression. I suffered through 2/3 of the book before deciding I was bored, frustrated and unable to continue to listen. A complete disappointment since I liked the first books in the series.
Normally, I love Susan Ericksen's narration but this one was poorly edited with character switches and conversations blurry. It also matched the the sloooow plot but could not be corrected by speeding up the recording.
Save your money and credits - and teeth gritting.
I bought this on a whim and was so pleasantly shocked by how much I enjoyed the story. Not a typical HEA but a story with real character development and discovery. It's the story of how we all want fall in love. With quality time on a bus (plane, box, confined space :-), an adventure and the chance at a future together. Major twist at the end notwithstanding. Worth a credit.
PS: this novel was satisfying and concluded beautifully. I'm a little disappointed to see this story continue as I'm anti- trilogy now.
I loved the Brit-wit in this book but was appalled that this wasn't a stand-alone book. A decent editor and a savvy publisher would've distilled a worthy story into one book instead of three! What happened to choosing the value of a a great story into a great bottom line? The amazon reviews saved me from installment 2 and 3. Again, they suffer a lack of a critical eye. I am done with overwritten trilogies and E.L. Wannabes! Every employee at Random House (shipping, janitors) received a $5,000 bonus at year end 2012 because of the success of 50 shades. A formula was born and we, the readers, are paying for it literally and figuratively. This is not fine art.
I'm only into the second novella and am, frankly, bored. I agree this should be termed a prequel to the series. While some stories add depth for future novels, some backtrack to tell stories where you already know the outcome, eliminating any suspense or urgency. My advice: wait for the next novel.
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