Sandra Brown has pioneered her own unique niche since throwing off the constrainting rules of writing genre fiction with the publication of Envy in 2001. I have mad love for just about every word she's written since then and Deadline is no exception. Setting a meticulously crafted mystery/thriller at the heart of a love story, Brown honors her romance writing roots as well as her romance reader fans. Or is it the other way around--romance at the heart of a mystery? Either way you choose to look at it, one needs the other and it's a happy confluence that pleases me in all the best ways.
I've struggled with false starts and wholesale deletes in writing a review for fear of spoilers. I'm a spoiler hater and I'm glad that I experienced Deadline knowing only what is revealed in the blurb and I urge you to do the same. I reveled in Brown's trademark diabolical plot twists without having a clue as to where she was going with it. Unspoiled is the only way to go with Sandra Brown.
In addition to main protagonists Dawson and Ameilia, there are numerous characters important to the storyline, each requiring a unique voice. Stephan Lang aces it in that respect, seamlessly delivering dialogue between/among the entire cast while consistently staying in character. I especially loved his voicing of a certain villain An unexpected choice and so devious and insightful. Extra kudos to Lang for his heartbreaking reading of Flora's journal.
I didn't love Lang's Ameilia voice, not that the timbre is a problem, but a bit of a miss on her characterization. She sounds too soft and hesitant, almost apologetic, for an accomplished professional woman with an aristocratic upbringing. Hero Dawson Scott's voice is exactly right to my ear. Dawson is decidedly different sort of Sandra Brown hero and that's all I'm going to say. Lang clearly gets Dawson and I love him for that.
Sandra Brown delivers another excellent romantic thriller and Stephan Lang pretty much nails it.
It started off well enough before stalling out. Neither one of these characters was strong enough to carry a book. Pia and Dragos would have been bored to tears.
Another much anticipated Linda Howard classic misinterpreted and bungled by narrator Brenda Sweeney. I am so disappointed. She reads like a preschool teacher, giving the heroine a bimbo voice. And poor Honey, what she did to you. Sweeney's performance couldn't be more wrong. This book was written for and beloved by intelligent adults. Just a terrible audio.
Nothing new. I listened for a couple of hours as bits and pieces from other paranormal romance and urban fantasy series were blended in.
Whispersync price tempted me to try a narrator I'd never heard. Wish I hadn't.
I enjoyed reading the book even though hot cop hero Derek may be a bit too much the caveman in his romancing technique. The author writes excellent banter and there were more than a few laugh-out-loud moments in the verbal battles between Ginger and Derek. Pretty good romantic suspense from a new (newish?) author I'll definitely read again.
I rated the performance one star. The narrator sounds muddy, mushy-mouthed, unprepared, and inexperienced. I suppose it's possible that this is another narrator using an alias for the naughty stuff, but she sounds very amateurish to my ear. Ginger and her sister Willa have just arrived in Chicago from Nashville. They should have an accent. And they do in a few passages, but mostly not. Actually all characters sound exactly the same regardless of gender, age, agency, or disappearing accent/no accent. Derek in the book is desirable, hot and dominant. Derek in the audio is a cypher. Overall, a disservice to a book I enjoyed.
I've been a regular reader of Anne Frasier's thrillers for as long as she's been writing them. What a happy surprise to see that Hush has made its way to audio!
Narrator Emily Beresford convincingly brings Frasier's characters to life with distinct voices for all. It's a tautly written serial killer police procedural, an intelligent and meaty story. Frasier's hero and heroine are refreshingly human; a welcome change from the stick figure kickass heroine and waxed-torso-of-steel hero so prevalent in recent romantic suspense.
I'd love to see more of Frasier's suspense brought to audio. Ditto her romances written as Theresa Weir.
Review copy provided by the author.
I'm so bummed. Be My Baby is an old favorite and I was so looking forward to the audiobook. Annie Green's reading fails the material. Let me count the ways.
* Misplaced awkward starts and stops. (Oh? There are more words in the sentence?) This sounds like a cold, unrehearsed reading.
* Female characters are pitched low. Male characters sound like cartoon ducks on helium.
* Her mispronunciation of every freakin' common contraction in the text (and there are a lot of them) is indescribably irritating. DIT-tint. COULD-tint. HAT-tint. Is this an affectation?
* She mispronounces common words willy-nilly. I tried keeping a list but it became an overwhelming task. Not acceptable from a professional voice actor.
Susan Andersen's excellent book and its fans should have been treated much better than this. There should be a do-over.
I'm so glad this series has come to audio. The books need a female narrator since the books are written from the heroine's POV. Yay for Kate Russell! She nailed Gwen's personality - most importantly her playful sense of humor. Her reading of Hawk was dead on as well. Totally enjoyed it!
I was very unhappy with the narrator cast for Own the Wind so I'm relieved to see a change for the better. Ideally, this series would have a male and female narrator team. It would be great to hear these bad boys read in a deep rumbly voice. Otherwise, I hope Kate Russell reads the rest of the series.
I'm in the middle on this one. I didn't like it as much as I'd expected to. Decent romance, decent suspense but it didn't light my fire.
Kate Rudd's tone for Maggie was too perky and cute for a heroine who's been kidnapped by a convicted felon. That was jarring and all kinds of wrong.
I listened to this audiobook while working on a project and it went on and on and on...
Seriously, the makings of a good mystery were here but I cannot believe an editor ever got near it. Naval gazing, repetition, superfluous POVs from secondary characters, long detailed landscape descriptions, more repetition, more landscapes, more naval gazing. It was mind numbing! There were some serious plot problems as well -- the dumbest, most incompetent police detectives EVER chief among them. The copyright date 2012 on the Audible site is misleading as hell.. I couldn't figure out why no one used a cell phone when their circumstances became dire. Further investigation reveals an original copyright date of 1992. No wonder police procedures and technology come across as outdated.
I liked the hero and heroine and I totally enjoyed the monstrous, extra scary villain.
Narrator Jennette Selig did a good job -- a yeoman job. Her style is dry and no nonsense and it works well for suspense. I am experimenting with Audible's whispersync price cuts. I got the ebook and the audiobook for about $3.
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