The final audio recording was poorly edited, with jarring, abrupt changes in volume, voice/tone, and strange sections where it seemed to be playing on a fast speed, as if I'd pushed the 1 1/2 speed on my iPod (which I confirmed each time I hadn't, and only happened with this audiobook.)
Also, the narrator made lots of mistakes, like saying FBI instead of FIB. She also kept ending her sentences before. They were done. She just kept taking on the ending parts of the sentence, even after she had finished. Saying the first part.
It drove me crazy.
Also, Rachel became more and more of a martyr, assuming guild and responsibility for EVERYTHING, to the point of ridiculousness. It would have been tolerable if it was just her neurosis, but everyone else blamed her for those things as well, which made no sense at all.
Lastly, the relationship between Rachel and Ivy has just gotten annoying and unbelievable. Rachel keeps narrating things about how she feels, but none of those things are ever evident in the story. It was the same with all the conclusions Rachel came to; there was no hint of those things, but she just kept suddenly narrating what she had figured out.
The only thing I liked about the story really was the plot line with Rachel and Kisten.
I had been hooked on this series, but I'm losing interest. I already had the next audiobook in the series, so I gave it a try as well. It was better narrated, but was MUCH worse as far as Rachel's personality, how everyone blames her for everything, and the ridiculousness of Rachel and Ivy.
This was a fantastic listen! I was a little skeptical about a "zombie" book, but that's not really what this is. It's really about humanity, what makes someone human, what makes someone good or evil, what makes us love and hate... A very compelling story with unexpected twists and turns.
Melanie, the little girl. Can't say why without giving away spoilers!
It all just flowed perfectly, and I got lost in the story.
I can be VERY picky about my Audible listens, and I 100% recommend this one! It's dark but also full of hope.
I think the author knew that she wanted certain things to happen in the end, so she came up with events that would lead to that conclusion- BUT, the events were out of character for both Mac & Corrigan. Corrigan goes from being mr. understanding and patient to mr. unreasonable and irrational, and it doesn't make any sense. There were two main instances where he got angry, to different degrees, with Mac for prioritizing saving lives over whatever was going on with them. Has he MET her? And, seriously, he's the leader of the entire shifter world, like he doesn't know about that kind of sacrifice? I don't blame him for being upset or disappointed or whatever, but it made no sense for him to be mad at her, especially the time towards the end of the book (won't give it away, don't worry). It was totally obvious why Mac did what she did, and although I wouldn't expect him to be happy about it, I WOULD expect him to understand. The fact that he didn't understand makes me just not like him very much. He was being a selfish jerk, yet Mac is the one who is apologizing. Also, it's one thing for him to be mad, but another thing for him to act the way he did etc. That was just ridiculous, and I found myself rolling my eyes. Mac also did things totally against her character. She's pig headed and stubborn and doesn't give a crap what other people say or think, yet suddenly towards the end she lets another character bully her into a ridiculous situation that was so contrived. I get why she agreed to what the other character wanted, but not the manner in which it was carried out. The author tried to give a reason or why she went with things that way, but it fell flat. Plus, both of them were total idiots in the park while waiting for the threat to arrive, like they knew when or how or where it would come? Seriously? I know that the author is trying to keep the tension and drama going, but it just didn't really work. It was too extreme and, well, it just annoyed me. The events were just too obviously plot devices to achieve certain goals, instead of events that made sense within the context of the story and the characters.I will, of course, listen to the next book whenever it comes out because I'm totally attached to the characters. If it's as ridiculous as this one though, then it will be my last.
Wow. Just wow. I'm so sad about certain things, but it was a totally riveting story. Sad things have to happen sometimes when you have a hero like Mac, since that's what makes her what she is. I just downloaded book 4 and am ready to get started. I wish there were 10 more!
Absolutely. Great series! Read the first book before this one for sure though. I'm completely hooked!
I am a huge fan of kick-ass female lead series, like the Night Huntress, Jane Yellowrock, Mercy Thompson and so on. I'd been having a hard time finding a new series that I like, till I found this one! I'm already through books 1-3, after just a few days! There are parts of the first book that are a bit obvious and easy to figure out, but the actual plot/ending etc was definitely a surprise, in a good way. The characters are really compelling, and I got invested very quickly. There were a few things I didn't like about each of the books, little things that I thought didn't quite make sense or something like that, but that's pretty much true in all books. I'm kind of nit-picky. :)
It's also just a charming story, the narrator has a great accent, and the Scottish & English settings make it appealing.
I DEFINITELY recommend this.
Such a let down. So so disappointed.
Like anyone else currently listening to this audiobook, I've been VERY eagerly and anxiously awaiting its arrival. I'm only about an hour and 40 minutes into it, but I had to stop and take a break because I was getting too irritated. I REALLY want to know what happens with everyone, but I don't know if I am going to be able to get through the book.
In the first two books, I'd noticed lots of little continuity issues when things didn't match up, either within one book or across the two books. It bothered me, but mostly it didn't interfere with the story or my LOVE of the characters and books. So far, in book 3, I'm having a hard time getting past them.
Warning, very minor spoilers ahead. They aren't important or anything, since I'm less than 2 hours into a 23 hour book.
