Call anytime(888) 283-5051
 

You no longer follow Snoodely

You will no longer see updates from this user when they write new reviews, or suggestions based on their library or recommendations.

You can re-follow a user if you change your mind.

OK

You now follow Snoodely

You will receive updates from this user when they write new reviews, or suggestions based on their library or recommendations.

You can unfollow a user if you change your mind.

OK

Snoodely

Member Since 2009

ratings
274
REVIEWS
155
FOLLOWING
0
FOLLOWERS
464
HELPFUL VOTES
882

  • Relic: Pendergast, Book 1

    • UNABRIDGED (13 hrs and 1 min)
    • By Douglas Preston, Lincoln Child
    • Narrated By David Colacci
    • Whispersync for Voice-ready
    Overall
    (4120)
    Performance
    (2562)
    Story
    (2590)

    Just days before a massive exhibition opens at the popular New York Museum of Natural History, visitors are being savagely murdered in the museum's dark hallways and secret rooms. Autopsies indicate that the killer cannot be human. But the museum's directors plan to go ahead with a big bash to celebrate the new exhibition, in spite of the murders. Museum researcher Margo Green must find out who - or what - is doing the killing.

    Snoodely says: "Non-Perishable"
    "Non-Perishable"
    Overall

    Even thought "Relic" was published 'way back in 1994, it still delivers plenty of thrills and excitement after all these years. In my opinion, that test of timelessness indicates a good novel. The plot of "Relic" had the potential to flop, since it tells an improbable monster story. But Preston/Child's excellent writing and thorough research facilitate our willing suspension of disbelief, rendering even the most far-fetched plot concepts scientifically plausible. "Relic" grips you right from the beginning, and doesn't let go until the end. The extended sequence in the dark catacombs under New York's Natural History Museum provides unparalleled suspense. "Relic," unlike most thrillers, has no primary hero, but, rather, three or four protagonists. However, it commences a wonderful series of intelligent thrillers featuring the brilliant, erudite, albino F.B.I. agent Aloysius Pendergast, introduced in this novel. David Colacci gives us an excellent reading of this audiobook. I highly recommend "Relic" to any thriller aficionado.

    43 of 43 people found this review helpful
  • Legacies: A Repairman Jack Novel, Book 2

    • UNABRIDGED (12 hrs and 29 mins)
    • By F. Paul Wilson
    • Narrated By Christopher Price
    Overall
    (105)
    Performance
    (96)
    Story
    (97)

    Repairman Jack isnโ€™t your average appliance repairman - he fixes situations for people, often risking his own life. Jack has no last name, no social security number, works only for cash, and has no qualms when it comes to seeing that the job gets done. Dr. Alicia Clayton, a pediatrician who treats children with AIDS, is full of secrets, and she has just inherited a house that holds another. Haunted by painful memories, Alicia wants the house destroyed - but somehow everyone she enlists to help ends up violently killed.

    Lucie says: "I'm hooked on the series! Great stories..."
    "An Unwanted -- but Much Coveted -- Legacy"
    Overall
    Performance
    Story

