As I listened to this audiobook, I couldn't help but picture the character James Marsters played in "Buffy the Vampire Slayer". He brought the characters to life without doing obnoxious falsetto voices for the female characters as so many other readers do. I have read all the Dresden books in print thus far, and while I enjoyed reading this book at the time, I felt much more "in" the story while listening to this production. I listened to "Storm Front" before this one, and the reading of this audiobook is much more enjoyable than "Storm Front" because of Marsters' enthusiastic performance. The timing is great, the characters are distinguishable without being obnoxious and there is just enough acting to make it really exciting. I'll concede that there were some mispronounciations but not enough to really detract from the story. I listen to lots of audiobooks and this one I will recommend to everyone!
I was afraid it might be a bit dated but it is not. The story is very entertaining and the reader is a great fit. I am looking forward to the next one.
I have read or listened to every novel by Michael Connelly. I feel like I know Harry Bosch. This book and the last one were not up to his usual good story telling. This book felt like the story was a bit forced. I still enjoyed it but the reader did it no favors. He seems more suited to reading nonfiction. Just droning on in the same tone of voice, like he is reading a list of facts from a really boring high school history text. It has been a long standing problem with finding a good reader for Connelly's books. Why can't they get somebody with some enthusiasm - get Dick Hill back please!
The first chapter of this book sounds good - then it gets muddled. Did any editor touch this? Too much backstory, too much many details that don't flesh out the characters. It needed some serious revision. It might have been a good outline but the execution was not well done. The reader was OK with some weak material.
The first 2 books were great but this one is full of distractions and too many characters. What is the deal with the generics calling each other names and cursing? This book feels like the author raked all the characters from stories he loves into his left over plot ideas making big mess that no editor bothered to sort it. Then the narrator tries to do different voices for the various characters but most are just squeaky.
I bought this because I wanted more of the story after watching the HBO series. The story is good but the reader is not. He pauses and gasps in the wrong places. His timing is terrible, like he is doing the first read-through. His voice is not bad but the pacing is so bad it really ruins it. I listen to audiobooks alot but I wish I had not bought this one.
Who directed this reading? I was really excited to get a new DeMille book since Scott Brick did a great job reading "The Lion's Game" . He gets that the main character, John Cory, is a smartass and made that reading very engaging. In this sequel book, he reads the story in a very flat voice, like somebody reporting a great tragedy. It is so tedious I kept falling asleep. What a disappointment.
Good story, great reader - what more can you ask for? I wish it had lasted longer. While the case being investigated is disturbing, the writing is so good that I laughed out loud in a couple of places. If only all audiobooks were so enjoyable.
The reader was great of course, but the story is pointless and predictable. None of the characters give any reason to like or to empathasize with them. I don't care what happens to any of them so I forced myself to finish it.
The reader misses all of the author's wit. I read this book when it was originally published but wanted to listen to it before I listened to "The Gate House". The book is great, as are all of DeMille's. Scott Brick read "The Lion's Game" and did a much, much better job. It seems like this reader didn't get any direction and he obviously hadn't read the book. His female voices all sound like drag queens. It's a shame.
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