Customer Reviews |

You no longer follow David

You will no longer see updates from this user when they write new reviews, or suggestions based on their library or recommendations.

You can re-follow a user if you change your mind.


You now follow David

You will receive updates from this user when they write new reviews, or suggestions based on their library or recommendations.

You can unfollow a user if you change your mind.



Indiscriminate Reader

Member Since 2010

  • 203 reviews
  • 207 ratings
  • 0 titles in library
  • 12 purchased in 2014

  • The Zimmermann Telegram

    • UNABRIDGED (7 hrs and 11 mins)
    • By Barbara W. Tuchman
    • Narrated By Wanda McCaddon

    In the dark winter of 1917, as World War I was deadlocked, Britain knew that Europe could be saved only if the United States joined the war. But President Wilson remained unshakable in his neutrality. Then, with a single stroke, the tool to propel America into the war came into a quiet British office. One of countless messages intercepted by the crack team of British decoders, the Zimmermann telegram was a top-secret message from Berlin inviting Mexico to join Japan in an invasion of the United States.

    Mike From Mesa says: "US entry to World War I"
    "How the U.S. entered the war"

    I listened to this book because I have kind of an interest in cryptography and its historical impact. The Zimmerman Telegram is ostensibly about the famous telegram that was the final straw that brought America into the first World War, and how the British decoded it and then made use of it. But that turns out to be only a relatively minor part of the story. Really, most of the book is about the geopolitics of the early 20th century and the personalities of leading American, British, and German officials, diplomats, and military leaders, and how these shaped history as we know it.

    The "plot" in a nutshell (and Barbara Tuchman does make this book interesting enough that it reads more like a novel plot moving from one twist to another, rather than the inevitable course of history): in 1917, Britain and the other Allied powers are getting the stuffing beaten out of them by Germany. The European front is hemorrhaging lives. What Britain wants and needs, and what Germany fears, is America entering the war. The only thing keeping Britain alive is her navy, and the German navy thinks they can starve Britain and the rest of the Allies if they commence "unrestricted" submarine warfare: meaning, even neutral ships are fair targets in the war zone. Since this largely means American ships bringing supplies to Britain, letting the U-boats loose means very likely provoking America into declaring war.

    Then falls into the hands of British codebreakers, who unbeknownst to the Germans have broken their diplomatic code, a telegram from German Foreign Secretary Arthur Zimmerman to the German ambassador in Mexico. Zimmerman tells the ambassador to offer an alliance between Germany and Mexico should the U.S. enter the war (which they expect will happen since the decision has already been made to begin unrestricted submarine warfare). As part of the deal, Germany offers Mexico a great big slice of the American Southwest (basically everything the U.S. had taken from Mexico in various wars and then some), and also urges them to make an alliance with Japan to get Japan to attack the U.S. West Coast.

    This is obviously political dynamite, and the British figure it's just what they need to push the U.S. into declaring war on Germany. The only problems are (1) how to reveal this in a way that will simultaneously not be dismissed by the Americans as a hoax while not revealing to the Germans that their code has been broken; (2) U.S. President Woodrow Wilson, who has been stubbornly persisting in trying to broker peace and keep the U.S. neutral, even as it becomes increasingly obvious that neither will be possible.

    As I mentioned, the codebreaking stuff turns out to be a very small piece of the story. I found the characterization of President Wilson much more interesting: at times he seems naive, foolish, stubborn, and understandably his opponents even labeled him cowardly. He was adamantly opposed to entering the war, and was pushing his "peace without victory" plan even after the Germans had all but spit on it. But Tuchman's portrayal does suggest a man who was far from cowardly, and not a fool either. He genuinely wanted peace, and genuinely grieved when his orders resulted in the deaths of American servicemembers. (One might wish some of our more recent Presidents had such a personal investment in the consequences of their orders...) But he was also stubborn and prone to not listening to news and opinions he didn't like.

