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Michael G. Kurilla

ROCKVILLE, MD, United States | Member Since 2005

634
HELPFUL VOTES
  • 145 reviews
  • 439 ratings
  • 0 titles in library
  • 27 purchased in 2014
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232

  • Betrayer of Worlds

    • UNABRIDGED (9 hrs and 34 mins)
    • By Larry Niven, Edward M. Lerner
    • Narrated By Tom Weiner
    • Whispersync for Voice-ready
    Overall
    (196)
    Performance
    (137)
    Story
    (141)

    Since fleeing the supernova chain reaction at the galactic core, the cowardly Puppeteers of the Fleet of Worlds have - just barely - survived one crisis after another: the rebellion of their human slaves, the relentless questing of the species of Known Space, the spectacular rise of the starfishlike Gw'oth, the onslaught of the genocidal Pak. Now fresh disaster looms, as though past crises have returned and converged. Who can possibly save the Fleet this time?

    Michael G. Kurilla says: "When will Worlds end?"
    "When will Worlds end?"
    Overall

    As series go, Worlds is getting a bit long in the tooth. Juggler and Destroyer were both respectable stories with engaging plots and characters. Betrayer appears almost to be a side story, that has Sigmund Ausfaller as a lmiited peripheral character. The alien encounters, politics, and machinations are lagely, well, alien and inscrutable. The addition of Louis Wu appeared promising as someone to assist Sigmund in returning New Terra to Earth, but alas, either that has been reserved for a future installment or has not been considered. With most of the focus of the story on unremarkable Puppeteers and their equally forgetable alien adversaries, most of the plot revolves around formulaic development of their alien cultures which is simply not that interesting. All in all, this is not one of Niven's better efforts.

    2 of 2 people found this review helpful
  • The Dark Between the Stars: The Saga of Shadows, Book One

    • UNABRIDGED (22 hrs and 44 mins)
    • By Kevin J. Anderson
    • Narrated By Mark Boyett
    • Whispersync for Voice-ready
    Overall
    (133)
    Performance
    (121)
    Story
    (121)

    Twenty years after the elemental conflict that nearly tore apart the cosmos in The Saga of Seven Suns, a new threat emerges from the darkness. The human race must set aside its own inner conflicts to rebuild their alliance with the Ildiran Empire for the survival of the galaxy. In Kevin J. Anderson's The Dark Between the Stars, galactic empires clash, elemental beings devastate whole planetary systems, and factions of humanity are pitted against one another.

    Michael G. Kurilla says: "Space opera of galactic proportions"
    "Space opera of galactic proportions"
    Overall
    Performance
    Story

    Andersen's The Dark Between the Stars begins 20 years after the finale of the Seven Suns Saga. Many of the major characters from the last saga are back with a whole host of new participants. This saga is done in the same style as the previous with each chapter focused on a specific major character (which totals to several dozen at least). While the intervening 20 years has been somewhat peaceful and idyllic, dark forces are gathering with the Illdyran boogeyman, the ShanaRa appearing as a manifestation of fundamental physics, but fearful of an even greater, more powerful, but unknown threat along with a new mysterious alien race.

    The sci-fi elements are pretty much in line with the last saga, although the new variations of intelligent lifeforms are even more exotic than the prior earth, air, fire, and water manifestations. Andersen is a master of the space opera, but of a more workingman's / blue collar variety. His characters are both endearing and quite engaging. Prior familiarity with the last saga is most useful for adequate background for the carry-overs. While there is a tremendous degree of plot development, book 1 ends abruptly with multiple irons in the fire.

    The last saga used two different narrators (both excellent), but this time out, a 3rd narrator is utilized. The narration is well done with a great range of voices, both male and female. The mood and pacing are expertly rendered which provides a steady even flow to an above average audiobook length.

    2 of 2 people found this review helpful
  • Enoch the Traveler: Tempestas Viator

    • UNABRIDGED (4 hrs and 7 mins)
    • By Lady Soliloque
    • Narrated By Gareth David-Lloyd
    Overall
    (3)
    Performance
    (3)
    Story
    (3)

    Enoch, The great Enoch, born into a world as a stranger, taken out of time to the Caelestis Concilium where he learned all the secrets of creation: the parallel dimensions, parallel worlds, and multitude of universes which make up the multiverse along with all of the races and beings that exist within them. An immortal existence surrounded by the Angelus and a millennia of knowledge, all that ever was and all that ever could be, distanced him from the humanity he was born with and he traveled through creation without purpose or empathy.

