I like novels based on plausible theories drawn from both fact and myth. This one did a good job developing the possibility that Columbus might have been a Jew escaping the Inquisition raging in Europe at the time. Steve Berry crafted the tale in a way that reminded me of Dan Brown at his best.
I felt that the plot reached its peak when the main characters traveled to Prague to find the missing clues in the old synagogue. There were some nice plot twists involved.
I like Scott Brick's reading when he gets into the characters. I've heard some of his other readings and, at first, I am a little put off by his sing-song cadence. (Reminds me of a preacher) But either I get used to it or he drops it by mid-book. He does very good character voices. And overall, the reading enhances the experience.
Yes...I generally listen in the car, and there were definite driveway moments!
I like a good thriller, and I can take a good measure of "blood and guts". But this one was over the top. There were too many scenes involving blood, brains, and bones being splattered all over the landscape. When this kind of violence becomes routine....I bail out. Sorry. Couldn't get through it.
I thought the narrator was perfect for this very rough ride.
I'm sure many will enjoy the experience. Just not my thing.
First of all I will say that the reader was very very good. Without his elegant and expressive cadence and with only a printed text, I would not have endured to the end. Second, on the plus side, I dusted off and vowed to use many antique vocabulary words..."desultory", "importune", "decorous", "prevaricate", "remonstrate"...to name but a few! The paragraphs were beautifully constructed and beautifully delivered by the reader.
But! As I said in the title..."Who are these people?" They dined...but on what? Did they enjoy it? They died...but of what...and was there any pain beyond their melodramatic efforts to utter the final monologue? They fell in love...but no word of sexual attraction EVER entered the narrative. They spoke of beauty, but only of tapestry, statues, and interior decor. (Maybe an occasional sunset from the terrace). Were they ever too tired, too hot, too cold..? Isabelle has a child who died. All we hear about that was that she concluded mourning the child after 6 months and adjusted her wardrobe accordingly.
I admit that I was finally swept up into their sterile lives and the utterly hopeless messes they made of them. I hoped for some kind of resolution for poor, pathetic Isabelle at the end, but when her "Mr. Darcy" in the person of Casper Goodwood finally planted a real KISS on her lips at the end (the first in the whole book)...she nearly fainted. The next day she hurried back to her horrid husband in Rome. The End.
This novel makes anything by Jane Austen or Edith Wharton read like Lady Chatterly's Lover in comparison.
All that said, I wouldn't have missed it for the World! Thank you for delivering this to me so elegantly, John Wood. I'll look for your narration again.
The story captured me from the beginning. I have an affinity for WWII based novels since I had several close relatives involved in the fighting. I especially admire the courage and tenacity of the British during the London blitz.
I loved the way this plot developed....What did Mom do during the war? Who are the people in these photos? Was she a villain or a victim? So many questions to be answered...so little time since she is dying. There is a breathtaking plot twist at the end that I didn't see coming!
The reader did an excellent job. I liked the way she developed the characters one by one.
Very enjoyable. I will look for more by Kate Morton. (already read The House at Riverton)
I read the description of the plot and thought it sounded promising....but it delivered very little in terms of interesting twists and good cop drama. In fact, I was amused by the very sensitive and elaborate "bodice ripper' scenes that provided the only interesting "thrills" in an otherwise pretty bland narrative. Guess I should have guessed when I saw that Harlequin was the publisher. If you are into steamy scenes and don't care much about the plot line....go for it!
Yes. I thought that it delivered a finely crafted story line with so much suspense that I was almost afraid to keep driving while listening to certain parts.
I wanted to compare this with the other Jo Nesbo books (I've read them all!) I thought I would miss Harry Hole, but I didn't. Nesbo broke new ground by introducing fascinating and flawed characters, none of whom got a free pass. There was not a single "good guy" in the bunch. I liked the way the action was organized by stages of a perfect interview by which a head-hunter engages a candidate. In this setting, it became the stages by which a person becomes a murderer.