    The other interesting part of the story is just how differently the U.S. was situated then as opposed to now. We Americans tend to think that the U.S. has been a "world power" pretty much since its founding, but really, in 1917, the U.S. was big and had a lot of industrial capacity and manpower, but had yet to really be tested on the world stage. Today we laugh at the idea that Mexico might seriously think they could invade the U.S. and carve off Texas, Arizona, and New Mexico, but it was no joke then, especially if Japan, a growing empire itself, landed troops on the West Coast, which was also a real possibility, or at least the U.S. believed it was.

    World War I was when America had to actually prove itself and get bloodied. The other powers wanted America's strength on their side and feared America's strength turned against them, but probably no one had any idea of the global superpower the U.S. would become.

    An interesting history full of diplomatic maneuverings and historical context that reminds us that everything leading up to World War I, like most wars, was built on things that had been happening for decades before it. A hundred years later, we mostly only remember the outcome.

    11 of 11 people found this review helpful
  • Inside Scientology: The Story of America's Most Secretive Religion

    • UNABRIDGED (15 hrs and 40 mins)
    • By Janet Reitman
    • Narrated By Stephen Hoye
    • Whispersync for Voice-ready

    Scientology, created in 1954 by a prolific sci-fi writer named L. Ron Hubbard, claims to be the world's fastest-growing religion, with millions of members around the world and huge financial holdings. Its celebrity believers keep its profile high, and its teams of "volunteer ministers" offer aid at disaster sites such as Haiti and the World Trade Center. But Scientology is also a notably closed faith, harassing journalists and others through litigation and intimidation, even infiltrating the highest levels of government to further its goals.

    Matt says: "My cup of tea."
    "Tom Cruise, L. Ron Hubbard, and Xenu"

    If you're like most people in the 21st century, the image you have of Scientology is probably Tom Cruise jumping up and down on a couch, while promoting War of the Worlds in 2005 on Oprah. His manic performance while waxing ecstatic over his love for Katie Holmes (wife #3) turned him into a punchline, and this was in the middle of his renewed advocacy for Scientology, a "religion" that is probably most famous for attracting so many Hollywood celebrities, most notably Tom Cruise and John Travolta, but the list is actually quite large.

    Of course, this being the 21st century, everyone has access to the Internet and so if you've ever been the least bit interested in Scientology, you have probably also heard about Xenu and "Body Thetans" and all the other stuff Scientologists aren't supposed to learn about until they reach "OT3."

    Tom Cruise himself, according to Janet Reitman's detailed history of the Church of Scientology and its founder, L. Ron Hubbard, said "What is this sci-fi bull****?" when the secrets of Galactic Overlord Xenu were finally revealed to him. And yet he went on to become Scientology's most public and effective advocate, and according to Inside Scientology, a one-man cash cow for the church, which has a habit of dramatically overstating its membership numbers.

    L. Ron Hubbard himself, a science fiction author who knew all the big names back in the early days of pulp sci-fi, was a huckster, a con-man, and a relent self-promoting machine. You may consider his ethics and the made-up religion he created to be dodgy at best, but you cannot help but admire how he turned every adversity and setback into a win for himself. By the time he died, he was a Christ-like figure to his followers, who made him and his church incredibly rich.

    Inside Scientology is not a sensationalistic hit-piece on Scientology. Reitman tries to be as even-handed as possible, but just reporting the plain facts about Scientology, without the church's PR spin or outright falsification, inevitably casts it in a negative light. There are people, even who have left the church, who to this day insist that the "tech" works and that Scientology helped them. Yet the stories of abuse, of milking members for every dime of their savings and then putting them to work in what amounts to voluntary indentured servitude when their money runs out, of distortions and deceptions, of massive, widespread campaigns of organized harassment and gaslighting and ruinous litigation for the sake of destroying the church's enemies, make one wonder how anyone could see the Church of Scientology in a clear light and not see it for what it is? And for that matter, how does anyone in the 21st century with an Internet connection actually join this "religion" (yes, I'm going to insist on putting that in scare quotes), after reading about Xenu?