    Michael G. Kurilla says: "TV sit-com style sci-fi theology"
    "TV sit-com style sci-fi theology"
    Overall
    Performance
    Story

    Enoch the Traveler is a short story based in a biblically themed universe that respects a scientific basis for laws of nature as opposed to vague, ill-defined mystical magical powers. In this universe (and there are multiple iterations - the multiverse), Heaven and its celestial inhabitants exist as a corporate, bureaucratic, mundane "adjustment bureau: like entity keeping things moving along.

    In this tale, Enoch, the biblical character, is a vagabond wanderer who accidentally becomes involved with a blissfully ignorant human, Violette. The story is a series of short, dangerous and exciting adventures as Violette is exposed and comes to appreciate her new reality in a Dorothy in Oz style rendition. The sci-fi elements are muted with a few odd gadgets as well as restrained attempts to explain theological aspects in scientific terms.

    Narration is in the style of a performance, rather than a more straightforward reading. There are multiple narrators, one for each unique character along with background sound effects which can either be enhancing or distracting depending on preferences. This is a short, quick listen, best absorbed in a single sitting.

    0 of 0 people found this review helpful
  • On the Steel Breeze: Poseidon's Children, Book 2

    • UNABRIDGED (23 hrs and 10 mins)
    • By Alastair Reynolds
    • Narrated By Adjoa Andoh
    • Whispersync for Voice-ready
    Overall
    (25)
    Performance
    (24)
    Story
    (24)

    Chiku Akinya, great granddaughter of the legendary space explorer Eunice and heir to the family empire, is just one among millions on a long one way journey towards a planet they hope to call their new home. For Chiku, the journey is a personal one, undertaken to ensure that the Akinya family achieves its destiny among the stars. The passengers travel in huge self-contained artificial worlds - holoships - putting their faith in a physics they barely understand.

    Mark says: "Almost Unlistenable"
    "Weak middle of the trilogy"
    Overall
    Performance
    Story

    On the Steel Breeze is the 2nd installment of Alastair Reynolds' Poseidon's Children trilogy. While the focus is still with the Akinya clan, this is the next generation with Chiku Akinya, Sunday's child splitting herself into multiple entities and sharing memories. This trick allows Reynolds to craft two simultaneous stories, one in our solar system and the 2nd on a "holoship" heading towards a distant star system. Improvements on rejuvenation technology permit this story to be technologically advanced relative to Blue Remembered Earth.

    Basically, an alien artifact around a distant star has spawned a caravan of holoships, hollowed out asteroids transporting millions of humans to what is expected to be a newly formed world. Mysteries surrounding the alien artifact around Crucible drive the plot with both Chikus doing all the digging while avoiding the nefarious interference of an artificial machine intelligence with vague, ill-defined motives.

    Sadly, while the writing is engaging with excellent pacing and solid character development, there are serious deficits that render much of the action inscrutable at times. For example, the holoships take off for Crucible and use their supply of slow down fuel to achieve more speed and arrive quicker, but without a way to insert into orbit on arrival. The politics on the holoship and the caravan as a whole are inadequately detailed and so the prohibition on research to figure out a way to slow down simply doesn't make sense. As with the 1st installment, the fascination with aquatic biological engineering doesn't fit with an outer space themed environment. Also, Reynolds liked the character of Eunice so much that he created a machine intelligent clone of her, hidden away on the holoship overseeing intelligent elephants which made little sense other than adding some dramatic action scenes and a setup for volume 3. Finally, the denouement with a pseudo-computer virus resetting Earth, seemed a bit like the TV Batman series with a unique, one time utility belt day-saving gadget.

    The narration is well done with an excellent range of voices, with appropriate tone and mood. The musical interludes that separate the different Chikus was also much appreciated. Finally, one observation, not a criticism, just an observation: the story has the sense that Reynolds took a bet, a dare, or even a voluntary challenge to write a story where every major character (even including the elephants and machines) is female.

