The author seems to have been under an irresistible urge to get this published in the midst of Bernard Madoff scandal. The half of the book devoted to that particular exhibition of greed is full of suggestion and innuendo but little substantial fact. It was written before charges were settled or investigative information publically disclosed. Needless to say, years later it reads like a newspaper story of the time, not a considered review of the final outcome. I did not find this major section of the book to be illuminating or even-handed.
The rest of the book, however, was what I was hoping for. While certainly not inclusive of all financial frauds, it was illustrative of the kind of frauds that can be successfully implemented. Anyone who thinks they can spot a "great investment opportunity" ought to read through the sad experiences of the past.
There was a distracting onslaught of case numbers and websites, which can be quickly skimmed in a paper book but grated on my ear in audio form. The author seemed to be under the misapprehension that anonymous bloggers have as much credibility as respected journalists.
The narrator was not a good choice for this book. He mispronounced company and individual names - demonstrating a lack of familiarity with the financial world.
I would love to find a good book that delivers what this volume advertises – a history of fraud and greed throughout history.
Yes, this is a Great American Novel, a classic of its time. The story of a back country crusader who becomes the powerful governor of an unnamed state (which is, of course, Louisiana) carries, at its core, important messages about America, politics and mankind.
But they are buried under mountains of words. There are intricate descriptions of people who we only glimpse once and never return to the story (anyone remember the man at the California gas station? you listened to 10 minutes about him). Peoples' actions are described multiple times with only slightly different phrases. Nothing is left to the imagination. And that is what I missed most in this book - the way good writing sends my mind reaching for images and stories beyond the words on the page.
It was also difficult for me to continue with a 20 hour book when I actively dislike the first person character. Yes, he does exhibit strong racist and sexist attitudes, but this was written in the 1940s and takes place in the South, so that is not the problem. But he is amoral man with no beliefs of his own. He is not even interesting - he simply observes interesting things.
Literature is often complimented for its spare writing, with the bones of the story expressed and the rest only alluded to - a style exemplified by Ernest Hemingway. If the opposite of that style is flowery and overgrown as in Ayn Rand, this story clearly falls into the second group. Too much for my tastes; I do not prefer being smothered by the vines and tendrils of a book.
I have mixed feelings about this book. In the context of an adventure story that every boy dreams of, Time Pirate is hard to beat. But if consistency within a story and within the historical context it takes place is important to you, Time Pirate falls far short.
Our young hero is resourceful and brave. Great military and political leaders look to him for advice. His foolish exploits always end in success. Victory over the dastardly bad guys is a foregone conclusion. There is not a whiff of nuance or equivocation here.
But he consistently makes decisions that anyone can see are wrong - and those same great leaders do not challenge him. He does not take action that will clearly further his cause, but may eliminate a few chances for excitement in the book. He has intricate detailed knowledge of military battles and maneuvers in some cases and in others does not demonstrate the most basic understanding of the principles of battle.
In once scene, a great military leader passes triumphantly through a town, recognized by every soldier he passes. Moments later, he presses the man he has come to see into keeping his presence a closely guarded secret as knowledge of his presence could ruin great plans. Huh? On the occasions he is captured, he is put into custody with all of his worldly possessions, including firearms, knives and the time traveling orb. This does not make sense even to an eight year old.
But the story does move along and the adventures never stop. John Shea is an excellent narrator for this book although he does exhibit some odd narrative techniques. His pacing is far from steady and some of his voices are caricatures. But, his style seems to work well for this story of pirates, generals, airplanes and ships.
As did many other listeners, I had a very difficult time with this narrator. He is not a bad reader - this is simply NOT the series for him. He loses all of the Venetian personality of the story for me. The recurring female characters especially grated on my ear (Signorina Elettra, Paola Brunetti and Chiara Brunetti). Paola's aristocrat father was also way off the mark; to my ear he sounded like a weak, sniveling husk trying to live off the glories of the past (not the man we know from other books in the series).
I will not give complete blame to the narrator though, as I was shocked at one passage that refereed to Signorina Elettra responding "girlishly" - something we have not seem before or since from the sophisticated, elegant assistant.
The story was well developed and we met more colorful characters from Guido's past. The tale of trade in illicit artwork is perfect for the machinations of the rusty and ponderous Italian legal system. There are surprise discoveries and sad realizations. Guido makes mistakes and has to compromise justice - something that always breaks his heart. This book is a good addition to the series.
I, for one, would be happy to buy another copy and listen again if we could have David David Colacci narrate.
And that is not a compliment! The author "documents" the thoughts of the characters, even moments before they die. I know there are diaries and manuscripts, but they would never give the detailed level of dialogue and internal observations that are present here. If this had been sold as a fictionalized account of three characters, I would have been satisfied.
This is a "tale of the Yukon" and is interesting as that. It is NOT the story of the Yukon and if you come to it expecting a broader view of how and why the Klondike gold rush happened, you will be disappointed. Given those warnings however, it is an amazing story that gives a taste of the character of the times. It is about 30% too long for the subject, but the story moves along and kept me listening.
With scant knowledge of where they are headed or how the world will change while they are en route, two bands of intrepid men head for the Pacific Northwest to assert their dominion over the land and, more importantly, the fur trade.