    Well, in short, according to Reitman, Scientology has indeed taken a big hit since the advent of the Internet and the ability of anyone to go on online and read all about their more esoteric/bizarre doctrines and their history. Most new Scientologists today are kids who were raised in the church, and the church does its best to keep its members in a bubble, told to avoid reading critical books or articles or websites and avoid "suppressive personalities" (i.e., people hostile to Scientology). Yet evidently, some are still drawn into it, and the church's "celebrity strategy," which famously netted Tom Cruise, is still keeping their Hollywood org jumping.

    Reitman's history goes all the way back to L. Ron Hubbard's early days, and the evolution of "Dianetics" into a full-blown religion. The tactics of the church, which were belligerent and ruthless even in the early days, and led to them essentially bullying the IRS into granting them tax-exempt status in 1993. Reitman is especially critical of Scientology's current leader, David Miscavage, who took over the reins of the church from LRH and is, from Reitman's account, exactly the sort of insecure, micromanaging, thin-skinned egomaniac you never want to see in power.

    This is all fascinating stuff, and rather heart-breaking when you see how much damage the "religion" has caused over its relatively brief history. And yet, people still embrace it, even some of its outcasts. Are they really so different from Catholics or Jehovah's Witnesses or Mormons or Muslims? All religions have pretty lurid histories and it's easy to portray any of them as terrible, cult-like conspiracies.

    I think after reading this book you will see plenty of differences that mark Scientology as... something else. Still, this book is written as a piece of journalism, not a critique, and the church itself was surprisingly cooperative with the author. So if you are interested in that wacky Hollywood religion with its arcane jargon, and don't just want to read a screed by an ex-Scientologist about how awful Scientology is, Inside Scientology is a very good place to start.

    1 of 1 people found this review helpful
  • Julius Caesar

    • UNABRIDGED (2 hrs and 16 mins)
    • By William Shakespeare
    • Narrated By Andrew Buchan, Sean Barrett

    Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

    David says: "The fault, dear Brutus, is not in our stars"
    "The fault, dear Brutus, is not in our stars"

    I think that reading Shakespeare's plays does not do them justice - they aren't meant to be read, they are meant to be performed, and seen performed. However, you also miss a lot if you aren't already familiar with the context and the Shakespearean language, because of course ol' Will packs a lot into every single line.

    So, this is the famous play about the conspirators who assassinated Julius Caesar, fearing his ambition to become king. Among the famous lines to which we owe this play: "Et tu, Brutus?" "Cry havoc, and let slip the dogs of war!" "Cowards die many times before their deaths; the valiant never taste of death but once." And "The fault, dear Brutus, is not in our stars, but in ourselves."

    Mark Antony's speech is probably the highlight of the play. Having just been informed of Caesar's death, and with the assassins having convinced the Roman public that they'd saved Rome from a tyrant, Mark Antony gives his famous speech which is a masterpiece of mob manipulation, turning them against the conspirators and in favor of the slain Caesar.

    The conflicts are patriotism versus friendship, loyalty versus ideals, and the taint of self-interest always present in one's motives. As a tragedy, this is one of those Shakespearean plays where almost everyone ends up falling on a sword one way or the other.

    Brutus is clearly the protagonist, but I think Mark Antony wins it.

    Performances were clear and dramatic in this production. Not quite as good as seeing the play, but all the action is clear enough with minimal sound effects.

    2 of 2 people found this review helpful
  • Speaks the Nightbird

    • UNABRIDGED (30 hrs and 44 mins)
    • By Robert McCammon
    • Narrated By Edoardo Ballerini
    • Whispersync for Voice-ready

    The Carolinas, 1699: The citizens of Fount Royal believe a witch has cursed their town with inexplicable tragedies -- and they demand that beautiful widow Rachel Howarth be tried and executed for witchcraft. Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. Believing in Rachel's innocence, Matthew will soon confront the true evil at work in Fount Royal....

    aaron says: "Dark, Twisted Period Piece with GREAT Characters!"
    "American colonial tale of witches and horse-lovers"

    Robert McCammon is better known as a horror author, and he brings his horror-novelist sensibility to this big, thick historical novel: it's gritty and dark and full of bloodshed and perversion, kind of schlocky and gratuitous in places (like the almost irrelevant subplot about the dude who really, really loves his horse...), and yet entertaining enough to keep me going through the entire massive length of it.

