Tulsa, OK, United States | Member Since 2009
First, this is a book that probably comes off better as an audio work rather than a print edition. It is largely a compilation of interviews and letters, which lend themselves to being read aloud. The readers here, especially Campbell Scott are very compelling. Reviews I've read of the print edition complain of the book's length and make it sound like a slog to read. So for those with a choice, the Audible edition is probably the best bet.
As for the content itself, this book cries out for a skilled editor. It is too long and some sections, especially the authors' analysis, could have been cut to make a more readable book. The authors' attempts to imitate Salinger's style are cringe-worthy but fortunately don't dominate the book.
The authors especially go off track in expressing the dubious idea that Salinger's study of Vedanta led him to stop publishing, renounce the world and live a hermit-like existence. The authors seem to think that this is a Vedanta prescription for living. I have been a member of the Vedanta Society for more than a decade and that is not a way of life followed even by the monks, who publish books and travel, give lectures and even have Facebook pages. Being a Vedanta devotee did not stop Christopher Isherwood from living an active gay life in Hollywood while helping translate Vedanta literature, publishing his own novels and memoirs, lecturing at universities and giving press interviews. The SALINGER authors' repeated contention that Vedanta "killed" Salinger's art is just not credible. They misconstrue Vedanta as a monolithic and dogmatic belief system with extreme lifestyle restrictions when it is anything but that. Members of the Vedanta Society as well as monks and nuns are free to follow the spiritual path that resonates with them individually. Anyone who doubts that might want to read Isherwood's MY GURU AND HIS DISCIPLE.
From the many interviews and letters that make up this book, it appears that Salinger did not live the life of a hermit in a cave. He travelled, attended sporting events, corresponded with life-long friends, loved television, and read The New York Times. As several people quoted in the book point out, the myth of Salinger the hermit stemmed mostly from the fact that for many possible reasons, he stopped publishing his stories, avoided press interviews, shunned the New York and L.A. social elite, and wouldn't allow The Catcher in the Rye to be made into a movie. He wasn't a hermit. He was an author who avoided the marketing and media publicity machine that dominates American pop culture.
A good biography of Salinger is yet to be written. This is obviously not it. But for those interested in the man and the artist this book contains a lot of very interesting information.
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