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Phebe

Joppa, MD, United States | Member Since 2011

86
HELPFUL VOTES
  • 54 reviews
  • 77 ratings
  • 1051 titles in library
  • 164 purchased in 2014
FOLLOWING
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FOLLOWERS
19

  • The Lion, the Witch, and the Wardrobe: The Chronicles of Narnia

    • UNABRIDGED (4 hrs and 21 mins)
    • By C.S. Lewis
    • Narrated By Michael York
    • Whispersync for Voice-ready
    Overall
    (3682)
    Performance
    (1043)
    Story
    (1089)

    Lucy is the first to find the secret of the wardrobe in the professor's mysterious old house. At first her brothers and sister don't believe her when she tells of her visit to the land of Narnia. But soon Edmund, then Peter and Susan step through the wardrobe themselves. In Narnia they find a country buried under the evil enchantment of the White Witch.

    Caitlin says: "Great audiobook!"
    "Suitable for children"
    Overall
    Performance
    Story

    Michael York read this classic, and I doubt he read and loved it as a child. He reads it as if to a child --- the same is true of Derek Jacobi's reading of "Voyage of the Dawn Treader." So if you want this audio book for a child, that's fine. If you want it for you, it lacks depth. More could have been gotten out of it.

    The best reading of C.S. Lewis I have found so far is Kenneth Branagh reading "The Magician's Nephew," the first in the Narnia storyline. In my opinion, it's a labor of love: he loved it as a child and really knows the book and how to read it.

    7 of 7 people found this review helpful
  • Night Kill

    • UNABRIDGED (8 hrs and 49 mins)
    • By Ann Littlewood
    • Narrated By Cassandra Campbell
    • Whispersync for Voice-ready
    Overall
    (21)
    Performance
    (13)
    Story
    (13)

    Iris Oakley to reconcile with her newly sober husband. But when Rick is found drunk - and dead - in the lion exhibit, grief and anger keep her from questioning the assumptions that surround his death. After a series of other near-fatal "accidents" in her feline section of the zoo, Iris is demoted to bird-keeper, but the danger continues to multiply. Following ambiguous clues and sorting through unlikely motives, Iris begins to understand what really happened to Rick. But to prove it, she'll first have to survive.

    Beatrice says: "A solid start to a new series"
    "Original, lively and humorous murder mystery"
    Overall
    Performance
    Story

    These zoo people REALLY like animals. I was pleased with the subtle characterizations and the humor from the first. I was not happy that we seemed to be going to wrestle with one of those tedious marriage relationships where the guy is a drunk and the wife decides to blame herself for it and be good enough to change him. BUT -- happily he is quickly found dead in the lion pen, and good riddance. Good plot (are you remembering the brown envelope?), lively action.

    The reader is wrong for this series. The protagonist is a big woman, strong as a man, expresses her anger by throwing several beer bottles at her own door (it was a mistake for hubby to demand she get him a beer while she was in the kitchen.....) and she is really, really good with lions. This gal is no pushover, but Cassandra Campbell reads her in a tiny little high voice that uncertainly goes up on the end of every sentence because she doesn't know how to make a statement. I expect that's the only voice the reader has.

    They should have used a reader who used to ride horses: THAT puts the assertiveness in women's statements! And Our Hero is nothing if not assertive. I see that all these books were read by the same reader, so I'll just read the rest as ebooks. They need to switch out readers at the publisher of these audiobooks, because writer Ann Littlewood is good and may well get a good following.

    0 of 0 people found this review helpful
  • City of Golden Shadow: Otherland, Book 1

    • UNABRIDGED (28 hrs and 42 mins)
    • By Tad Williams
    • Narrated By George Newbern
    Overall
    (22)
    Performance
    (21)
    Story
    (22)

    Surrounded by secrecy, it is home to the wildest dreams and darkest nightmares. Incredible amounts of money have been lavished on it. The best minds of two generations have labored to build it. And somehow, bit by bit, it is claiming the Earth's most valuable resource - its children.

    Amanda Halsdorff says: "Finally!"
    "A challenge George Newbern meets with triumph"
    Overall
    Performance
    Story

    I won't write a long review of this wonderful tale, a reader's dream of virtual lands made up of book worlds: Alice Through the Looking Glass, Gormenghast,, Borroughs' Mars books, etc. I've read it four times through in book form; I find George Newbern's reading wonderful. He handles the many foreign accents perfectly, even the African ones, and brings all the characters to life with their distinctive voices.

    This is the best work Tad Williams has ever done, a cyberspace classic still as current as when it was written. It will be a classic, I predict, because of the strong and heart-warming characters.