    Matthew Corbett, our protagonist, is accompanying his employer, Magistrate Isaac Woodward, to the fledgling town of Fount Royal, a tiny little hole in the Carolina swamps with aspirations of becoming a port town. It seems there has been a series of murders, arsons, and all sorts of wicked goings on, and since this is the American colonies circa 1699, obviously it must all be the fault of a witch. A witch is duly found: the beautiful widow Rachel Howarth, who makes a convenient scapegoat since she's hot enough to inspire lust in the men and jealousy in the women, her husband is dead, and she's half Portuguese.

    After a prelude in which Matthew and the magistrate are almost murdered in their sleep by a sinister innkeeper on the road to Fount Royal, they arrive at the town and discover that the town's founder basically expects them to deliver a guilty verdict right quick so they can get the witch burned and get back to business. Magistrate Woodward, however, actually insists on hearing evidence and allowing the accused to testify, much to everyone's disgust. Meanwhile, Matthew, being a 20-year-old virgin, naturally falls in love with Rachel, becomes convinced of her innocence, and sets about trying to convince the magistrate and the townsfolk, in a world where an accusation is as good as proof. Everyone, even a child, testifies to having seen Rachel Howarth conducting Satanic orgies. While their stories have some holes, none of them seem to have a reason or inclination to lie. Matthew, an incessantly curious and persistent fellow, keeps asking questions while the townsfolk are already picking the stake to burn Rachel on.

    Speaks the Nightbird is a historical novel full of colorful if dubious details. McCammon does not gloss over how unclean, uncivilized, and generally gross the 17th century was, especially in a backwater like Carolina. The novel is also pretty engaging as a mystery. Fount Royal of full of shady characters all of whom seem to have mysterious pasts and secondary motives. Matthew goes poking into everyone's business, getting knocked around and at one point jailed and whipped for it, witnesses everything from a little horsey action to mesmerism, and eventually uncovers the truth about everything and everyone.

    The ending is, while not quite fantastic, skirting the boundaries of plausibility. McCammon brings all sorts of weird plot twists into play, so figuring out the mystery is not something the reader is likely to do ahead of time unless your mind leaps to bizarre explanations, but the conclusion is satisfying.

    2 of 2 people found this review helpful
  • The Psychopath Test: A Journey Through the Madness Industry

    • UNABRIDGED (7 hrs and 33 mins)
    • By Jon Ronson
    • Narrated By Jon Ronson
    • Whispersync for Voice-ready

    The Psychopath Test is a fascinating journey through the minds of madness. Jon Ronson's exploration of a potential hoax being played on the world's top neurologists takes him, unexpectedly, into the heart of the madness industry. An influential psychologist who is convinced that many important CEOs and politicians are, in fact, psychopaths teaches Ronson how to spot these high-flying individuals by looking out for little telltale verbal and nonverbal clues.

    Robert says: "Interesting but wandering"
    "Psychopaths and the crazy people who study them"

    While Jon Ronson reveals a great deal about his own neuroses in this book, he casts little light on the psychopaths he is allegedly researching, though he does give some interesting insights into the "madness industry" of psychologists who have studied, categorized, labeled, and tried to treat psychopaths, mostly without success.

    Ronson begins with a strange introduction to the field of psychology and mental illness thanks to a group of Scientologists, who chose him to "expose" the evils of psychology. Scientologists believe that all mental disorders are because of engrams accumulated from past lives or space aliens or some such thing. L. Ron Hubbard had a particular hatred of psychologists. Ronson spends a little time discussing the peculiarities of Scientology, but this book is primarily about psychopaths and what makes them tick... and what makes the people who study them tick.