    "Legacies" falls almost -- but, fortunately, not quite -- into the Psychological Thriller genre. Unlike its predecessor in the Repairman Jack series -- "The Tomb" -- "Legacies" does not contain any supernatural components; but, rather, unfolds a compelling mystery. Spoiler-haters should, perhaps, stop reading here; but I honestly don't think that you will regret learning the kernel of this story ahead-of-time, since "Legacies" will still remain a gripping audiobook. Like any novel concerning a discovery that would have changed the world -- had it really been discovered -- author F.P. Wilson has to figure out a way to "un-discover" the scientific breakthrough at the heart of "Legacies" -- in this case, an inexhaustible source of clean energy -- before the book ends. I looked forward to seeing how Wilson would manage this "un-discovery" at the end of "Legacies," and he did not disappoint me. (No, I won't spoil the surprise ๐˜ต๐˜ฉ๐˜ข๐˜ต much: You will just have to listen to the audiobook to learn why we do not now have this much-needed discovery!) I liked the way that Wilson ๐˜จ๐˜ณ๐˜ข๐˜ฅ๐˜ถ๐˜ข๐˜ญ๐˜ญ๐˜บ -- ever so slowly -- introduces us to the bad guys -- Saudi princeling Kemel Muhallal (remember that "Legacies" was published back in 1998, well before 9/11); his mercenary muscle-man, Sam Baker; the enigmatic Japanese agent, Yoshio (who turns out to be not such a very bad guy, after all); and co-protagonist Alicia's detested half-brother, Thomas -- whose nefarious motives we must learn at the same pace at which Repairman Jack laboriously uncovers them. "Legacies" keeps us on the edge of our seats all the way through the audiobook, wondering why Alicia does not want her father's legacy, and why seemingly everyone else does. I deducted a star from my rating of narrator Christopher Price's performance, only because Joe Barrett -- the narrator of "The Tomb" (the previous Repairman Jack audiobook) -- did a better job; and I wish that the publishers had continued to use Mr. Barrett to narrate the rest of the series. Mr. Price does an adequate, if not stellar, job of narrating "Legacies," although he mispronounces some uncommon words -- like "antimacassar" -- and some common words, like "Julio." Also, Mr. Price doesn't have the repertoire of voices and accents that Joe Barrett has. (I loved the way that Mr. Barrett voiced Yiddish character Abe Grossman in "The Tomb." Mr. Price just doesn't even try ... not that I blame him.) Otherwise, I highly recommend "Legacies" to all thriller-lovers, although you will enjoy it even more if you listen to "The Tomb" first.

    1 of 2 people found this review helpful
  • The Tomb: Repairman Jack #1

    • UNABRIDGED (15 hrs and 33 mins)
    • By F. Paul Wilson
    • Narrated By Joe Barrett
    Overall
    (291)
    Performance
    (208)
    Story
    (211)

    Much to the chagrin of his girlfriend, Gia, Repairman Jack doesn't deal with electronic appliances. He fixes situations for people, often putting himself in deadly danger. His latest project is recovering a stolen necklace, which carries with it an ancient curse that may unleash a horde of Bengali demons. Jack is used to danger, but this time Gia's daughter Vicky is threatened. Can Jack overcome the curse of the yellow necklace and bring Vicky safely back home?

    Elena says: "Pretty good story"
    "I think that I am going to like this series!"
    Overall
    Performance
    Story

    I am just beginning to listen to F.P. Wilson's Repairman Jack series for the first time (I have now reached #3: "Conspiracies"); and, so far, I love it. "The Tomb" starts it all off with a bang, and leaves you hungry for more of Jack's adventures. If you like true thrillers -- with just a soupรงon of the supernatural -- then you will enjoy "The Tomb." I liked Wilson's incorporation of the (alleged, but probably apocryphal) pre-Vedic humanoid monsters called Rakoshi into the story. These Rakoshi -- governed by the Hindu goddess Kali -- embody all of the evil and malevolence of humankind, with none of the good. Jack must overcome these virtually invincible demons with only his wits (Jack has lots of wits), since not much can harm them. Very personal incentives motivate him to succeed, or to die trying. Other reviewers have rightly compared Repairman Jack with Lee Child's protagonist, Jack Reacher ... except with that added touch of the supernatural. Like Jack Reacher, Repairman Jack lives outside the laws and conventions of society -- for instance, he has no last name and no Social Security number -- while still fighting for the good, against wickedness. Unlike Reacher, however, Repairman Jack stays put in NYC, pretty much. Author F. P. Wilson -- whom, I understand, has an M.D., and still practices medicine -- writes beautifully and intelligently. Narrator Joe Barrett does an excellent job of reading "The Tomb," harnessing many different voices and accents (including the difficult Hindi accent) to clearly distinguish all the characters from one another. It disappointed me to discover that the audiobook publishers did not employ Mr. Barrett to narrate the rest of the Repairman Jack series. (The subsequent narrator, Christopher Price, does okay, but not as well as Mr. Barrett.) In short, I highly recommend "The Tomb" to all thriller-lovers who aren't put off by a touch of the supernatural.

