Robert Heinlein is the master of 20th century science fiction. That is a given among anyone who has read much in the genre. When he was good, he was very, very good. However, it must also be admitted that when he was bad he was bad. Along with "I will Fear No Evil", this 1980 novel "The Number of the Beast" comprise the corpus of what I consider his “bad” novels.
This book explores the multiverse, which is an interesting concept, and suggests that works of literature are either expressions of real universes in the multiverse or real universes are generated when an author tells a story. This concept is introduced about about a third of the way into the book and there are a series of visits to literary universes before our protagonists encounter Lazarus Long and his buddies and everyone goes off on a little adventure that helps move along the Lazarus Long story arch. The story takes hundreds of pages in the print edition and 21 hours and 34 minutes in the audiobook. It is a story that could have been told better as a short story or a novella at most.
The protagonists are a group A-type personality, high achievers who are related by marriage and friendship but forced to stay with each other in the space of a large car for what turns into several weeks. Very quickly they can’t stand one another. The back and forth bickering among the characters gets irritating after a while. It might be forgiven if they were moving a plot line forward but there really isn’t much of a plot to the book. Even the end of the book is random, as if Heinlein’s editor called and asked when he was going to get his next book submitted. So, the master reached over, pullet the sheet of paper from the typewriter, tossed it in the box with the rest of the typescript and sent it off to be published.
There were four narrators but they didn’t consistently read the same character as would be the case in a dramatic performance of the book. The voice actor who played the character who begins the chapter would read the chapter, and do the voices for the other characters if they showed up in chapter. After a while you had four different versions of each of the four main characters to keep sorted in your head. It was confusing to say the least.
This audiobook is frustrating at so many levels! Yet, if you ask me if I will I read other Heinlein books in the future? Of course, he’s the master and he has many more very good books than bad ones.
I got this audio book because it was supposed to be similar in some respects to “Discovery of Witches” by Deborah Harkness and “The Magician” by Lev Grossman. It was similar to the Harkness book, since the protagonist was a woman learning to use her magical powers. It was similar to the Grossman book in that a lot of the story dealt with the formal study of magic and travel to different worlds. Since I enjoyed both the Grossman and Harkness books, I thought this would be a treat as well.
My reaction to this book is mixed at best. On the positive side, the author does a nice job of creating a world of knights and magicians that is earthy and detailed enough to allow the suspension of disbelief. Several of the characters are complex and adequately developed to engage the reader. On the negative side, the book is way too long. Some books can go for 26 hours and simply shoot by ending much too soon. This books drags on forever. The story could have been told in under 12 hours and it would have been a better story for it.
As several people have mentioned, the protagonist can be quite irritating. She goes from a simpering air head in the thrall of the villain during early part of the tale to a head strong, uncommunicative and over angry shrew for much of the novel. Though when she is doing magic she seems to be her best self.
There is relatively little action in the book, with only a handful of short actions scenes to break up the monotony and even those scenes are either flashbacks or a brief glimpse of a battle scene. Most of the action that moves the story forward takes place off stage.
The protagonist carries a copy of Jane Austin’s “Pride and Prejudice” through the dimensional portal with her and it appears again and again as a motif that runs through the story. Indeed, the story seems to be a sword and sorcery version of the Austin book.
The narrator was good for the most part, creating a range of different and relatable voices. A couple of the voices were a bit grating, especially the ice demon, but overall the narration worked well.
While the book has some solid good points, there are sufficient weaknesses that I can’t give it much in the way of a thumbs up. Though I have to confess that I will probably give the next book in the series a listen with the hope that it is better edited.
As noted by other reviewers, this book seems less focused than his previous story of Abe and Henry. This time the protagonist is Henry. I enjoyed being back in the world of vampire hunters once more. While the story of Abe was focused and compact because it stayed within the normal lifetime of Lincoln, you are covering a 500 year timeframe with Henry. It is good in that there are a lot of interesting characters that can find their way into the story but it is bad in that they seem to flash into your imagination for a few moments and then disappear into history. Though I imagine that it gives a sense of what Henry was experiencing as his friends came and went.
The book helps to flesh out Henry's back story and gives us more insight into his character, which is a big plus. We are also introduced to several new characters for whom we are given some backstory. However, these characters develop in ways that are confusing and not really consistent with the backstory, if they develop at all.
The book left me with the feeling that it was meant to be a treatment for a television series. It was a collection of about a dozen episodes as we moved forward over the past 150 years. Each story could stand alone but was also part of the broader season story arc. If it is ever realized as a television series I would be a regular viewer. As a book, I found the structure a bit frustrating.
The narrator was excellent.
It is not uncommon for couples who have been married for about ten years to fall into a routine revolving around caring for children and building careers that can easily ignore their inner needs. Only a few years ago life seemed like a great adventure, filled with possibility. Now it seems like a trap that threatens to swallow you up and spit you out. There is a sense of desperation that drives one to do incredibly stupid things. My profession brings me into contact with many people who have been in this situation and struggled with this experience.
Coelho book “Adultery” is an exploration of this vacation in hell. The focus is on the inner turmoil and the adultery itself is inly one expression of the protagonist’s struggle. The author does a good job of building the complexity of his main characters and allowing the reader/listener to enter into their perspectives. Stupid and desperate behavior is the hallmark of this experience and the author conveys this quite well.