    After reading The Psychopath Test, it is not hard to believe that you have to be a little bit crazy to study crazy people. (Look out for those Abnormal Psychology majors...) From the arbitrariness of what goes into the DSM (did you know that far more copies are sold to interested non-academics/non-practitioners than to mental health professionals?) to the Hare Psychopathy Checklist, a diagnostic tool that's become a quick and dirty way to label someone a psychopath, to the Rosenhan Experiment, the history of psychology is filled with enough self-reinforcing bumbling and egomania to make one think the Scientologists may have a point.

    While Ronson's book is a collection of interesting anecdotes and observations, digressing into the overmedication of children, misdiagnoses of autism, and the brutality of capitalist devotion to "shareholder value," between interviews with ex-death squad leaders and allegedly psychopathic CEO Al Dunlap, it's a bit weak in its critique of science, and sheds little light on his subjects.

    Martha Stout's book The Sociopath Next Door was more illuminating. Ronson does, however, give a bit of a glimpse into the mind of a sociopath in a way that Stout only addressed abstractly: how do sociopaths/psychopaths (there is no technical difference between them) see themselves? Do they recognize that they are "broken"? Do they ever want to be cured, and can they be? (Short answer: no.)

    Ronson's interview with Al Dunlap was particularly interesting, as he actually confronted Dunlap with the Hare Psychopathy Checklist, and the allegations that Dunlap, according to this tool, scored high on the psychopathy scale. Dunlap proceeded to point out that every behavior presented as evidence of being a psychopath could also be interpreted as someone who has a forceful and driven personality who gets things done. True enough, there is a lot of evidence that psychopathy is an asset in positions of power, like boardrooms.

    Ronson is able to see how some of his subjects ape normal human reactions and manipulate people the way they'd handle a TV remote control, but others, like Al Dunlap, are more ambiguous. Is Dunlap really a psychopath, or just a merciless SOB? As both Stout and Ronson point out, even genuine psychopaths are rarely serial killers; most live law-abiding, respectable lives, though never out of any actual respect for the law or society.

    An interesting if somewhat meandering trip into the perilous world of diagnosing psychopaths, The Psychopath Test is not exactly a weighty, heavily-researched book, but it will be of interest to anyone who has an, ahem, clinical interest in psychopaths.

    3 of 3 people found this review helpful
  • The Engines of God

    • UNABRIDGED (14 hrs and 58 mins)
    • By Jack McDevitt
    • Narrated By Tom Weiner
    • Whispersync for Voice-ready

    Humans call them Monument-Makers. An unknown race, they left stunning alien statues scattered on distant planets throughout the galaxy, encoded with strange inscriptions that defy translation. Searching for clues about the Monument-Makers, teams of 23rd century linguists, historians, engineers and archaeologists have been excavating the enigmatic alien ruins on a number of planets, uncovering strange, massive false cities made of solid rock. But their time is running out.

    Michael G. Kurilla says: "Conceptually intriguing, but uneven writing style"
    "Big idea, Clarke-like SF"

    The Earth is facing environmental catastrophe in the 23rd century. Humans have spread to other star systems, but generally not found a lot of Earth-like planets, and those they have found are already inhabited. A handful of intelligent alien races have been discovered, but all are primitive compared to humanity. Most alien races discovered, however, are long dead, and the most prominent is one that apparently traveled to other stars, as their monuments have been found across the galaxy.

    Earth has generally taken a "hands off" approach to living natives, but as pressure mounts to begin terraforming habitable worlds as an escape plan, this "Prime Directive" morality begins to seem less desirable. There is an interesting reversal of the classic sci-fi trope, and subtle commentary on colonialism and how we might justify it in the future, when an argument is made to colonize an inhabited planet "for the natives' own good." They are in the middle of a savage global war, and it is claimed that some of them have become aware of the existence of their alien watchers, and are begging for intervention. That technological aid and imposed peace would incidentally involve Earthlings resettling on their hosts' planet would be only a logical extension of a benevolent intervention...