    0 of 0 people found this review helpful
  • American Exit Strategy: The Economic Collapse Chronicles, Volume 1

    • UNABRIDGED (7 hrs and 46 mins)
    • By Mark Goodwin
    • Narrated By Kevin Pierce
    Overall
    (168)
    Performance
    (161)
    Story
    (163)

    Liberty minded individuals and those who believe in the Constitution will find this near future dystopian novel to be right up their alley. Those who are looking to be more informed about the potential threats to America's financial stability will learn what to watch for and how to prepare themselves for an economic collapse. America is on the cusp of financial annihilation. Matt and Karen Bair face the challenges of Main Street during a full scale financial meltdown. Government borrowing and monetary creation have reached their limits.

    Gregory T. Wallace says: "Almost Prophetic!!"
    "Rightwing Rant, not a novel"
    Overall
    Performance
    Story

    This is a prepper book with the slightly unusual twist that the United States collapses from a financial disaster, not an EMP pulse or nukes or terrorism or epidemic or zombies. That's a good idea, and is why I bought it.

    However, this so-called novel is poorly written and read aloud worse. Even more of a problem is the lack of focus: the author can't restrain himself just to rant about U.S. entitlement spending and lack of civilian private prepping --- he has to carry on about abortion and about wifely obedience and the Second Amendment and on and on. Supposedly Christian riffs occur frequently, including long, long Bible quotes. But how Christian can it be with the continual emphasis on preparing with multiple guns to kill people? And the gloating over how many are going to die because they depended on the government to provide them with everything. In this story the entire society breaks down as soon as the government food stamp credits are not fully renewed the first of one month. No waiting, not even a day, riots and looting and murders and robbery break out instantly. Implausible. This book is one long gloat about how well Our Hero is going to do because he's All Wise and super-prepared and how dead everyone else is going to be, especially all the you-know-who's, the ethnics one and all. There are good TEOWAWKI books and good prepper books. But this isn't one of them.

    2 of 5 people found this review helpful
  • The Birth of the Modern Mind: The Intellectual History of the 17th and 18th Centuries

    • ORIGINAL (12 hrs and 33 mins)
    • By The Great Courses
    • Narrated By Professor Alan Charles Kors
    Overall
    (13)
    Performance
    (11)
    Story
    (12)

    Revolutions in thought (as opposed to those in politics or science) are in many ways the most far-reaching of all. They affect how we grant legitimacy to authority, define what is possible, create standards of right and wrong, and even view the potential of human life. Between 1600 and 1800, such a revolution of the intellect seized Europe, shaking the minds of the continent as few things before or since. What we now know as the Enlightenment challenged previously accepted ways of understanding reality, bringing about modern science, representative democracy, and a wave of wars, sparking what Professor Kors calls "perhaps the most profound transformation of European, if not human, life." In this series of 24 insightful lectures, you'll explore the astonishing conceptual and cultural revolution of the Enlightenment. You'll witness in its tumultuous history the birth of modern thought in the dilemmas, debates, and extraordinary works of the 17th- and 18th-century mind, as wielded by the likes of thinkers like Bacon, Descartes, Hobbes, Pascal, Newton, Locke, Hume, Voltaire, Diderot, and Rousseau.And you'll understand why educated Europeans came to believe that they had a new understanding-of thought and the human mind, of method, of nature, and of the uses of knowledge-with which they could come to know the world correctly for the first time in human history, and with which they could rewrite the possibilities of human life.

    Donald says: "Good material, annoying voice"
    "Idiosyncratic History of the Enlightenment"
    Overall
    Performance
    Story

    In many ways, this was a good survey of the Enlightenment: provocative ideas, interesting narratives. I stuck it out till the last three hours, in fact.

    There are two problems, from my point of view: first, Prof. Kors has the strongest Brooklyn accent I expect to hear in this lifetime, so stabilized has spoken language become through movies and television. The worst of it is that he inhales the word "human," breathing the "h" in, not out, and the word human shows up ALL the time in enlightenment studies.

    The second problem is that he preaches. I don't mean he pushes an agenda: he doesn't. I mean he preaches like the Southern radio preachers of my childhood, getting more and more excited, falling into a rhythm. Since so much of the series is about religion, in one form or another, Prof. Kors has to periodically remind people that he is not advocating --- he says he is trying to communicate the excitement the ideas had at the time. Sounds like preaching to me, though, and I didn't like it.

    Eventually I decided I couldn't enjoy this anymore, stopped the audiobook and ordered a book on the Enlightenment to read. One thing about reading, whatever the author's verbal peculiarities, they won't be a problem.

