No. This book was a hash job FULL of gossip from various sources. There is no reason to believe any of it. The author and publisher had to know this was bad literature but they put it out anyway. The phrase Junk Food comes readily to mind...
No. In his narration of this book Steven Crossley sounded like an English gadabout at a mid 19th century dinner party trying to serve up something scintillating and shocking. Neither of which was realized. Rather this is gossip stew done rather better by Suetonius in his tome about the 12 Caesars.
Had it been based on quality material perhaps it would have made the narration rise to the task.
I am disappointed that this was made available. I am even more shocked at all the positive reviews. This teaches me to never base my selection on a review anymore.
Having read or listened to all of the Pendergast books I was finally completely disappointed in their newest offering, Two Graves. I have been concerned about the direction of the books for a while. I was troubled by the Diogenes story line and his interaction with Constance, largely because these characters were less than essential to the Pendergast theme. They were peripheral characters in different storylines that were afforded more than a useful share of the books.
I was troubled by the Stradivari storyline because it seemed an interminable load of back story serving no useful purpose again. I feel the authors have a need to demonstrate that they are worldly travelers deeply knowledgeable about the slightest nuance in broad swaths of lore. It sometimes becomes a bit of self-aggrandizement at the expense of the story.
I was concerned at the lack of real content in Cold Vengeance. The back and forth with Esterhazy was tedious and reminiscent of Keystone Kops. Important plot revelations equaled about a chapter only.
Which brings us to Two Graves. I was already troubled at the notion of the Nazis. Why reboot this tired tired canard. Never mind the nod to Captain America in the opening…as Pendergast goes super hero. The deductive reasoning that leads to impossible clues reminiscent of Sherlock Holmes. The shocking mass killer reminiscent of Jack the ripper who we are to believe is the long lost progeny of a central character. And last but not least is the truly monumentally pointless exploration of the Constance story.
It seems the authors are truly finally lost or bereft of ideas and are throwing characters at the proverbial mud wall in hope of some success. I suggest a return to what made Pendergast compelling and different. Not a lot of heavy muddy pointless personal baggage. Rather a Kolchak-like penchant for uncovering strange occult appearing occurrences that are inevitably proven to be, not the work of ghosts and demons, but the work of bad people. He does not need a consistent buddy. D’agosta would be ok but the Laura Hayward character is not really useful. Also not useful is the whole girl from Kansas storyline. C’mon guys…come up with some new ideas or end the series honorably.
I won’t be buying another Pendergast book unless there is a change for the better. I stopped reading Two Graves halfway through. I may finish the book at some point but I needed to look away from this unfortunate disappointment.
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