    This is a fairly hard SF novel that will appeal to fans of "big idea" SF, particularly if you like academic/scientist protagonists. Jack McDevitt gets compared a lot to Arthur C. Clarke in the blurbs for this book, and that's a fair comparison. Also an unfortunate one as far as I'm concerned, because like Clarke's science fiction, The Engines of God did little to stir any passion in this science fiction fan. It was a perfectly well written book, it was just dry and flat and even the high stakes did not truly engage my interest.

    2 of 2 people found this review helpful
  • Going Home: The Survivalist Series, Book 1

    • UNABRIDGED (13 hrs and 12 mins)
    • By A. American
    • Narrated By Duke Fontaine
    • Whispersync for Voice-ready

    If society collapsed, could you survive? When Morgan Carter's car breaks down 250 miles from his home, he figures his weekend plans are ruined. But things are about to get much, much worse: the country's power grid has collapsed. There is no electricity, no running water, no Internet, and no way to know when normalcy will be restored - if it ever will be.

    Randall says: "A page turner, if. . ."
    "Prepper novel for hate-the-government types"

    I seem to be on a survivalist reading kick lately, enjoying various books about TEOTWAWKI scenarios. One thing that quickly becomes apparent is that survivalist books and those who write them tend to be of a particular political bent. It is stronger in some than in others, but let's just say there are not a lot of people voting for Obama who write books about how the government is going to collapse and the key to survival is stashing guns and silver.

    "A. American" is clearly making a statement with the very choice of pseudonym, but Going Home doesn't really get up on a soapbox until the end.

    Instead, the first part of the book is about Morgan Carter's trip home after an EMP device shuts down his car and the power grid. He is in rural Florida when it happens — setting survivalist novels in Florida or North Carolina seems to be awfully popular. Certainly it's easier to explain someone carrying a gun around, as opposed to a survivalist novel set in New York or Maryland.

    Morgan Carter is a prepper, and the chapters with Morgan are narrated from a first-person POV, so he goes into great detail describing the contents of his bug-out bag, the equipment he has, his survival tactics as he begins hiking home. Later he meets up with a naive college girl, another shotgun-toting survivor named Thad (obligatory Big Black Friend), and then some ex-army guys, and the novel becomes a little disjointed as it alternates between their viewpoints as they go their separate ways.

    Mostly there is a lot of talk about gear and prepper basics, obviously intended to enlist the audience's interest. There are some deadly encounters with the usual sorts of low-lives whom you'd expect to turn orc when the grid goes down. As a survival story, it's not quite as compelling as One Second After or Alas, Babylon or Dies the Fire because all those books (besides being somewhat better written) are about the survival of communities, whereas Going Home is mostly a collection of individual survival stories. However, it does illustrate some of the issues an individual might have, being caught on one's own in a SHTF scenario, though the author makes it a lot easier for his protagonists by letting them all start out heavily armed.

    Now, as I noted, a certain mistrust of the government and antipathy for dependent city-dwellers is at the core of most of these survivalist novels. "A. American" keeps this in check for most of the book, with Morgan making only a few comments now and then about screwed the unprepared are going to be and the observation that people turn "collectivist" awfully fast when they run out of stuff.

    The end of the book, however, reveals who the true culprits behind the EMP device were. Well, President Obama is never mentioned by name, but let's just say this is a book that will appeal to those who believe in the NWO's black helicopters and FEMA camps.

    7 of 9 people found this review helpful
  • FREE: Deadlocked 1

    • UNABRIDGED (2 hrs and 13 mins)
    • By A. R. Wise
    • Narrated By Brian Sutherland

    David was caught in the middle of the city when the zombie outbreak started. His wife and daughters were at home, stranded on the roof as zombies waited below. He would have to fight through hordes of undead, merciless other survivors, and a series of death defying stunts to get home. However, even if he makes it there, how can he be sure they're safe?

