Not all installments in the Alex Cross series are created equal. 'Alex Cross, Run' ranks as one of the very best, in my book. The fine old story formula is here, well executed, involving clever, creative bad guys, and involving the Cross family in just the right amounts. A great performance by Boatman and Boyer, too. All in all, a very nice recovery from the horrendous movie experience with nonactor crossdresser Tyler Perry last year.
I don't like the lead character of Patterson's latest book. She's neurotic, babbling, and boring. Long stretches of the book, when characters seem to wax philosophical, are tedious to the point of distracting the listener from the reasonably compelling story. Performance is distracting as well ... I simply don't like men or women narrators forcing their voices to sound like twisted, distorted orations from the opposite gender, and that's the problem with January LaVoy, who has a wonderful voice and delivery - as female characters.
John Grisham's best book, A Time to Kill, is a vivid and thrilling depiction of a young lawyer's lonely fight against racism and racial violence in mid-1980s Mississippi. Now, Jake Brigance is back, still combatting the darkness of ignorance and hatred, only three fictional years later in the same small city. Great legal twists and turns make the occasional tedium of reading a court case come alive and keep you awake. This one is just as good the first one, from 25 years ago. Narration and pace are perfect for the characters and help move the story along.
I usually find some redeeming values in even the least of Patterson's efforts, but not this time. The story itself is a nonstarter, and narration - especially whichever of the two narrators reads Bennett - is tedious and lifeless. The writing is pretty bad for a Patterson book, and there are noticeable lapses in continuity of plot. Ugh.
Another solid, thrilling Reacher tale, with all I've come to enjoy about Child's lonely hero. But the narration here is either awful, or I'm spoiled by Dick Hill, who has become Reacher for me (far more than Tom Cruise ever will). It just doesn't sound right.
Dan Brown's writing seems to get worse with each book. I like long books and long stories, but I don't like the main characters stuck in the same small location in Italy for hours on end, with awfully similar things happening over and over and over. Narration doesn't help when it's this flat and dispassionate. More and more, reading or listening to Brown is like hoping for drama, even a small spark, in a Fodor guidebook, and then you realize the writer presumes you've never in your life left your front stoop.
As a longtime fan of the series, I know some of the Delaware-Sturgis stories can be slow. Guilt is well beyond slow, however, reaching rather deeply into B-O-R-I-N-G.
This book doesn't quite live up to its publishing hype, or - in my opinion - to the many highly positive reviews. Although the suspense builds very well in the second half, the first half is confusing at first, then settles into a long and tedious drag that, so slowly, finally becomes more promising.
The growing terror for an OCD victim getting to know someone, perhaps anyone.
She should have at least slightly varied Cathy's voice and presence between the two periods of time depicted. That's the confusing part, which I suspect would not have been so puzzling in print. However, I doubt I would have been patient enough to keep reading beyond chapter 40.
The basic story is quite thrilling.
Patterson has brought back the best characteristics of his favorite character, Dr. Alex Cross. The family ideals have been extended to include the First Family, and there's just enough of the somewhat overdone Nana Mama. The pace is aggressive and the book is almost all thriller. Wish it was longer .... Patterson has taken to making a fortune writing too-short books, which he knows will sell, and he sells more of them, because of his gift for telling thrilling stories.
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