Saint Augustine, FL, United States | Member Since 2006
This story had lawyers, criminals, victims, bad guys, good guys and the usual cast found in Grisham novels. But it wasn't typical Grisham. I think the story was so far fetched that it seemed like the work of another author. Everything had to fall into place and, of course, everything did. What I liked about the story is that I wasn't able to guess what the blazes was going on until Grisham slowly revealed it. Thus my interest was piqued throughout. But the aspect that I liked was also the aspect I disliked. There was no way to really do any sleuthing with this one. You simply had to wait it out to see what would happen. Not great literature but an enjoyable listen.
I thought this was a pretty good story but would have preferred that one narrator be used. The writing was somewhat disjointed and the use of multi narrators didn't help. Also I did not like the author's technique of jumping ahead of important milestones in the story and reflecting back on them. I gave the book three stars because it revealed some behind-the-scenes looks into politics and journalism. I'm also a fan of Megan Kelly and heard she did some first edits. A solid three stars.
As a dog lover and supporter of the incredible work performed by hospice folks I knew this book was a no-risk listen. Didn't think it was particularly well written and I never really connected with Jon. Thank goodness for Izzy and Lenore. Izzy went from rags to riches in spirit and was almost too good to be true. Lenore was a lovable Lab who proved near the end of the listen that she possessed more than simple puppy love. The book provides some insights into hospice care and was well worth the listen.
Somehow I had managed to spend my entire life without reading this classic. It's short and to the point. I'm not sure how this dramatized version differs from the original but I suspect the story lines and dialogue are similar. I'm glad this was short because I don't think I could have listened for several more hours. I did, however, like the dramatized version, replete with sound effects and murmuring. Made it a little better. I've listened and I can cross another classic off my list. Don't think I'll tackle 1984.
All three of these were entertaining and gave us a young Reacher with the superhuman powers his fans have come to expect. Second Son sounded very familiar and I'm pretty sure that the story was included in one of the full-length novels in the series. Not only were Reacher's physical abilities developed at an early age, so were his cognitive skills and powers of deduction. I was a little disappointed at Jack Reacher's Rules as they went beyond the premise and were often repetitive. All in all, Reacher fans will enjoy this listen.
What I like about the Prey series is John Sandford's ability to continually create some pretty evil guys. He doesn't disappoint in this installment with the really oily dynamic duo of Horn and R-A. Neither of them have anything even resembling a redeeming social value. They are perfect bad guys. Sanford also introduces a new character, who I hope will appear in upcoming installments. Catrin Mattsson had a baptism of fire in this novel and is deserving of a Virgil Flowers kind of spinoff. I hope we at least see her in future Prey offerings. Finally, Richard Ferrone made this story come to life with his dead-on vocal interpretations. A musician could read music and lyrics from a new song and have an idea of what the finished product would sound like. But hearing the instrumentation and vocals would, for most of us, make for a better experience. Same goes with Audible books. Reading them would be fun but listening to them is much better. And with a narrator like Ferrone, the experience is kicked up a notch. A five-star winner. Keep 'em coming.
The first 1-2 hours of this book were a struggle to get through. Scenes changed with little or no transition and a multitude of characters appeared that made the story hard to follow. When I finally got my sea legs and figured out what was happening, things got markedly better. Other reviewers were correct in praising the narration of Frank Muller. One of the top five I've listened to. Walsh was a character that was hard to like but you pulled for him because he had already more than paid for his transgressions. DeAngelo was unlikeable and ruthless. On the other hand, some of his traits were admirable. Not many, but some. The story itself was a good one and keep me interested until the end. I correctly called one of the late twists. Stay with this book if the beginning wears on you. It's worth the effort.
This was an interesting story, which could have been presented in a more-interesting fashion. The narrator did little for me. If Lululemon's has any male sales associates, this might have been who was doing the narrating. I think a female narrator would have worked much better. The way the story was put together was also lacking. It was more a series of independent facts than it was a weaved-together story. I probably would have enjoyed it more if someone created a piece of non-fiction and based it on the true story. A 10-minute epilogue could have then summarized what actually took place. With all that said, it was a relatively short listen and one that was worth my time. Upon it's completion, I Googled the characters in the book and put together names, faces and other nuances not available in the book. And you can't do that with straight fiction. Worth the price I paid with an Audible Daily Deal.
Give me a really bad guy who will likely get his comeuppance and I think you have the basics for a good thriller. Greg Iles gives us one of these evil creeps in the person of Joe Hickey. I'm not sure John Sandford or Jeffrey Deaver, two authors who forge mighty nasty characters, have ever given us anyone who can compare with Joe. Iles balances out Joe's evilness with the gentle giant, Huey. You're never sure what final road Huey will take but, deep down, you hope it will be the right one. All the other characters exist simply to keep the story moving. And move it does during a 24-hour period that should keep iPods operating from start to finish well within that time frame. An excellent thriller with good narration by Dick Hill who, believe it or not, never once said, "Reacher said nothing." Well worth a credit.
The premise of this book was a good one. And because I like stories that include time travel, I ended up giving this book four stars. But I can't help believing that the author could have improved his product by including one or two less replays. The large number of replays probably required that he make large jumps in time to avoid having the book run longer than it did. I kept on encountering non-sequiturs before additional listening gave me the perspective that the scene was several years removed from the previous one. The transitions were very dramatic. There were many loose ends left at the conclusion of the book but that wasn't necessarily a detriment. Readers are left to conclude whatever they wish about the reality or the cause of the replays. Far-fetched but entertaining. Well worth it on a BOGO sale.
At times this book was humorous and probably quite salacious for the time it was written. The characters were interesting and well developed but the story was jumbled and rambling. The ending was abrupt and didn't provide closure. Not sure if the author wasn't as crazy as his main character, Eliot. Snippets of good writing but overall a disappointment. Others may disagree and it may be worth a five and one-half hour gamble if you want to experiment with an unusual listen.
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