Minneapolis, MN, United States | Member Since 2007
The author has a great knack for pulling out interesting facts along the way. This is a terrific listen, though I really wish it had been unabridged. There were times I wanted more information. This book is great just to fill in why the "Team of Rivals" description is being applied to Obama. It was impossible not to weigh what I was listening to with current presidential events. It seems that the more solid comparison is their common introvert thinker characteristic. Whatever the case, this certainly added to my understanding of Lincoln in a new way.
Before I say anything about the book itself, I have to give the narrator a salute. I cannot imagine anyone better to narrate this book. Doyle makes it all work. Truly great work.
As to the book, Neville created a tension that's essential for the genre. The characters were believable and flawed. The "gotcha" was there. There was a tautness to the storyline that kept me listening and trying to figure it out. It was there for 85% of the book and then ... not. I'm not sure what happened, but a solid 4-star listen fell down to a 3.5.
Even though I can't give this a rave review, I'm glad I discovered Stuart Neville and will continue to watch for his books. It's a thoroughly enjoyable listen - undoubtedly due to Doyle's flawless narration. I can't wait to see what else he writes.
I can't give this book 5 stars because it's not quite in the same league as, say, "Winds of War." It's fiction, not literature. But, it is certainly near the top of the list for this genre.
I'm always amazed when an author can make me cheer for the bad guy. Don Winslow does that and more. Frankie is just a fabulous character. You can see him, hear him. I loved the life Winslow created for him. Not far into the book, I was already solidly in his camp. I heard myself say out loud, "Whack him, Frankie!" I knew right then I was hooked.
This is a well-crafted story with realistic dialogue, some shady characters and a great star. I never would have found it had it not been a daily deal. I'm glad I did.
* Let's clarify the headline: a boring car ride with ADULTS. This isn't the book you want for the trip to grandma's house with the kids.
As a glimpse of the politics during the early years of the Roosevelt Administration, this is an interesting book. The old boys club was certainly alive and well in the foreign service arena. I liked hearing about the communication people had - primarily letter-writing - and the way they viewed each other and spoke about each other. Some of the barbs are brutal and quite polished. That kind of writing is gone from our culture except in rare cases and it's fun to hear it.
As a glimpse of a year during Hitler's rise to power, I was less impressed. There's some good info that helps fill in a few blanks about the fear that swept a nation, but I felt that got lost in all the info about Martha and her behavior. There was not enough detail about the events and personalities that ended up having such a gigantic impact on the world during this critical build-up.
I like Larson's work and his meticulous attention to research. But in this particular case, I would have appreciated more of the style of writing that Laura Hillenbrand applies to non-fiction. I think I was expecting more ... more tenseness, more drama, more historical detail.
I'm really not sure how to describe this book. The writing is the best I've encountered in a very long time. Every sentence is loaded. Magnificent? I wonder if that actually does it justice. I know that judging it on normal terms simply won't do.
Though I've read a lot of WWII history, I've never read anything this realistic about the building of the Burma Railway. To say the conditions were horrific doesn't even begin to describe what those men endured. It's heartbreaking on an unimaginable scale.
So there you have it: the most beautiful writing about the ugliest of conditions. With that contrast, it reaches you in a way few books ever can. But it's more than a book about POWs or the building of an impossible railway. The topics are HUGE - love, war, death, forgiveness, loyalty, obedience, honesty - and that's just for starters. Flanagan made me look at everything in a different light. I was surprised who earned my respect and who earned disdain.
Every now and again an award-winner surfaces that I think has really earned its praise. This is in that special category. Brutal, yes. But absolutely gorgeous. This really is one very special book.
I count on books to give me a glimpse of what life is like for other people in environments that are completely different from mine. Settling in with this one, I hoped to get something really insightful about women in Afghanistan. Through the tale of the two main characters, I think I have a better understanding of day-to-day life and the control placed on women. Culturally, it's eye-opening. That's all good - particularly if it's new turf for the reader. My issue had more to do with the writing and the narration.
I hate saying anything negative about an author's first book. But in this particular book, the dialogue feels so stilted that I have to comment on it. I'm not sure if it's an accurate look at the kinds of conversations people have or a flaw in the writing. I just know that sometimes I felt like I was listening to a YA. It felt choppy and was narrated in a way that exaggerated it.
This book will likely be on every book club's reading list for 2015. If it brings awareness, then it has done its job. Though the writing isn't nearly as graceful as I'd hoped, it is very functional. It's a book I liked - but could not love.