    1 of 1 people found this review helpful
  • The God Patent

    • UNABRIDGED (11 hrs and 59 mins)
    • By Ransom Stephens
    • Narrated By Luke Daniels
    • Whispersync for Voice-ready
    Overall
    (26)
    Performance
    (24)
    Story
    (25)

    When electrical engineers Ryan McNear and Foster Reed coauthored two patents for company cash incentives, they thought it was all just a joke. One describes the soul as a software algorithm, and the other described the Big Bang as a power generator. But when the company crashes, McNear finds himself divorced, desperately hard up, and estranged from his son. As he rebuilds his life, McNear discovers Reed has used their nonsensical patents to draw in top-tier energy investors.

    Michael G. Kurilla says: "Not really sci-fi, rather scientific fiction"
    "Not really sci-fi, rather scientific fiction"
    Overall
    Performance
    Story

    Ransom Stephens' The God Patent is a unique sub-genre of sci-fi. There's no actual science fictional elements as much as an attempt to create a fictional universe where current science aligns more closely with religion. Two young engineers on a whim submit two patent applications that basically outline a computer neural net that displays free will and an energy extraction method that parallels the big bang. These concepts are interpreted by the religiously inclined to mimic the creation of a soul (the neural net) along with the conversion of spiritual energy to usable energy in the real world (the bang). Much attention is paid to attempting to harmonize story concepts to the existing understanding of physics.

    At the same time, the story mostly concerns itself with the two engineers as we follow one life on the upswing and the other in a grand mal death spiral. Along the way, are the ambulance chasing lawyer, religious zealots, an atheistic scientist, and the Einstein level wunderkind. The plot is engaging with a good flow and realistically portrayed characters along with a reasonable insertion of corporate, government, and media suits. Sadly, none of the characters are endearing by the end, but probably the only bit of sci-fi is the cosmic justice and universal irony. One can just imagine the impetus for the tale was a late night, substance enhanced party with undergraduate physics majors taking a bet on hypothesizing alignment between science and religion.

    The narration is well done with a solid range of voices for both genders as well as young and old.

    1 of 1 people found this review helpful
  • The Stars, Like Dust

    • UNABRIDGED (7 hrs and 26 mins)
    • By Isaac Asimov
    • Narrated By Stephen Thorne
    • Whispersync for Voice-ready
    Overall
    (355)
    Performance
    (185)
    Story
    (192)

    Biron Farrell was young and naïve, but he was growing up fast. A radiation bomb planted in his dorm room changed him from an innocent student at the University of Earth to a marked man, fleeing desperately from an unknown assassin. He soon discovers that, many light-years away, his father has been murdered. Stunned, grief-stricken, and outraged, Biron is determined to uncover the reasons behind his father's death.

    Scifi says: "Classic 1950's boyhood scifi"
    "Classic Asimov with timeless tale"
    Overall
    Performance
    Story

    The Stars, Like Dust is the 2nd installment Asimov's Empire series, but sufficiently loosely connected to be a standalone rendition. Briefly, the tale takes place in the far distant future with current Earth history a distant memory. Star travel has been mastered and planetary systems are largely settled with humanoid intelligent life. Earth and the rest of the local inhabited worlds are under the tyrannical rule of distant overlords.

    The plot revolves around a young man whose father, a fellow of considerable economic significance, has been murdered. The son embarks on a journey to discover the truth which leads to political intrigue and hints of rebellion. The sci-fi elements are limited to interstellar travel, a "radiation" bomb which was probably the concept for neutron bombs, and "massometers" which can detect gravitational fields. While all this seems rather simplistic, this was released in 1951.

    The narration is excellent with a solid range of voices, appropriate pacing, and good tone and mood. While the story is short by current sci-fi standards, the plot is still quite engaging and rich in complexity.

    1 of 1 people found this review helpful
  • Neptune's Brood

    • UNABRIDGED (12 hrs and 3 mins)
    • By Charles Stross
    • Narrated By Emily Gray
    • Whispersync for Voice-ready
    Overall
    (80)
    Performance
    (75)
    Story
    (76)

    The year is AD 7000. The human species is extinct - for the fourth time - due to its fragile nature. Krina Alizond-114 is metahuman, descended from the robots that once served humanity. She’s on a journey to the water-world of Shin-Tethys to find her sister Ana. But her trip is interrupted when pirates capture her ship. Their leader, the enigmatic Count Rudi, suspects that there’s more to Krina’s search than meets the eye.