    1 of 1 people found this review helpful
  • Deceived: A Hannah Smith Novel, Book 2

    • UNABRIDGED (9 hrs and 31 mins)
    • By Randy Wayne White
    • Narrated By Renee Raudman
    • Whispersync for Voice-ready
    Overall
    (29)
    Performance
    (24)
    Story
    (22)

    A 20-year-old unsolved murder from Florida's pot-hauling days gets Hannah Smith's attention, but so does a more immediate problem. A private museum devoted solely to the state's earliest settlers and pioneers has been announced, and many of Hannah's friends and neighbors in Sulfur Wells are being pressured to make contributions.

    Snoodely says: "Fear not, Doc Ford Fans"
    "Fear not, Doc Ford Fans"
    Overall
    Performance
    Story

    If you have been enjoying Randy Wayne White's delightful "Doc" Ford series for the past twenty episodes, don't despair: White's new Hannah Smith series does not stray far from home. We are still frolicking along Florida's west coast, with Doc and his Dinkins Bay buddies. Now, though, we are seeing all the action through the eyes of a different character, Hannah Smith. Indeed, White took a big chance writing from a woman's point of view: Men writing female protagonists usually doesn't work; but White pulls it off. Why do you suppose that White can convey a woman's perspective so well, while most male writers fail? It might have something to do with the fact that he was raised by a loving family of ๐™š๐™ž๐™œ๐™๐™ฉ women: his mother and her seven sisters! (Eat your heart out, Bertie Wooster.) Mainly, though, any female reader of White's novels will perceive that he really likes women. These early Hanna Smith novels remind me a bit of Nevada Barr's formidable protagonist, Anna Pigeon, except with more humor. If you like a tough, smart, fearless heroine, then you will probably enjoy the Hannah Smith series. Incidentally, if you look up White's locales in an atlas (or MapQuest or GoogleMaps, in case you don't remember atlases), you will find that Sanibel Island, Dinkins Bay, Captiva Island, and all the other improbable-sounding, too-good-to-be-true settings for White's novels really do exist. Similarly, White has based the character of Hannah Smith and her Florida forebears on real historical Florida women. "Deceived"'s narrator, Renee Raudman, does an excellent job of narrating this audiobook. At first, I thought that I would not like her narration, because she has such a "young" voice; but it turns out that she definitely has the acting chops for these novels. I would offer two suggestions to you, if you are contemplating buying "Deceived." First, listen to at least some (preferably all) of the Doc Ford novels first, so that you will get to know the lovable, eccentric Dinkins Bay denizens, and so that you will understand why it is so funny that Hannah worries about Doc. Secondly, I think that the Hannah Smith novels are meant to interleave with the Doc Ford novels, rather than being read as a separate series: Listen to them in chronological order.

    2 of 2 people found this review helpful
  • Safe House: A Burke Novel #10

    • UNABRIDGED (10 hrs and 14 mins)
    • By Andrew Vachss
    • Narrated By Phil Gigante
    Overall
    (21)
    Performance
    (13)
    Story
    (13)

    In Burke, Andrew Vachss gave readers of crime fiction a hero they could believe in, an avenger whose sense of justice was forged behind bars and tempered on New Yorkโ€™s meanest streets. In this blistering thriller, Burke is drawn into his ugliest case yet, one that involves an underground network of abused women and the sleekly ingenious stalkers whoโ€™ve marked them as their personal victims. Burkeโ€™s client is Crystal Beth, a beautiful outlaw with a tattoo on her face and a mission burned into her heart. Sheโ€™s trying to shield one of her charges from a vengeful ex with fetishes for Nazism and torture.