In book 2, we were told that Baldwin even stopped in at the family home while Diana and Matthew were away. Now, suddenly, in book 3, we are supposed to believe that A) Baldwin had NO clue Diana was a time walker, and B) He had NO clue that they had gone back in time, despite the fact that he was hanging out at the house with everyone else who knew. Plus, since he's one of the knights, of course he would know what they had decided to do. Ugh.
Also, in book 1, Baldwin accepted her as his sister and even called her sister when they said goodbye at the airport. (Don't get me started on the inconsistencies in the "we're mated/we're not mated issue in book 1 and 2.) Yet he's furious that they are married etc?
That's not the worst though.
Suddenly, we are told that there's this loud call that all vampires can hear as a result of Felipe's mark on Diana/his adoption of her. Yet, in book 2, Father Hubbard had NO idea she was claimed by a vampire until she told him, and he said he would just take her word for it because no one would lie in a house of God. Also, Louisa didn't believe Diana that Felipe had adopted her in a blood ritual. How is that possible, since this call should have been screaming at her loudly enough to annoy her? The blood rage and opiates can't explain that away.
Then there are the little things, like randomly Diana is back in her linen shift from 1590, even though they changed into their modern clothes back at her house in Madison. Also, suddenly Matthew is moody and angry and even more unstable than ever, even though at the end of book 2 he was all happy and well-balanced, having healed his wounds with his father, connected fully with Diana with the ritual of taking her blood and so on. The story briefly mentions that having seen Felipe so recently now makes him mourn his loss again. Also, in book 1, it was specifically mentioned that Baldwin has "never set foot in the tower" since Matthew built it, but now in book 3 there's a sword mark on one of the stairs from when he and Matthew fought, and Baldwin charges right in and grabs Diana?
In book 2, Matthew's unpredictability was partly explained away by the fact that he wasn't drinking from Diana. Once he started doing that, supposedly things were so much better and he "knew" her. Now, he's back to acting like a clueless idiot, needing others to tell him things that he obviously should know. In London, he heard and recognized the steps of two vampires who he hadn't seen in centuries, while they were still outside on the stairs, when Father Hubbard's messengers came to their house. Yet, he had no clue Baldwin was there until he grabbed Diana? Please.
It also makes no sense that Matthew is so mad at Marcus for mating and getting engaged to Phoebe. No sense at all. And somehow it's supposed to be Marcus' fault that Emily was killed? It's like there's all this contrived drama for the sake of drama.
Aside from all the issues, the first hour and 40 minutes are just boring. It was too boring and unessential for the start of a book when we should be getting hooked. Like, Mart and Fernando in the kitchen... Normally I love her detailed scenes that take you into their lives, but it was just so unimportant and blah. The story focuses on so many different people, instead of telling it mostly from Diana's perspective. Even when she's in the scene, it was often in 3rd person narrator style. Then, randomly, it went back to "I..." from Diana's perspective.
And what's up with Cora? Diana had her under control before they left London, and suddenly she's out of control? You could argue that coming back to this time changed things, but Cora was in this time from the beginning since she's been around all of Diana's life. Plus, Gallowglass (sp?) acts like this is typical behavior.
The story was just a little thin and it was hard to really care about the characters. I tried to get into it, but I gave up halfway through. I just didn't believe any of the characters' relationships or feelings for each other etc.
It wasn't a terrible book, the characters were interesting, there were some good plot twists, and an interesting fantasy premise. I just couldn't get into it because it was kind of far-fetched, and I didn't really like most of the characters. Although I was curious to see how it ended up, I just didn't care enough to finish the book.
Gabra Zackman did a great job with the voices and pacing.
Absolutely LOVED this installment in the Mercy Thompson series. Full of drama and humor, lots of good tension, people to hate, relationship development, a creative bad guy etc.
I'm a huge Johanna Parker fan, from the Sookie Stackhouse books, so I know the pace at which she reads. It was immediately obvious, even if I wasn't familiar with the narrator already, that the book was electronically sped up to much faster than anyone can actually speak. That totally destroyed any chance this book had. It sounded awkward and all the nuances were lost in the high speed narration, and it was almost too fast to keep up with.
Other than the awful electronically sped-up pace, the book was pretty weak. I know it's #1 in the series, but the author took a cheap and easy way to feed us all the background details: have another character tell the main character everything. It's also written in the present tense, which is just weird. Ex, "He pulls out a chair and sits down."
I stuck with it for 45 minutes, and I kept trying to decide how much of the problem was the narration speed vs. the book itself. I think that had the storyline been captivating, I could've lived with the narration. After 45 mins, I was not at all invested in the main character, and I felt like I'd just been listening to a long explanation about the alternate universe that the main character was dropped into. It was also just kind of too implausible for me.
I love urban fantasy series books with strong female lead characters and werewolves and vampires etc. For example, some series that I love: Jane Yellowrock, Mercy Thompson, Night Huntress (Cat & Bones, Sookie Stackhouse... So, this one sounded like it was right up my alley. Sadly, this was not worth the credit. I'm going to return it.
Why why why did they choose to speed her narration up?
Report Inappropriate Content