This is the first audiobook that I've listen to that is truly performed, not read.
Every scene with Ikey Solomon.
He is by far the best narrator I've heard in 200 books. The first I can say rises above the description "reader" to thespian.
If you love Dickens and always kind of wonder what he'd make of Australia, here you go.
I'm half way through the second book now and loving the entire series.
I listened to all of Kate Quinn's The Serpent and the Pearl and I'd have liked to have found out how it ended. Yes, yes, I listened to the entire thing, but the story just stops with the heroes in grave danger and no resolution to any of the stories I've been following for sixteen hours.While it is true that the title includes a "Book 1" after a very strategic colon, I took that to mean the first one in a series - not act one of a story.
I might listen to the next one if I can't find anything good (want to bet it won't resolve anything either?) but I feel a little ripped off.
Besides the non-ending, this is a historic melodrama with characters and dialogue that are alright, but in no way memorable. The writer has an annoying tendency to harp on specific characterizations over and over again: Julia has long hair, the dwarf character is short and the cook is thin. Alright to pass the idle hour, but don't get your hopes up that you'll find out how it ends without spending more credits. Bah.
This is the first book I've read by Jojo Moyes and I'll be on the look-out for more. The characters sprang vividly to life, their voices and personalities unique to themselves. And they are memorable. It will be a long time before I forget Louisa Clark and Will Trainer. The pacing was intense too. The story grabbed me on page one and never let go.
The one cautionary note I have to add is that looking at the cover design, this book looks to me like a fairy tale romance. It's not. In my opinion, it's so much more. But I think if you are looking for a formula American romance, you may be disappointed.
In these reviews, I always try to think of another writer to whom I can compare the style of the work. Moyes reminded me a little of Liane Moriarty, a little of George Elliot and a little of Kurt Vonnegut. But really, she's in a class all her own.
As a big fan of two earlier Julia Stuart books (The Matchmaker and The Tower one), Pigeon Pie Mystery came as a significant let down. It felt like a rehash of The Tortoise and the Tower with the same fascination with exotic animals, historic properties and many mustachioed characters. A rehash that lacked the emotional weight that the earlier book had because of Milo's death, let me add. I spent almost the entire time wishing I was listening to it wishing I'd saved my credit and just re-read either of the earlier books.
The other problem I had was the reader got a kind of "knowing" edge to her voice when a line was meant to be funny. It drove me nuts! I understand that farce is the most difficult genre to read aloud (see the Tarquin Hall books or The Rosie Project to hear it done correctly) but it still grated. For that reason alone, grab the written form if you must. If you are already a fan of Julia Stuart, I think you're about to be disappointed.
I admit, I almost didn't finish listening to Shaman. The first third of the book is very slow-going. Hours of description, both of the exterior world and Loon's thoughts about his environment and his body (ahem), almost defeated me. It was kind of like hanging around a thirteen year-old who has one topic of discussion: him or herself. For hours.
But, I slogged on and by the break between parts one and two, you couldn't have pried my iPod out of my clutching fingers. I was hooked. This is not a fast read, but it is good - if you can make it that far.
While I enjoyed Bart Ehrman's Misquoting Jesus, I think I like this one was even better.
Here we are taken through a tour of the first generations following the death of Jesus and the many forms of Christianity that they practiced. He discusses why some flourished (able to claim ties to the antiquity of the Hebrew scriptures) and why some sects floundered (disagreements over the role of women.) It was very easy to follow along and see how each event contributed to the scripture and the forms of Christianity that have been handed down to us today.
I was just as fascinated with the stuff that almost made it into the New Testament (letters from Clement, Titus for example) as those that did.
Ehrman goes on to provide a clear context to understand the books of the Apocrypha as well. A lot of verses I never understood before suddenly made perfect sense when I was oriented in the right cultural beliefs. For example, in the Gospel of Thomas (alleged to have been written by Didamus Judas Thomas, Jesus's twin, but debunked by scholars) it says that women must become men to reach the Kingdom of God, Ehrman explains that Neo Platonists did not see the human race as having two genders, but only one. Ancients believed that women were males who never developed properly! Needless to say, that had never occurred to me. Suddenly, all became clear.
While this book may be too introductory for experts, it was fascinating to a lay person like me. Recommend.