He read it with the perfect degree of snobbery and disdain. At first, one thought that Roger would never dirty his hands with foul deeds. But, layer by layer, he became the sinister character that became more deeply involved in murderous crimes.
The fall of the white queen.
My friends and I can't decide if Nesbo killed Harry Hole at the end of the last book. I hope not, but...sigh....even if that proves to be the end of my favorite character, I will stick with this author. Nesbo is the best out there.
Yes! The drama was intense and the plot twists were well executed. I thought I could see what was coming a couple of times and I'm happy to say that I was wrong. This was a good yarn...well wrought!
No....but the voices were superb. Especially Julia Whelan...her Amy was "amazing" on every level. At first you loved Amy....so sweet. Then you hated her. And on some crazy level...you admired her. Whelan got it just right.
Yes! I think that the reader added a sharp edge to the experience. Audio books are usually kept in my car....this one came indoors. I guess that's the listening equivalent of "couldn't put it down".
I'm always drawn to World War II novels. There is something compelling about the pure low-tech genius of the conduct of wartime intelligence...radio signals, fires on the beach, photographed pages of documents, etc. And this story had characters who were all so vivid and approachable that, at times, you almost found yourself rooting for the bad guys...who weren't always so evil and who had backgrounds trapping them into the roles they carried out. Especially at the end of the novel, the lines between good and evil were blurred, and necessity emerged as the overarching motivation of conduct on both sides.
Michael Page is a very good reader. I like that he doesn't over dramatize...just reads the parts clearly and honestly. And with this novel, the action rings through without a lot of hype!
My only negative reaction to what was a wonderful novel overall is to the way that it wrapped up with a bit too much explaining. The main character received a good deal of information about his role in the project by way of a final conversation. Some of this could have been more subtly delivered as the plot unfolded, allowing the reader to anticipate these important twists, turns and ironies.
I love John Corey and the way he loves / riles his wife Kate. I like her long-suffering responses to his often outrageous behavior. It's a good partnership for adventure.
Of course. I've read them all, whether they feature John Corey or not. But this one didn't have the appeal that others have had. You just knew that Yemen was going to be a really BAD idea. Maybe the fact that it was so full of foreboding and so alien to the reader made it the least appealing setting to date. It really strained credibility to think that any operative....even our John Corey....could get in and out with a successful mission accomplished. I think I read it more out of loyalty to Corey than anything else. Bring Corey and Kate back to more believable environs....please!
Scott Brick does a great job with the John Corey series. Must admit, some of his others have been less appealing. Sometimes he sounds like a pulpit preacher when he reads. There's a sing-song cadence that I react negatively to in some works.
At first I found the characters to be too everyday...too ordinary. There were no heroes, no one was glamorous or brilliant. But, one by one, each character became part of a fascinating tragedy. Everyone had a public side. Everyone had a private side. And the ways in which the characters related to one another were always complex and often heartbreaking.
I doubt if anyone else will think of Jane Austen, but that's what came to mind. J.K. Rowling simply wrote about ordinary people involved in everyday events. And what a tangled web she wove! The characters became quite compelling. I'm still thinking about them weeks after finishing the program.
I liked the reader very much. He brought the voices to life without slowing the narrative.
I once thought as I listened that an alternative title would be "The Ghost of Barry Fairbrother"
Action with style
The plot was kept in motion by a series of riddles. When one bottle was found, the clues led to the next one and then on to more adventure. The fact that "the bad guys" were also on the trail added to the action and suspense. The very stylish and oh-so-brilliant characters, Sam and Remy Fargo, stretched credibility but made for a fun read.
Once you get used to a kind of sing-song cadence in Scott Brick's delivery (am I the only one who thinks he sounds a little like a preacher?) you begin to appreciate his range of voices and accents. He does especially well with male voices, but all of his females have a kind of cliched breathy quality.
Can't help but think the '60's series "The Avengers" inspired the Fargo series. You have an upscale, brilliant, attractive couple who thrive on adventure for adventure's sake. Makes for good entertainment, but stretches belief.
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