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Alexander

Member Since 2010

4
HELPFUL VOTES
  • 2 reviews
  • 45 ratings
  • 279 titles in library
  • 14 purchased in 2015
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  • American Bloomsbury

    • UNABRIDGED (6 hrs and 54 mins)
    • By Susan Cheever
    • Narrated By Kate Reading
    • Whispersync for Voice-ready
    Overall
    (62)
    Performance
    (23)
    Story
    (23)

    Here is a fascinating biography of those who were, in the mid-19th century, at the center of American thought and literature. It was an eclectic cast of characters. At various times in Concord, Massachusetts, three houses were home to Ralph Waldo Emerson, Henry and John Thoreau, Louisa May Alcott, and Nathanial Hawthorne. Among their friends and neighbors were Henry James, Emily Dickinson, Walt Whitman, Edgar Allen Poe, and others - men and women are at the heart of American idealism.

    Paula says: "Decent intro to 1840's Concord"
    "The twist ending is the pro-Confederate bias"
    Overall
    Performance
    Story

    This book repeats a lot of inaccurate cliches about these writers that haven't been taken seriously for a generation or two. A number of reviewers here and on Amazon have pointed out its factual errors. But what really surprised me was the old-school Confederate apologia that creeps in throughout the first three quarters and grows into an ugly rant when Cheever gets to the Transcendentalists' support for John Brown.

    At the start of her discussion of John Brown, Cheever mentions about as briefly and vaguely as possible the sustained violence of the pro-slavery side before the war (though not really of slavery, which remains curiously abstract for her here, as elsewhere). But she describes the violence of Brown's raids in the goriest details she can imagine -- the sound of knife on bone, the smell of guts and vomit. It's the most vivid description in the book. In a familiar pattern, the constant, ubiquitous violence of slavery and its supporters gets barely an acknowledgement, but any violence by its opponents is recounted in lavish, horrified detail.

    It never occurs to Cheever that anyone could have opposed slavery enough to feel violenct resistance was justified. Brown is just a religious lunatic to her, or a "con man." And suddenly she has contempt for the subjects of her book, the same people who brilliance and importance she describes in rapturous superlatives everywhere else. She dismisses Thoreau and Alcott as "immature boys who had never been able to support themselves" (as if their poverty invalidated their politics) and Emerson -- who, as the "eminently practical father figure for those feckless boys," should have known better -- as an effete intellectual perhaps "too caught up in translations of Goethe and Pindar" to understand the reality of what he supported.

    In fact, the whole Civil War seems misguided and unnecessary to her. She approvingly cites Robert Penn Warren's portrait of the war as the needless result of Northern zealotry: "Brown was a 'higher law man.' ... Unhappily, a corollary of this divine revelation was to make the South pay, and pay again. The disagreement might conceivably have been settled under terms of law, but ... there is only one way to conclude a theological argument: bayonets and bullets." I'm sure the people being exploited, beaten, raped, and murdered by their slave-drivers would have loved to see the "disagreement" settled amicably, if it only hadn't been for those irrational Northern theologians and their war of aggression.

    Much of Cheever's perspective in this discussion comes from Warren, and she quotes him extensively. What she doesn't mention is that she's quoting from Warren's first book from 1929, back in his pro-segregation days as the de facto leader of the reactionary "Southern Agrarian" movement. He repudiated these earlier views in the 1950s when he became an advocate for the Civil Rights Movement. Cheever exploits Warren's moral and intellectual authority without ever acknowledging that he recanted the attitudes on which the book she cites was based.

    And to top it all off, at the end of this ugly chapter, Cheever tries to suggest that the Transcendentalists were justly punished, though whether for their support of Brown or of the war itself is unclear: "The Civil War, when it came, would destroy Concord.... By the time it was over, both Hawthorne and Thoreau would be dead, Emerson would be on the path to the severe Alzheimer’s disease that crippled him so completely that at the end of his life he couldn't spell Concord, and Louisa May Alcott would have changed from a dreaming girl into an angry, sick, and very practical middle-aged spinster. Were they the victims of a greedy, warmongering South? Or did they help bring on the catastrophe with their own willful innocence and self-righteousness?" This is nuts. Thoreau's and Hawthorne's deaths had nothing to do with the Civil War, and neither did Emerson's Alzheimer's more than a decade later. Only the description of Alcott has anything to do with the war, though that too leaves so much out of the story, as Cheever should know. But applying the sexist caricature of the bitter old maid to Alcott at all is snide and inappropriate, as is the gratuitous and sadistic detail about Emerson's dementia. Emerson's dementia is clearly not gratuitous to Cheever, though. a crucial point in this discussion for Cheever, though. She centers her whole, incredibly vapid conclusion to this chapter on a description of an 1880 Emerson lecture "patched together by his daughter and his secretary because he was too far gone to write his own lectures and almost too far gone to deliver them" and then imagines his audience getting bored and staring out the window. Take that, Northern Aggressor!

    A lot of what Cheever wants to do in this book is dish about how various famous people were in love with one another. Usually, she's wrong. It's like middle school gossip -- "I know who Nathaniel likes!" -- interspersed with purple passages about "the madness that envelops lovers on hot summer nights.” The title should have suggested how trite and and superficial the book would be. I should have read the reviews and spared myself. But I had no idea I was in for such old-school pro-Confederate bias. It's unpleasant.

    2 of 2 people found this review helpful
  • Robert Browning: Selected Poems

    • Abridged/Unabridged (5 hrs)
    • By Robert Browning
    • Narrated By Frederick Davidson
    Overall
    (6)
    Performance
    (3)
    Story
    (3)

    Robert Browning's intensely romantic love affair with Elizabeth Barrett inspired some of literature's most celebrated verse. His view that love is the key to the meaning of life and life's animating force is evident in these collected poems.

    Alexander says: "Lazy, Graceless Flop of a Performance"
    "Lazy, Graceless Flop of a Performance"
    Overall
    Performance
    Story

    Robert Browning is one of my favorite poets, and so many of his poems -- dramatic monologues, narrative poems, etc -- are so readily performable, that I was quite excited to download this recording. But it sounds as if Frederick Davidson, having never so much as looked at the poems before, decided to wing it with all the wrong instincts. His reading is thoughtless, singsongy, and not even all that clearly enunciated. He steamrolls over the humor and nuance of the poems and absolutely flattens all the liveliness of the characters. Honestly, I want my money back.

    2 of 2 people found this review helpful

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