Near the top and that's saying something. I listen to many classics.
Sadie Jones writes about family here--how big it is. Who is in? How do people get left out--or maybe ejected? What happens that might enlarge our idea of family boundaries? The characters are distinctive and their attributes drive the story, as should it should be. I love the funny, dark aspect of the railway accident "blasted survivors" who are somewhere in the big old house as the family dynamic plays itself out. I kept thinking how I'd like to see this story on stage, or well-produced, on screen.
The coaxing of the pony down the stairs by all the family and the travelers, too.
Who can say Charlotte is more memorable than her neglected daughter Smudge? They are a memorable pair.
I will certainly look for other works by this writer. She doesn't skimp on character, but goes deep and real, so the story touches the reader in lasting ways.
Important, beautiful and moving.
Characterizations, growth (slow and real) of characters, who move the plot.
Like many of the classics, I realized as I listened that there were lines in the book that I want to remember and think about, and as I only had the Audible version, I would definitely buy the book and keep it as a treasure.
I understand Harlan Coben is a good mystery writer. Maybe not my kind of mystery writer. I found the people silly, the plot unbelievable (except as lived out by these silly people, perhaps) and the dialogue predictable. You can poke a hole through any one of the characters by looking at him. I really wanted to find a good writer to follow, but perhaps I picked the wrong book.
The three parts of the book I downloaded are not the completion of the story as described in the summary on the site. What a let down. Otherwise, it's great.
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