Cultural differences between the partners (who have the most to gain financially), voyageurs (French Canadians who are expert boatmen), trappers and the Native Americans lead to ghastly mistakes with deadly consequences. The arrogance of the European mindset is difficult to overcome and the primary barrier a successful expedition.
Although I have spent much of my life in the Pacific Northwest, this is a story I had never heard. Perhaps that is because their motives were completely financial - no superficial talk about Manifest Destiny or God's will to give a patina of morality. The men were brave and often heroic but they were also stupid, indecisive and foolish. They were so far from home that the only choice was to go on, whatever lay ahead.
Running two stories along parallel paths can sometimes be difficult to follow, but this book does a good job with both the over-land and sea expeditions. At the very beginning of the book, there is a chapter which actually takes place at almost the close of the story. It comes across as a bit of a gimmick to me - and this story does not need any tricks to keep your interest. The rescue ship in that first chapter is actually one of the least engaging parts of the story.
Other than that one, admittedly minor, complaint, I thoroughly enjoyed the book and learned a great deal. The reader was good, no distracting tics to bother me. The pace is appropriate to the material.
Yes, I love this series and the narrator is perfect. This story is the most recent I have read or listened to and the characters continue to evolve. I missed having more about the Brunetti family - those scenes are almost always my favorite in the books.
Not this time. It was apparent to me fairly early on what the motive for the crime was and the likely murderer. I still enjoyed watching the unraveling.
Favorite scene was the funeral very near the end. It brought a tear of compassion to my eye. It was a lovely and fitting tribute to the departed.
On the flip side, it was very difficult for me to get though the scene at the slaughter house. I am not sure why Brunetti felt they needed the complete tour - perhaps the author wanted to ensure she drove a few readers to become vegetarians.
If you have an idiot boss or work with well intentioned but incompetent colleagues, you will recognize the world of Guido Brunetti, even if you are not a commissario in the Venetian police. If you are as elegant, smart and clever as Signorina Elettra, well, I am simply envious beyond words!
Why can not history be taught like this? Through the means of an amazing tale we learn about Spanish colonization, navigation, clashes of empires and how our beliefs (religious or otherwise) affect the way we view and interact with different cultures.
As other reviewers note, Resendez is working with very little documentation and a lot of hearsay and supposition. Only rarely does he push my buttons and jump to unwarranted conclusions: does he really think it is just a likely that these men performed miracles as that the placebo effect or regression to the mean explains the "healings"? The story is rather thin and even a short book like this one is padded in spots with unnecessary background information, but it is worth it to hear this little-known story.
I believe this is my first listen to Jonathan Davis and I was very pleased with his pronunciation of Spanish names and places. Too often it seems narrators do not take the trouble to learn the appropriate pronunciation.
Nothing to do with the recording, but I wonder why the cover of the book says "An extraordinary tale of a shipwrecked Spaniard who walked across America" although the book tells the tale of four men - three Spaniards and a black slave and it was not really a shipwreck as we think of one.
This is not a story, rather a narrative by a young boy of what he learned at the knee of his grandfather during the late 1920s. I smiled and laughed at many of the lessons learned and this family made its way into my heart. The only section of the story that does not fit is about an hour towards the end where the action is moved away from the gentle rhythm of the cabin in the woods. I know this was a reality of many Native Americans during the period covered but it seems gratuitous and ill-fitting in this book. The rest of the book is full of lessons for all of us - don't trust politicians, take only what you need and respect the earth. Do not suppose this is a cliche ridden sermon on the evils of civilization - there is nary a cliche to be found and sermons are not to be trusted in this tale. The narrator is excellent and expresses the wide eyed discoveries of a 5 year old without the nasal whiny tone of some narrators when reading a child's voice. If you love your family, you will understand the hearts of Little Tree and his grandparents.
I knew Nevil Shute from "A Town Like Alice" and "On the Beach." While this book takes place in the same period (post WWII), it is a distinctly different tale. What it does have in common with "A Town Like Alice" is a main character placed in a totally unfamiliar environment.
The charmingly naive Keith Stewart sets off to do the right thing by his orphaned niece. He encounters lots of adventures and adventurers along the way. One of the things I liked best about this book was the brotherhood of amateur engineers who do everything they can to help Keith on the way - from back room tinkerers to corporate magnates. I wish Keith had been my uncle!
Frank Muller does a fine job narrating the varied and multinational characters. I am sure they are not all authentic but he does give a distinct personality that seems to match the character he is reading. Never does his narration distract from the story and that is high praise.
This is a book of the period - be warned that a woman is not considered a worthy manager and single men are less valuable employees than married men, but it is easy to remember when it was written. I did laugh at the assumption that "modern" aircraft would require less hydraulic technology in the future.
When Adam sticks to the farm and the animals, this can be an engaging book, Unfortunately it starts with a rather long section about his television show in which he comes off as a bit pretentious. I also got tired of his justifications of why he isn't organic juxtaposed against his condemnations of other farmers who do not make the same choices he does in other areas. He does give a good view into the struggles faced by English farmers, although to be honest he does not suffer the the same dire consequences as his peers do. I enjoyed the sections about the traditional breeds of livestock and why they faded from popularity.
The narrator did not consistently pronounce words clearly and sometimes spoke quickly so the phrases slurred together. This makes sections with unfamiliar concepts and names something of a challenge.
It would be unlikely that I would spend my time on another book by this author or any selection read by this narrator.
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