    Katherine says: "Financepunk"
    "Even without humans, finance rules"
    Overall
    Performance
    Story

    Stross' Neptune's Brood is set in the same universe, but further into the future as Saturn's Children. Humans have come and gone multiple times. but their robot creations have carried on, recapitulating human ambitions and drive with regard to exploration, settlement, and establishment of organizational structure throughout the galaxy. Stross explores the financial requirements necessary to support interstellar colonization and development as well as the resulting potential for fraud, corruption, and get-rich-quick schemes, including a variant of the classical Ponzi scheme. The story concerns a lowly bank examiner for a large money center bank who also happens to have a hobby focusing on archaeological accountancy (basically digging up long forgotten financial transaction to collect any leftover booty). Her travels take her on an adventure that is engaging and entertaining as well as thought provoking.

    The sci-fi elements are mostly android abstractions with multiple unique and clever implementations that allow robots to survive in strange environments. Stross also explores the impact of longer (centuries) survival times. The various plot twists and turns are largely unexpected with a varied cast of anthropomorphic robots that make up a wonderful cast of characters ensemble.

    The narration is very well done with a solid range of characters that correctly captures nuance and subtlety.

    0 of 0 people found this review helpful
  • Xom-B

    • UNABRIDGED (11 hrs and 31 mins)
    • By Jeremy Robinson
    • Narrated By R. C. Bray
    • Whispersync for Voice-ready
    Overall
    (71)
    Performance
    (66)
    Story
    (67)

    Freeman is a genius with an uncommon mixture of memory, intelligence, and creativity. He lives in a worldwide utopia, but it was not always so. There was a time known as the Grind - when Freeman's people lived as slaves to another race referred to simply as "Master". They were property. But a civil rights movement emerged. Change seemed near, but the Masters refused to bend. Instead, they declared war. And lost. Now, the freed world is threatened by a virus, spread through bites, sweeping through the population. Those infected change - they are propelled to violence, driven to disperse the virus.

    AudioBookReviewer says: "Zombies + Robots + Dystopia + Sci-Fi = Fun"
    "Zombies and robots in a dystopic future"
    Overall
    Performance
    Story

    Xom-B offers a unique combination of zombies and robots inhabiting a world after mankind has been eliminated. Freeman is a new breed of robot designed as the next step in evolution by a splinter group of robots that emerged from the "grind" which represented the emancipation of robot AI's. The tale gradually unfolds with the backstory of mankind's demise and the "rise" (or fall) of the machines along with Freeman's raison d' etre for existence. With fast paced action, filled with robot zombie hordes, the story climaxes with interesting plot twists and a new iteration of intelligent life on Earth.

    The sci-fi elements consist mainly of a dystopic future with advanced, humanoid robot AIs fighting zombified robots. Ultimately, this is a tale defining humanity and the indomitable human spirit by focusing on non-humans.

    The narration is well executed with a solid range of voices.

    0 of 0 people found this review helpful
  • Afterparty

    • UNABRIDGED (10 hrs and 55 mins)
    • By Daryl Gregory
    • Narrated By Tavia Gilbert
    • Whispersync for Voice-ready
    Overall
    (123)
    Performance
    (114)
    Story
    (115)

    It begins in Toronto, in the years after the smart drug revolution. Any high school student with a chemjet and internet connection can download recipes and print drugs, or invent them. A seventeen-year-old street girl finds God through a new brain-altering drug called Numinous, used as a sacrament by a new Church that preys on the underclass. But she is arrested and put into detention, and without the drug, commits suicide. Lyda Rose, another patient in that detention facility, has a dark secret: She was one of the original scientists who developed the drug.

    AudioBookReviewer says: "You may suffer from psycosis while listening"
    "Sophisticated and pharmacologically accurate"
    Overall
    Performance
    Story

    Afterparty is a smart, sophisticated tale set in the near future (2030's or so) and offers a compelling perspective on evolving drug use. The premise is the re-emergence of a never commercialized treatment for schizophrenia that has as a unique side effect: a powerful spiritual / mental / emotional sense of connection with God. The story of how a failed biotech drug treatment is re-invented as a semi-religious movement is told by a smart, neuroscientist originally involved with the drug's discovery, but whose subsequent life has been a substance abuse / PTSD nightmare following their business implosion after a murder. Along with a paranoid / neurotic fellow mental hospital inmate who happens to be an ex-national security agent, the heroine delves into the source and reasons for her drug's revival.