    "Okay zombie story"

    This free Audible download describes a man fighting to get back to his family during a zombie outbreak. It was entertaining enough and the writing was okay, but basically it brought nothing new at all to the genre. The free sample consisted of the first chapter and part of the second, enough to give you a taste. I'm afraid it didn't captivate me. It was okay, but unless you're into all things zombie and just can't get enough of zombie apocalypses, I can't recommend it as a stand-out.

    0 of 0 people found this review helpful
  • At the Mountains of Madness [Blackstone Edition]

    • UNABRIDGED (4 hrs and 48 mins)
    • By H. P. Lovecraft
    • Narrated By Edward Herrmann
    • Whispersync for Voice-ready

    This Lovecraft classic is a must-have for every fan of classic terror. When a geologist leads an expedition to the Antarctic plateau, his aim is to find rock and plant specimens from deep within the continent. The barren landscape offers no evidence of any life form - until they stumble upon the ruins of a lost civilization. Strange fossils of creatures unknown to man lead the team deeper, where they find carved stones dating back millions of years. But it is their discovery of the terrifying city of the Old Ones that leads them to an encounter with an untold menace.

    Jeffrey says: "Not for everyone"
    "Classic story of pulp horror and penguins"

    Either you dig Lovecraft or you don't. The guy had issues and his prose was the purplest, like most pulp writers of his time. But all American fantasy and horror written since the 1930s has been influenced by Lovecraft. Lovecraft himself was heavily influenced by others, of course, and At the Mountains of Madness, one of his most famous works, made explicit reference to Edgar Allen Poe's The Narrative of Arthur Gordon Pym.

    This is a novella about a scientific expedition to Antarctica. The Antarctic was even more mysterious and unknown in the 1930s, so it was a perfect place for Lovecraft to situate an ancient, alien city. His narrator, in recounting his perilous journey from which only he and one other explorer/scientist returned, is attempting to discourage others from following in their footsteps, lest they too unearth Things Man Was Not Meant to Know.

    All the classic Lovecraft tropes are here — alienness incomprehensible to human minds, non-Euclidian geometry, sanity loss, and awful truths about prehistory revealed. The city the scientists discover in the South Pole was once inhabited by a race of creatures from another star, known only as the Old Ones. The Old Ones were scientifically and culturally advanced, and created servants to help them build their great cities. These servants, awful, intelligent monstrosities known as Shoggoths, eventually rebelled against their creators, making this ancient story literally older than mankind.

    Surprisingly to me, given Lovecraft's usual xenophobia and characterization of the alien as unknowable and inimical, his narrator displays an almost touching compassion and understanding for the Old Ones, observing that they were simply "men of another age, albeit alien."

    In the climax, the awful truth is revealed, there is much slime and carnage, and the narrator narrowly escapes from the terrible underground tunnels of the ancient city of the Old Ones.

    You will never see penguins the same way again. Tekeli-li!

    3 of 3 people found this review helpful
  • Dies the Fire: A Novel of the Change

    • UNABRIDGED (21 hrs and 58 mins)
    • By S. M. Stirling
    • Narrated By Todd McLaren
    • Whispersync for Voice-ready

    Michael Havel was flying over Idaho en route to the holiday home of his passengers when the plane's engines inexplicably died, forcing a less than perfect landing in the wilderness. And, as Michael leads his charges to safety, he begins to realize that the engine failure was not an isolated incident.

    Natasha says: "Maybe!"
    "An SCAer's dream"

    Dies the Fire goes through the usual paces in an end-of-the-world novel: civilization collapses, there is much confusion and rioting, a few lucky/prepared ones are situated such that they don't starve while all the city-dwellers run out of food, there's a massive die-off, and then the most organized, ambitious, and/or ruthless are setting up fiefdoms.