My frustration with the book was that the protagonist tended to show more insight at times than people in this situation can muster. It was as if Coelho voice and experience began to show through and the protagonist grew transparent for a few paragraphs, especially in the last few pages of the book.
The narrator did a good job of interpreting the book. She was irritating in the beginning with the deliberateness and plodding rate of her reading but this was the part of the story where the protagonist is struggling to maintain control of a world that is spinning out of control. The narrator helped the listener to enter into the experience at a visceral level.
Lev Grossman is one of my favorite authors. While some of his efforts have disappointed me (Codex), his “Magician” series has consistently been a pleasure. “The Magician’s Land” is the third installment in the series and ties up the trilogy in a neat and satisfying package. We are given back story to flesh out the characters, as well as significant development in most of the main characters.
The story picks up a few months after the end of the second installment and weaves a complex web of intrigue, fate, relationships and adventure. I went through the story in just a few settings and enjoyed every minute of it. Grossman’s prose is pleasantly purple and paints a rich fantasy universe. By the end of the book there were still a few minor loose ends but I can live with that given the overall satisfaction I felt with the book. There is also a deeper level to the book that explores the fantasy genre from a post-modern perspective and helps to drive many of the plot twists. It is nicely done.
The narrator did a fine job, allowing the hearer to be even further immersed in the fantasy universe Grossman created.
I was hooked on the AllSouls series from the first chapter of the first book. The story and characters are engaging. The details, both historic and scientific, are credible. The dynamic of the relationships among the characters is honest and contributes to building characters that seem real; people you would really like to know. Even the villains are believable in their own psychotic way.
Thus, when i began listening to Book of Life I worried that the author might not be able to recreate the same rich experience as the first two books. Shame on me for the lack of faith. This third book in the series soars. It is the best of the series, fulfilling the promise of the first two books and then some. My only frustration with the book is that this is supposed to be the finale of the series. I want more!
The narrator is excellent with a full range of voices that bring the characters alive and contributes to the overall experience of the story.
As other reviewers have noted, Aslan does a fine job of pulling together the material on Jesus of Nazareth from all available first and second century sources both religious and secular. His conclusion is that Jesus of Nazareth saw himself as a messiah through which God was going to bring about the Kingdom and see justice done. This puts him in opposition to Rome and its representatives, such as the Temple leadership. He also does a nice job of helping the listener to see how the Christ of the Gospels and Epistles took shape from the life of Jesus and subsequent events in Rome and Israel that created the context in which Christianity emerged.
Nothing in the book is radically new but it is well written and the story told by Aslan is not only well researched but gripping. Rarely have I enjoyed a book on theology or scripture studies as much as Aslan’s Zealot.
The author also serves as the narrator, which usually proves to be a major ingredient in a recipe for disaster. However, Aslan did an excellent job of reading his book. I didn’t realize it was the author who had been reading until I finished the book and checked to see who the narrator was. He read with an appropriate mix of excitement and seriousness, drawing the listener into his vision of the historical Jesus and the world in which he lived.
As an author and researcher Aslan is also honest. His forward discusses his religious history, including his Islamic roots, an involvement with Evangelical Christianity in his youth and an eventual return to Islam. This allows the listener to be sensitive to any influences on the book from his life history. The resulting vision of Jesus that emerges is probably closer to the Islamic perspective on Jesus, as human and prophet, than the traditional Christian perspective, which divinizes Jesus. Yet, if the historical record supports the Christian tradition, he accepts that position, as with the death of Jesus by crucifixion. The final result is a reasonable, etic perspective on the historical material and well argued conclusions.
Magic Rises is a little different from the usual installment in the series. The setting is Europe. The action is focused largely on shape-shifter politics. It also develops the story arch of the series by introducing a couple of new characters that will no doubt be around in the future, wrecking havoc with several well established characters and moving along the kate-Curan relationship. It also develops the Hugh de Hombre character and Kate’s back story. If Hugh is on the scene in a big way, dear daddy (Roland) can't be far behind.
I have followed the series since the beginning and enjoy each new installment even more than the last. That pattern continues with this sixth installment. The story grabs you and takes you on a roller coaster ride from the first pages through to the end.
The narrator is excellent. She has been doing the narration for the series almost from the beginning and has honed the character voices well over the years. This installment showcases her craft and skill.
I'll keep it short. "Warbound" is the last installment in the Grimnoir Chronicles trilogy. I thoroughly enjoyed this trilogy and each time looked forward to the next installment. Warbound brings the story to a worthy end. It was pure listening pleasure all the way through. The plot twists and turns were unexpected but credible. The action was intense. The characters even more engaging than before.
The narrator took this already thoroughly enjoyable book and kicked it to an even higher level. Each of his voices was finely crafted and well acted. It was like listening to a full cast performance of the story.
Has their ever been a Neil Gaiman story that hasn't been magical, opening the doors to the reality that is behind the nundane surface world we think we inhabit? If so, I haven't found it yet. Ocean is another work of word magic and imagination that transforms the world and makes it exciting and mysterious. My biggest frustration with the book is that it comes to an end eventually.
It is the story of a seven year old boy who stumbles into contact with the world behind the world as a result of the foolishness of a wandering spirit who finds its way into rural 1960's England. It is a story of magic, memories, nightmares, buried fears and wonder. It is similar in some respects to Coraline but then not...
The book is narrated by Gaiman who does a fine job as the teller of his own story. His reading of the tale helps to draw you into it. It adds to the experience, a talent that is rare in many authors who attempt to narrate stories they have written.
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