I have to confess so that you know when you're evaluating this review and deciding how much weight to give it, I'm a fan of Mitch Albom's earlier work. His writing, that is. I had my doubts when I saw that he was narrating The First Phone Call from Heaven. But those doubts quickly evaporated. He's a great reader and enhanced the listen. So, kudos there.
The other question that came quickly into my mind is what happens when a sympathetic writer (Albom) portrays an unsympathetic character (Sully) behaving unsympathetically? The answer, it turned out, was subtle, but unmistakable suspense. I fell for Sully and was really intrigued to find out where the phone calls were coming from. Heaven or hoax? The telling was skillful enough that several times I wasn't sure which answer I was hoping would turn out to be true and found myself changing sides.
Since I'm writing this review to encourage you to listen to the book (well worth the credit, though a departure from Mitch Albom's earlier books, in content though the Albom pathos lingers...) I won't spoil the ending. I can say that it kept me engaged right through the end and, in the end, I was satisfied. I won't be surprised if I revisit this book in my library again.
After so much chick lit, The Rosie Project took me by surprise. It's not chick lit. It reminded me of the Adrian Mole diaries, by Sue Townsend in the 80's and 90's, and is in that much rarer and much more traditional genre - the comic novel.
The protagonist, Professor Don Tillman, has a flaw, as all great comic protagonists must, that has prevented him ever getting a second date with a woman. So he embarks on "The Wife Project" to find a compatible woman and instead meets Rosie, a completely incompatible barmaid/Ph.D candidate, on a quest to find the identity of her father.
I laughed and winced and rooted for Don as he fell under Rosie's spell, against his own better judgment (which he analyzes in agonizing detail) and the hours flew by.
I can't remember the last five star rating I gave a book. I usually top out at four. But I listened to this book straight through and have to say if it isn't five stars, then I don't know what is.
This is a premise so fierce that I hesitated to select the title. And I think I'm going to be haunted by this book for quite some time (at least as long as it takes me to download the second in the series, that is...) The book is set in a world of the future where the United States has fought another civil war. This time abortion is the issue instead of slavery. So a compromise has reached. A pregnancy can be aborted only retroactively by "unwinding" a kid (and harvesting all the parts, so the kid is really dead, just divided) between the ages of 13 to 18. Kind of a "try before you buy" idea. Scary, eh?
Into this world comes Connor whose parents signed the unwind order, but instead of being taken by surprise by Juvie Cops, Connor finds out beforehand and runs. When they catch him, he resists and he escapes. He meets up with two other unwinds who join his fight to stay alive. And this is in the first fifteen minutes. The pacing is breakneck and the writing is okay. Not great, but good enough to tell the story convincingly.
One thing that pleased me about the book is that it is neither pro-life nor pro-choice. But shows a world where ANY position, if taken far enough to the extreme, results in insanity. If there is a genre called Young Adult in a Very Disturbing Future this is it.
So it turns out there's a very different reaction when an attractive, college-educated woman turns to prostitution and heroin addiction in Australia than the one people use where I'm from (U.S.). There is much less shame, much more matter-of-fact acceptance (her parents told the neighbors!) and much more detail provided on her life working in the brothel and her clients than I was prepared for.
The book hooked me though, because I didn't realize there was another way of looking at heroin/prostitution than hopeless/shame/despair. Kate Holden doesn't adopt that tone and I have to admit, it made the book really stand out to me. On the other hand, she doesn't exactly recommend the lifestyle. She's a reporter - here's what I did, here's why, here's how I felt, here's what I did next, etc.
It is written from the addict's point of view and I can see how it might anger some family members or others who've suffered from the addiction of loved ones. But it did make me think. And I never once doubted her story was true (Looking at you sideways, James Frey.)
All in all, if you're looking for a tour through the guts of addiction, here you go. But it wasn't what I expected - in a good way.
The amazing Nancy Wake lived life LARGE. But unlike a tale of simple heroics, Peter Fitzsimmons doesn't shy away from the trouble she had reintegrating into a world not at war, how she never felt at home in Australia, her financial worries, her failure at politics and her tumultuous relationship with her mother, amongst other things that made her seem terribly human. I admired her bravery and her cleverness, but I felt for her because of her faults. But she had the last laugh! Well played, Nancy. Recommend.
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