    Snoodely says: "Not for Women ..."
    "Not for Women ..."
    Overall
    Performance
    Story

    ... unless you enjoy pornography, which I don't. Nonetheless, I am listening to Vachss entire Burke series, in sequence, because it does have some significant redeeming qualities: excellent writing, excellent plotting, and excellent narration. If only Andrew Vachss would stop indulging in his ridiculous male sexual fantasies .... (His books would end up a lot shorter!) You stand forewarned: You will hear the "F" word quite a lot. You will have to put up with a lot of misogyny. The female characters are constantly not only offering themselves to Burke, but literally ๐™›o๐™ง๐™˜๐™ž๐™ฃ๐™œ themselves upon him, poor guy. (Burke is described as not too good looking, not in very good shape, and he chain-smokes all day long. I guess that he must have something else going for him ....) We hear frequently about how much Burke is enjoying felatio, but not how he is offering the corresponding service to his partner. The female characters act dingy, and Burke calls them "little girl," or "bitch," interrupts them in the middle of their attempts to communicate with him, and treats them like dirt. ("I have had so much sex with so many women in my life. Some of them I even liked.") The only other author to whom I could even remotely compare Andrew Vachss would be James Ellroy; but Vachss writes even darker and angrier. I probably would never read the Burke series in print; but Phil Gigante's narration has me totally addicted. Gigante can do ๐™–๐™ฃ๐™ฎ๐™ฉ๐™๐™ž๐™ฃ๐™œ. He has the most amazing vocal repertoire of any narrator that I have listened to. I don't even know, for sure, what his natural voice sound like, because he can do so many voices and so many accents so well. It almost justifies the purchase of one of Vachss' Burke series audiobooks just to hear Gigante doing Mama -- the Chinese matriarch of Burke's gang-๐˜ค๐—Ž๐˜ฎ-family. He does Mama spot-on. Gigante can not only do many different male voices in conversation with each other, but also many different female voices as well; and switch between them instantly when they interrupt each other. In short, I would recommend Vachss' Burke series to anyone who loves good acting, and to most male listeners; but don't start with "Safe House." You need to listen to the Burke series in chronological order, starting with "Flood," otherwise you will miss out on a lot of the ongoing story. Brace yourself for dark, angry, grimy, hard-boiled violence.

    5 of 5 people found this review helpful
  • Footsteps of the Hawk

    • UNABRIDGED (8 hrs and 36 mins)
    • By Andrew Vachss
    • Narrated By Phil Gigante
    • Whispersync for Voice-ready
    Overall
    (22)
    Performance
    (12)
    Story
    (12)

    In Footsteps of the Hawk Burke himself is in danger of becoming a victim. Two rogue cops are stalking him. The coolly seductive Belinda Roberts wants him to free a man charged with a grisly string of rape-murders. The brutal and half-crazy Detective Jorge Morales may be trying to frame Burke for the same crimes.

    Snoodely says: "X-Rated Family"
    "X-Rated Family"
    Overall
    Performance
    Story

    In Burke's world, the word "family" means something different from what most of us think of as family. See, Burke never had a biological family -- his mother threw him away at birth, his father was unknown, and the State of New York (its orphanages, foster homes, and prison system) raised him -- so he had to grow a soul-family: fellow convicts, prostitutes, con artists, chiselers, and other bottom-feeders. I am just listening to Vachss' amazing Burke series for the first time in sequential order; and I am watching several penetrating qualities emerge, in the process. First: The Burke series is dark, savage, violent, not easy to listen to, and not for everybody. Second: The Burke series is all about ๐™›๐™–๐™ข๐™ž๐™ก๐™ฎ, according to Burke's definition. Third: Andrew Vachss is a brilliant, talented, sex-obsessed, angry, misogynistic author. Fourth (and this is what keeps me listening): Phil Gigante is a brilliant, immensely talented narrator; and the Vachss/Gigante team was made in heaven. Fifth: The Burke series really, ๐™ง๐™š๐™–๐™ก๐™ก๐™ฎ needs to be listened to in sequence. Don't start here, with "Footsteps of the Hawk" (the eighth book in the series). It is not the best entry in the series, and you will miss a lot of character development. (The "family" members in this long-running saga -- and the ways in which they each get adopted into the "family" -- play an important role in the Burke series.) If you want to dive in, start at the beginning, with "Flood," and brace yourself for the chill.