I unfairly thought I would be listening to the same kind of mind-bending book as "Fingersmith" - Waters' book with one of the most surprising plot twists of all time. (The subtitle for that one should be "Gotcha!") In this book, as in others, the author has a terrific way of establishing a kind of tautness that keeps you listening well past when you should have hit the stop button. But I kept waiting for the twist ... and waiting. No spoilers here. Just a warning: this is NOT Fingersmith II.
If you have an issue with gay relationships, perhaps you should pass on this and choose something else. It is front and center in this book - and in my mind, is treated with more importance in the storyline than anything else.
I've thoroughly enjoyed all of Louise Penny's books and really looked forward to this, the newest one. I had the pleasure of seeing her in person while she was on her book tour and couldn't wait to dig in.
It's hard to say what I didn't like without a spoiler, and I won't do that. Suffice it to say, the book took a departure from the usual pattern and the way the characters participate in the plots. Gamache has some big shoes to fill, and no one else can really do that.
Penny really took all of the conventions and flipped them 180°. Just like the upside down cover on the book. Interesting, yes. But I hope she knows we rely on her for a certain amount of predictability.
One other note ... if you've never listened to any of the books of this series, you're in for a treat with Ralph Cosham. He's perfect. But don't start with this book. Go back to the beginning and start with the earlier ones. While each one can stand alone, they are best in sequence.
I'm now going through the Outlander series again ... the second time listening to them in order. With a few minutes break in between, the differences between the books has become clearer. While I love the series, certain books just hit me the right way.
I don't disclose spoilers in my reviews and I won't do that here. BUT, my sense is that this book was written to provide a geographic change ... a segue. So while the storyline does go on, there's this thing taking place that feels a little forced.
It's funny really. Here I am listening to a book that involves time travel - a concept which doesn't seem so far-fetched in Gabaldon's capable hands. The whole thing is wildly inventive and completely addictive -- even for people like me who enjoy non-fiction. I've come to accept all the magical things. Then something happens in this book - which really is just an event - and I throw my hands in the air and exclaim, "Oh, come on! That's completely unrealistic!" As though time travel and magic stones are?
Diana Gabaldon has incredible power over her readers. We trust her to take us on a journey that stretches the imagination and we go with her willingly. This book proves to me that even the most talented writers can ask a little too much from their readers/listeners.
That said, it didn't spoil the series. I'm eager to listen to the next one - if only to hear more Davina Porter. She has got to be one of the most talented narrators around. A 5-star rating just isn't enough.
Before I downloaded the book, I saw where another reviewer warned that it takes about 9 hours to get into it. That was VERY helpful info. I easily could have put it aside those first hours. I kept at it because of the warning and I'm very glad I did.
Hayes takes his time setting up the characters and the scenario. The first part of the book sounds and feels like non-fiction. It's interesting - because of the history and insight it provides - but it can be a little dry. It really lays a foundation so you can understand what makes people who they are. And then it turns into a rip-roaring page-turner.
I normally don't go for thrillers, but this one is exceptional. There's an expert pacing to everything that keeps you engaged even when there's no action. Hayes has a way of foreshadowing that also keeps the ball rolling. The characters are well formed, flawed and interesting. There's enough history thrown in that sometimes the events feel entirely plausible. Perhaps that's what makes it so engaging - and terrifying.
It all adds up to one thing: this is definitely a credit-worthy summer read.
Like many others, I've read this book a number of times and have always appreciated it as very fine work. Hearing it - rather than reading it - is a completely different experience. Simply said, I fell in love with it.
In a novel, James Lee Burke writes about his fictional daughter Alafair editing her own work until there isn't a "rattle left in any sentence." That's a perfect description for Harper Lee's writing. Even though I've read it before, I really missed just how perfectly this prose has been crafted. It's so tight. When I slowed down and listened, it became apparent. On that level alone, it's brilliant.
The issues of race, respect and otherness it raises are just as relevant today as they were in 1960 when it was written and in 1935 where it was set. The characters have a timeless appeal. I have a greater appreciation of the balance between observations by a child and interpretation of those events by a grown woman looking back. For some reason, this too became clearer listening to the book rather than reading it.
Sissy Spacek does a terrific job with the material. Her narration isn't spectacular in a Will Patton or George Guidall kind of way. Rather, it's understated. She never gets in the way of the story. She's perfect as the older, wiser Scout looking back. I loved listening to her and the subtle way she reads the book and gives voice to its characters. Perhaps another narrator would have given the book a showier treatment. Spacek gives it authenticity.
There are only three other authors who leave me so awed with their talent: Wallace Stegner, Eudora Welty and Willa Cather. Their books are a pleasure to experience again and again. This is no exception. It doesn't matter how many times you've read this book. Listening to it is a new experience and well worth a credit.
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