    The sci-fi elements are fairly benign for a near future tale. Scientifically and pharmacologically, the author is accurate and insightful in crafting an engaging and compelling tale, while at the same time maintaining scientific integrity. Beyond the biological neuroscience aspects, there's also exploration of what constitutes free will at the level of neurons.

    The narration is superb, capturing the mood and tone of the tale. There's a solid range of both male and female voices with particular attention to individual peccadilloes.

    3 of 3 people found this review helpful
  • The Atlantis Plague: The Origin Mystery, Book 2

    • UNABRIDGED (13 hrs and 11 mins)
    • By A. G. Riddle
    • Narrated By Stephen Bel Davies
    • Whispersync for Voice-ready
    Overall
    (565)
    Performance
    (515)
    Story
    (518)

    In Marbella, Spain, Dr. Kate Warner awakens to a horrifying reality: the human race stands on the brink of extinction. A pandemic unlike any before it has swept the globe. Nearly a billion people are dead--and those the Atlantis Plague doesn't kill, it transforms at the genetic level. A few rapidly evolve. The remainder devolve. As the world slips into chaos, radical solutions emerge. Industrialized nations offer a miracle drug, Orchid, which they mass produce and distribute to refugee camps around the world. But Orchid is merely a way to buy time. It treats the symptoms of the plague but never actually cures the disease.

    Suzanne says: "Overblown"
    "A well executed reinterpretation of history"
    Overall
    Performance
    Story

    The Atlantis Plague follows immediately on from where The Atlantis Gene left off. The time dilation effects and name changes have been muted for this installment and so the story is easier to follow. David and Kate are moving in separate tracks for the first half. The plague is racing out of control and Dorian has gone rogue relative to the Imari. The alien intentions are made clear and contain both benign and malignant actions as we learn that two different philosophical approaches have been driving human evolution and development.

    Riddle does a fantastic job of creating a riveting plot with multiple twists along the way. Most entertaining is the creative reinterpretation of human history from 70K BC to the present. He weaves the plague of Justinian and the Black death as events that were intentionally engineered to drive human evolution. Kate holds humanity's fate in her hands with her decision on how to finally resolve the current human catastrophe. Lastly, Riddle sets up book 3 with the suggestion of something that even our alien genetic engineers were fearful of.

    The narration is excellent with a good range of voices for all characters.

    2 of 2 people found this review helpful
  • Sand: Omnibus Edition

    • UNABRIDGED (10 hrs and 15 mins)
    • By Hugh Howey
    • Narrated By Karen Chilton
    • Whispersync for Voice-ready
    Overall
    (380)
    Performance
    (342)
    Story
    (343)

    We live across the thousand dunes with grit in our teeth and sand in our homes. No one will come for us. No one will save us. This is our life, diving for remnants of the old world so that we may build what the wind destroys. No one is looking down on us. Those constellations in the night sky? Those are the backs of gods we see.

    Joy says: "Almost a 5 star"
    "Dune collides with Waterworld"
    Overall
    Performance
    Story

    Howey has served up a novel rendition of the post-apocalyptic genre. With much of the explanation for the climatic and geologic conditions left up to listener's imagination, a future world that is little more than a giant sandbox is the starting point. Geographically, the story is set in Colorado which has basically become a desert overlying our distant past. The sparse barely survives by "sand-diving" in an analogous manner to scuba diving hunting for the buried treasure from an ancient civilization. The story revolves around one family with a father gone missing, a mother forced into prostitution to support her family and the children of varying ages, most of whom have gone into diving to make ends meet. Their journey concerns the dawning recognition that there is more to the world than their small patch of sand.

    Howey presents credible scenarios where "sand-diving" is accomplished by special dive suits and static electrical charges to vibrate the sand such that movement similar to swimming can be attempted. Deep dives runs into pressure issues analogous to ocean diving. While the story is self contained, Howey has clearly created a future that offers much expansion potential with a great mix of characters.

    The narration is quite well done with a great range of voices and pacing that matches the mood and tone of the tale.

    3 of 3 people found this review helpful

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