    1 of 2 people found this review helpful
  • Blue Belle: A Burke Novel #3

    • UNABRIDGED (11 hrs and 1 min)
    • By Andrew Vachss
    • Narrated By Phil Gigante
    • Whispersync for Voice-ready
    Overall
    (39)
    Performance
    (22)
    Story
    (23)

    In Andrew Vachssโ€™s tautly engrossing novel, Burke is given a purse full of dirty money to find the infamous Ghost Van that is cutting a lethal swath among the teenage prostitutes in the hood. He also gets help in the form of a stripper named Belle, whose moves on the runway are outclassed only by what she can do in a getaway car.

    Rachel Malcolm says: "not enough story to stay interested"
    "Too much porn, smoking, anger, misogyny, ..."
    Overall
    Performance
    Story

    ... and ๐™ฌ๐™–๐™ฎ too much filatio. Although Andrew Vachss' Burke series started promisingly with "Flood;" by "Blue Belle" -- the third entry in the series -- Vachss has sunk far too deeply into male sexual fantasies and outright pornography, marring his otherwise excellent writing and plotting. I think that I will continue listening to a few more entries in the Burke series only because I enjoy narrator Phil Gigante's amazing acting skills so much, and because I am hoping that Vachss will eventually get over it. (I am currently listening to "Blossom" -- the fifth entry in the series -- and I think that it may be taking a turn for the better.) Also, if Burke doesn't stop chain-smoking pretty soon, he is going to die, anyway. (The Burke series went on for 18 entries, up to 2008's "Another Life," so maybe both Vachss and his protagonist got their acts together.) I am not quite ready to give up on Burke just yet ... but "Blue Belle" gets pretty disgusting sometimes.

    1 of 2 people found this review helpful
  • Flood: A Novel

    • UNABRIDGED (12 hrs and 10 mins)
    • By Andrew Vachss
    • Narrated By Christopher Lane
    • Whispersync for Voice-ready
    Overall
    (171)
    Performance
    (90)
    Story
    (94)

    Burke's newest client is a woman named Flood, who has the face of an angel, the body of a high-priced stripper, and the skills of a professional executioner. She wants Burke to find a monster for her - so she can kill him with her bare hands. In this thriller, Andrew Vachss's renegade private eye teams up with a lethally gifted avenger to follow a child's murderer through the catacombs of New York, where every alley is blind and the penthouses are as dangerous as the basements.

    Snoodely says: "Noir!"
    "Noir!"
    Overall
    Performance
    Story

    Think "Sin City." (If you have not yet seen the remarkable 2005 movie, "Sin City," see if you can rent it or borrow it. If you like "Sin City," you will like "Flood.") Imagine Clive Owen playing Burke. Somebody (Quentin Tarantino or Robert Rodriguez) should film this book. Talk about New York's ๐™จ๐™š๐™–๐™ข๐™ฎ ๐™ช๐™ฃ๐™™๐™š๐™ง๐™—๐™š๐™ก๐™ก๐™ฎ! "Flood" combines the hard-boiled detective fiction of the '40s and '50s (think Dashiell Hammett and Raymond Chandler on steroids) -- including all the smoking (OMG, Burke, will you quit smoking before you kill yourself?) with "Sin City"'s over-the-top noir -- including the (unintentionally?) funny male sexual fantasies. Our protagonist, Burke (just one name, thank you very much ... how cool is ๐™ฉ๐™๐™–๐™ฉ?) has had a hard life, which has made him tough and cynical. He now mixes with the dregs of society -- the hookers (with hearts of gold, of course), the thieves, the con artists, the convicts, the rejects, the bottom-feeders, and the low-lifes. But wait: Burke has ๐™จ๐™ฉ๐™–๐™ฃ๐™™๐™–๐™ง๐™™๐™จ! You will enjoy watching him take out the trash. What you need to know about author Andrew Vachss is that he is a practicing attorney who devotes himself to protecting abused children; and his protagonist in the Burke series had been abused in childhood. Now Burke deals out revenge to all abusers. I rank narrator Christopher Lane as one of my favorite voice actors: He has a beautiful voice ๐™–๐™ฃ๐™™ chops. I liked "Flood" so much that, before I had even finished listening to it, I went ahead and purchased the next audiobook in the series, "Strega," to which I have almost finished listening now. I recommend "Flood" to any aficionado of old-fashioned, hard-boiled noir.