    The gimmick here is that "the Change" that causes the end of civilization literally changes the laws of physics. Gunpowder, internal combustion, and electricity simply stops working. The world is literally knocked back into the middle ages technologically. This device is an excuse to write an SCAer's fantasy: those folks in the Society for Creative Anachronism who spent time dressing up in plate armor and whacking each other with rattan swords are suddenly among the only ones with actual useful combat skills, now that guns no longer work. Sterling takes that ball and runs with it: the chief villain, who takes over Portland, Oregon, "the Protector," is a former history professor and an SCA member who uses his combat skills and knowledge of medieval history to immediately begin recreating his favorite period of history with himself in charge.

    Michael Havel, military veteran and former pilot, becomes a warlord of sorts, quickly leveling up as the mercenary commander of the "Bear-Killers," with assistance from a teenage girl Tolkien-nerd who conveniently enough also practiced archery as a hobby.

    As a gimmick, it's interesting and fun to see the survivors literally rediscovering medieval tactics out of necessity. "The Change" is never explained, though the characters speculate that aliens did it. It does become a bit much when witches (the wiccan kind, not the actual magic-using kind) form the basis for a large survival community, apparently because they're better able to organize and survive in a pre-industrial world. Juniper, the leader of the coven, who becomes High Priestess and "Lady Juniper," is constantly spouting "Blessed Be" and "Lord and Lady!"

    Dies the Fire is not much of an actual survivalist story; there is discussion of how the survivors have to reimplement medieval technology and spend a lot of time getting agriculture going again the hard way, but most of the action is the battles against various bandit gangs and warlords.

    Will be interesting to see if the author actually makes aliens responsible in the next book.

    3 of 3 people found this review helpful
  • Code Name Verity

    • UNABRIDGED (10 hrs and 7 mins)
    • By Elizabeth Wein
    • Narrated By Morven Christie, Lucy Gaskell
    • Whispersync for Voice-ready

    Code Name Verity is a compelling, emotionally rich story with universal themes of friendship and loyalty, heroism and bravery. Two young women from totally different backgrounds are thrown together during World War II: one a working-class girl from Manchester, the other a Scottish aristocrat, one a pilot, the other a wireless operator. Yet whenever their paths cross, they complement each other perfectly and before long become devoted friends. But then a vital mission goes wrong....

    Suzn F says: "Haunting, Beautiful, Exquisite, Special Book"
    "Girls' adventure in World War II"

    This book has gotten much, much love from bloggers and Young Adult aficionados in general. Because girls! In World War II! And it's kind of a little bit dark with Nazis, toned down to YA levels.

    Code Name Verity is a girls' adventure story about a pilot and a secret agent, both based in historical reality though the author admits in her afterword that she took a bit of fictional license to allow her young female pilot to fly a plane into occupied France.

    As the book begins, Julie, the secret agent half of this best friends duo, is writing a confession to her German captors. She got caught as an enemy spy when she looked the wrong way crossing a street in France, and now she's in the hands of the SS. The first half of the book is her story. She is Scheherazade, trying to prolong her life by giving away secrets and playing mind-games with her captors, games she can't possibly win.

    Then comes the second half, which is Maddie's tale, Maddie being the working class girl who became a pilot, who crashed in France, and now works with the French Resistance. She learns of Julie's capture and want to free her. Of course.

    Much has been made in reviews of the "shocking twist," which I shall not spoil, but let's just say it is dramatic and moving but not wholly unexpected and certainly not as wrenching for adult readers who have read war stories before. Likewise, the horrors of the Nazi occupation are described, but the author spares the reader the worst.

    This isn't a flaw in the book per se — not every war story has to be gory and brutal to excess, but I was constantly reminded that this was a YA novel meant to stir an emotional response. The focus is on Julie and Maddie's friendship and we are treated to long internal monologues regarding everything that passes through their heads.

    The story was good and so was the writing, but despite the cleverness of an unreliable narrator, it seemed to be written to appeal to a different sort of reader. Code Name Verity tries very hard to yank your heartstrings and make you shiver with dread at appropriate times. For a teenage girl, this is maybe a near-perfect book. For me, merely decent.

    1 of 1 people found this review helpful

Report Inappropriate Content

If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.


Thank You

Your report has been received. It will be reviewed by Audible and we will take appropriate action.