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D Jay

ratings
10
REVIEWS
4
FOLLOWING
0
FOLLOWERS
3
HELPFUL VOTES
45

  • The Given Day

    • UNABRIDGED (23 hrs and 46 mins)
    • By Dennis Lehane
    • Narrated By Michael Boatman
    • Whispersync for Voice-ready
    Overall
    (471)
    Performance
    (229)
    Story
    (224)

    The Given Day explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself. As Danny, Luther, and those around them struggle to define themselves in increasingly turbulent times, they gradually find family in one another and, together, ride a rising storm of hardship, deprivation, and hope that will change all their lives.

    D Jay says: "As Good As It Gets"
    "As Good As It Gets"
    Overall

    With a truly hideous daily LA commute, I get to listen to a lot of audiobooks, from a lot of genres. I've come to realize that a good audiobook is hard to find -- it requires both great writing and strong, diverse interpretive reading from a voice that can mimic (not mock) different voices. I've heard some otherwise well-written books devolve into hackneyed hideousness with bad readings (Peter Weller doing William Gibson comes to mind), and, of course, not even a good reader can save a bad book (ie, stay away from "Errors and Omissions"). That said, this version of Dennis Lehane's new novel is, quite simply, the best I've heard. I've liked Lehane's books in the past, but hadn't been blown away, and I've enjoyed the two movies I've seen from his work (Mystic River, Gone Baby Gone), but I was not at all prepared for the powerhouse punch this audiobook delivers. The writing is taught, sweet, seemingly true to the historical period and emotionally honest. The plot development is riveting without being ludicrous. The interweaving of fictional characters with historical figures, though hardly new (reminded me somewhat of Doctorow's "Ragtime"), is deftly handled. Add to that the narrator's phenomenal ability to vest the different characters with consistent and believable voices, as he easily and smoothly jumps from Southie Bostonian to Southern African-American to immigrant Italian(a testament to this truly gifted reader is the listener's inability to discern the reader's own ethnicity), and no accent he does seems forced or mocked. The combination of great writing and reading makes this audiobook my unqualified favorite of my listening career. I cannot recommend it highly enough. This is as good as it gets.

    45 of 45 people found this review helpful
  • Infinite Jest

    • UNABRIDGED (56 hrs and 14 mins)
    • By David Foster Wallace
    • Narrated By Sean Pratt
    Overall
    (600)
    Performance
    (519)
    Story
    (523)

    A gargantuan, mind-altering comedy about the Pursuit of Happiness in America set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are.

    Charlie Williams says: "good if you already read the book."
    "Tour De Freaking Force"
    Overall
    Performance
    Story

    Yeah. Ok. There's just not really any way to summarize or quickly describe the experience of listening to this audiobook. If you stick with it, you'll either find it to be one of the few life-changing literary experiences out there, or you'll want to kill everyone responsible for your spending 50 hours on a fool's errand. I'm in the former category. But you are you. Just remember-- "The truth will set you free. But not until it's done with you."

    0 of 0 people found this review helpful
  • Wayfaring Stranger

    • UNABRIDGED (13 hrs and 10 mins)
    • By James Lee Burke
    • Narrated By Will Patton
    • Whispersync for Voice-ready
    Overall
    (1034)
    Performance
    (939)
    Story
    (937)

    It is 1934 and the Depression is bearing down when 16-year-old Weldon Avery Holland happens upon infamous criminals Bonnie Parker and Clyde Barrow after one of their notorious armed robberies. A confrontation with the outlaws ends as Weldon puts a bullet through the rear window of Clyde’s stolen automobile. Ten years later, Second Lieutenant Weldon Holland and his sergeant, Hershel Pine, escape certain death in the Battle of the Bulge and encounter a beautiful young woman named Rosita Lowenstein hiding in a deserted extermination camp.

    Charles Atkinson says: "Outstanding Addition to the Holland/Texas Saga"
    "Aural Literary Candy"
    Overall
    Performance
    Story

    When I was a kid in the 70's I developed a reverent love of Reese's Peanut Butter Cups. And the ubiquitous tv ads with the collisions of chocolate and peanut butter eaters which always culminated in the lines "You got your chocolate in my peanut butter!" and " Well you got your peanut butter on my chocolate." And then the discovery by both of the spectacular deliciousness of the combination. I think of those ads, and the rich gooey goodness of Reese's, whenever I listen to Wil Patton read James Lee Burke. You got your Patton in my Burke. No...you got your Burke on my Patton. Doesn't matter. The combination makes awesome, tasty treats. This is their best to date. Florid, overwrought, similes and metaphors thicker than pecan pie filling, Burke's politics and heart not just worn on the sleeve but encrusted in jewels, and Patton reading each word like he's polishing and then displaying those jewels to a woman he's longing to seduce. Love it.

    0 of 0 people found this review helpful
  • Errors and Omissions

    • UNABRIDGED (10 hrs and 3 mins)
    • By Paul Goldstein
    • Narrated By Paul Michael
    • Whispersync for Voice-ready
    Overall
    (17)
    Performance
    (4)
    Story
    (4)

    Meet Michael Seeley, defender of artists' rights, take-no-prisoners intellectual property litigator, and a man on the brink of personal and career collapse. So when United Pictures virtually demands that he fly out to Hollywood to confirm legally that they own the rights to their corporate cash-cow franchise of Spykiller films, he has little choice but to comply.

    D Jay says: "Big Disappointment"
    "Big Disappointment"
    Overall

    This book suffers from two fatal defects. First, the plot is incomprehensible -- not that you can't follow it, just that the characters' motivations for the choices they make are simply unfathomable. At each plot fork, the author seems to have his characters choose the least likely, most ill-conceived choice possible. At first, I thought maybe this was some sophisticated post-modernist riff on the legal thriller. But, and this leads me to the second defect, the language itself is so stilted and cliched, that I was left to conclude that this book is just awful. Save yourself.

    0 of 0 people found this review helpful

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