    5 of 5 people found this review helpful
  • Identical

    • UNABRIDGED (11 hrs and 52 mins)
    • By Scott Turow
    • Narrated By Henry Leyva
    • Whispersync for Voice-ready
    Overall
    (333)
    Performance
    (274)
    Story
    (275)

    Identical, based loosely on the myth of Castor and Pollux, is the story of identical twins, Paul and Cass Giannis, and the complex relationships between their family and their former neighbors, the Kronons. The audiobook focuses principally on events in 2008, when Paul is a candidate for Mayor of Kindle County, and Cass is released from the penitentiary, 25 years after pleading guilty to the murder of his girlfriend, Athena Kronon.

    Jacqueline says: "Courtroom Drama Takes a Back Seat"
    "Turow Fans: Don't Get Stuck."
    Overall
    Performance
    Story

    Yes, "Identical" presents us with a bit of a departure for Turow, particularly if you love his wonderful courtroom scenes; but try to keep your mind open to something new from Turow. You will still find some good courtroom scenes here -- actually, some pretty brilliant legal thinking from Judge Du Bois Lands -- but mostly, in "Identical," Turow is branching off into something like Jeffrey Archer territory: a family drama enacted over decades. For example, if you liked Archer's "Sons of Fortune," then you might enjoy Turow's "Identical." Of course, identical twins present a wealth of plot possibilities for a novelist; and Turow takes full advantage of them to create an intriguing mystery. For instance, did you know that identical twins do not have ๐’†๐™ญ๐™–๐™˜๐™ฉ๐™ก๐™ฎ identical DNA, nor ๐’†๐™ญ๐™–๐™˜๐™ฉ๐™ก๐™ฎ identical fingerprints? Turow uses this phenomenon to construct a legal puzzle. I would not call "Identical" a legal thriller, like Turow's previous offerings. Rather, I would put it more into the legal mystery/drama genre, รก ๐˜ญ๐˜ข Jeffrey Archer. Although I wouldn't rank narrator Henry Leyva among my favorite narrators, he does have a nice voice, and does an adequate job of reading "Identical" for us. Overall, I would recommend "Identical" to mystery-lovers, and even to Turow fans, as long as you keep your mind open to a departure from form.

    2 of 3 people found this review helpful
  • Murder Inside the Beltway

    • UNABRIDGED (10 hrs and 9 mins)
    • By Margaret Truman
    • Narrated By Patrick Lawlor
    • Whispersync for Voice-ready
    Overall
    (17)
    Performance
    (7)
    Story
    (7)

    A Washington call girl is found bludgeoned to death in her Adams-Morgan apartment. As police detectives scour the apartment, they find a digital video camera nestled high among books on a shelf. Had she used the camera to video some of her clients during their sexual romps? Then they discover a small, book-sized DVD case, full with the exception of two slots. Could they possibly get lucky? Is the murder on one of those disks?

    Snoodely says: "Political Cynicism from One who Ought to Know"
    "Political Cynicism from One who Ought to Know"
    Overall
    Performance
    Story

    "Murder inside the Beltway" was Margaret Truman's final entry in her long-running Capital Crimes series. (She died in 2008 -- the year of this novel's publication -- although the popular series is now being continued by other authors.) All of the Capital Crimes novels are murder mysteries set in Washington, D.C., with its attendant political backdrop. I have listened to many of the Capitol Crimes audiobooks, and someday hope to listen to them all, in chronological order. (Most of them have not yet been recorded, and Audible does not carry many of those that have, as of this writing.) I have noticed that, as the series progressed, so did Ms Truman's cynicism with Washington politics. "Murder inside the Beltway" takes political cynicism to its inevitable conclusion. See if this quote from the novel reminds you of any recent events:

    โ€œThe Pyle administration had set the standard for lying away its misdeeds: a callous economic policy, leaving millions behind; disastrous foreign incursions sold to the American public through out-and-out falsehoods; abject corruption in myriad agencies and departments; and a litany of disasters that would seem to ensure a one-term presidency.โ€

    Regarding Washington politics, Margaret Truman frequently quotes her famous father's statement: "If you want a friend in Washington, get a dog." As with the other Capital Crimes entries, in "Murder inside the Beltway" Truman weaves police procedurals in with the political shenanigans. Here, we have some police shenanigans woven in, as well, including a bad cop on the take. I deducted a star from my overall rating of this audiobook, only because the character development of this bad cop -- Walt Hatcher, a bigoted, foul-mouthed, corrupt veteran of the D.C. Metropolitan Police Department -- has a sweet, but inconsistent and unbelievable relationship with his wife. Otherwise, "Murder inside the Beltway" has a well-developed, intriguing plot.

    The narrator, Patrick Lawlor, does have an odd voice, as some other reviewers have pointed out; but he does have some acting chops, including the perfect, raspy voice for the unlikable Walt Hatcher. What he lacks in vocal repertoire he can frequently compensate for with inflection. I didn't mind his voice; but I suggest that, if you are contemplating purchasing this audiobook, you listen to the 4-minute sample that Audible provides, to see if Lawlor's voice bothers you. Otherwise, I recommend this audiobook to all mystery/thriller fans.

    5 of 5 people found this review helpful
  • The Night Monster: A Novel of Suspense

    • UNABRIDGED (10 hrs and 27 mins)
    • By James Swain
    • Narrated By Peter Jay Fernandez
    • Whispersync for Voice-ready
    Overall
    (18)
    Performance
    (2)
    Story
    (2)

    Tough-as-nails abduction specialist Jack Carpenter is not easily spooked. But when he witnesses his daughter's college basketball teammate being violently abducted, Jack cannot suppress his horror. The kidnapper's face is one Jack recognizes from an unsolved case early in his career on the police force. With a deadly clock ticking, Jack is determined to rescue the abducted girl before it's too late.

    Snoodely says: "Jack Carpenter meets Tony Valentine: Yay!"
    "Jack Carpenter meets Tony Valentine: Yay!"
    Overall
    Performance
    Story

    "The Night Monster" is the third -- and, as of this writing, the most recent -- entry in Swain's Jack Carpenter series. However, I do not think that Swain will let the series end here; because in this novel our hero -- Jack Carpenter -- meets and works with Swain's previous protagonist, Tony Valentine (whom I miss, and gladly welcomed back). In case you have not yet listened to any of the Jack Carpenter audiobooks -- or any of the Tony Valentine audiobooks, for that matter -- I would suggest backtracking a bit before you start "The Night Monster," and listen to some of Swain's previous entries in both series. Swain started off with the captivating Tony Valentine series, which followed the adventures of a P.I. specializing in catching gambling cheaters. The Tony Valentine series had seven fascinating entries, running through 2006, and ranging all over the U.S. map -- wherever gambling casinos can be found. Then Swain began the Jack Carpenter series (with only three episodes, so far), following a South Florida P.I. with an entirely different specialty: locating missing children. Then, in 2012, Swain entered the burgeoning supernatural detective genre with his wonderfully entertaining Peter Warlock series, taking place in New York City. Is this author versatile, or what? He not only has versatility, he also possesses ๐™ฉ๐™–๐™ก๐™š๐™ฃ๐™ฉ: in both the writing and plotting departments. Plus, he keeps getting better. I have not regretted for a moment having invested in Swain's entire audiobook o๐™š๐’–๐™ซ๐™ง๐™š. However -- recognizing that you may not want to make such a large investment sight unseen -- I would suggest listening to "Sucker Bet" before starting "The Night Monster," just so you can first meet Tony Valentine in approximately the same environment where you will re-encounter him here.

    I like narrator Peter J. Fernandez' voice and acting skills just fine in "The Night Monster." I appreciate that he reads slowly and enunciates clearly; however, I suspect that his slow delivery may irritate some listeners. I would suggest listening to the sample that Audible provides, before purchasing "The Night Monster," if you think that slow narration may turn you off. Otherwise, I recommend this audiobook to anyone who enjoys mystery-thrillers with ingenious, complex plots.

    5 of 5 people found this review helpful

Report Inappropriate Content

If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.

Cancel

Thank You

Your report has been received. It will be reviewed by Audible and we will take appropriate action.