    1 of 2 people found this review helpful
  • The Magician King: A Novel

    • UNABRIDGED (15 hrs and 48 mins)
    • By Lev Grossman
    • Narrated By Mark Bramhall
    • Whispersync for Voice-ready
    Overall
    (1883)
    Performance
    (1641)
    Story
    (1638)

    Quentin and his friends are now the kings and queens of Fillory, but the days and nights of royal luxury are starting to pall. After a morning hunt takes a sinister turn, Quentin and his old friend Julia charter a magical sailing ship and set out on an errand to the wild outer reaches of their kingdom. Their pleasure cruise becomes an adventure when the two are unceremoniously dumped back into the last place Quentin ever wants to see: his parent's house in Chesterton, Massachusetts.

    Douglas says: "King Grossman the Magician"
    "Brilliant reading, brilliant novel"
    Overall
    Performance
    Story

    Magician King is the second volume in the Magicians trilogy. Mark Bramhall does a perfect reading, getting the tone of mildly exasperated irony exactly right. This volume indulges fully in the Narnia knock-off, Fillory; the first one, The Magicians, starts as a Hogwarts and Harry Potter pastiche populated by young adults but segues into what the characters really want: they want Narnia, and they get it. The references to all the C.S. Lewis Narnia stories are deft and delightful and thought-provoking: this work is deeper than it looks and for someone who has read all the Narnia stories over and over, there is only one thing to do when reaching the end of the Magician King: start over again.

    1 of 1 people found this review helpful
  • Shut Your Eyes Tight: Dave Gurney, Book 2

    • UNABRIDGED (17 hrs and 26 mins)
    • By John Verdon
    • Narrated By Scott Brick
    • Whispersync for Voice-ready
    Overall
    (223)
    Performance
    (185)
    Story
    (180)

    When he was the NYPD’s top homicide investigator, Dave Gurney was never comfortable with the label the press gave him: super detective. He was simply a man who, when faced with a puzzle, wanted to know. He was called to the investigative hunt by the presumptuous arrogance of murderers - by their smug belief that they could kill without leaving a trace. There was always a trace, Gurney believed. Except what if, one day, there wasn’t?

    Janels says: "Great read, without gratuitous violence"
    "Brilliant new writer"
    Overall
    Performance
    Story

    These police procedurals are amazingly good --- John Verdon is going to be big. The main characters, who carry over in a series, are very complex; the language is beautiful, and there are CONCEPTS, wonderful ideas, original thinking. The crime puzzles are so -- puzzling -- that one is drawn right in. The dramatic situations become believable, somehow, as mystery piles onto mystery. This is not the usual boring serial killer schtick. It's original and thrilling serial killer plot.

    Unfortunately, this volume is read by Scott Brick. I swore never to get another one read by him, and it was an accident -- his ever-downward voice makes me think of d-words: dire, down, drear, death, doom. Every sentence has a histrionic, overly emotional tone that I wouldn't think men would like, but he does a lot of men's books, like Coben. He must have a darn good agent! is all I can think. The producers have figured it out and the third Verdon is read by someone else. All three current novels by Verdon are read by different readers, so these are books that have not found their voice yet.

    1 of 1 people found this review helpful
  • The War of the Worlds

    • UNABRIDGED (5 hrs and 59 mins)
    • By H. G. Wells
    • Narrated By Simon Vance
    • Whispersync for Voice-ready
    Overall
    (491)
    Performance
    (411)
    Story
    (416)

    First published by H. G. Wells in 1898, The War of the Worlds is the granddaddy of all alien invasion stories. The novel begins ominously, as the lone voice of a narrator intones, "No one would have believed in the last years of the 19th century that this world was being watched keenly and closely by intelligences greater than man's."

    Janice says: "Ants"
    "The movie carefully follows this book"
    Overall
    Performance
    Story

    Nothing like this ever was ---- a novel published in 1897 that prefigured powered flight, space travel, poison gas, lasers, and alien invasion from outer space. This is a short, exciting novel vividly read by the great reader Simon Vance, and I recommend people listen to it rather than read it: Vance makes it much more exciting than one can do reading silently to oneself. Every detail of the story was interpreted in modern terms in the Tom Cruise War of the Worlds movie and it's a lot of fun to listen to this book and then watch the movie and consider the parallels: the fleeing population, the loud moaning tripod-machines, the blackbirds at the end. The movie vividly illustrates the Martian takeover exactly as the book describes it in all its living red color. I appreciate the respectful homage paid by Hollywood to this great pioneering scifi story.

    Our hero is quietly reading his paper at breakfast when news comes of a big crater splashed into the nearby Common from something large falling out of the sky. Many people go to see, and watch as a large cylinder unscrews at the top and strange beings emerge. A deputation arrives to parley, but talk is not what the Martians are after. Very bad things start to happen to the people, the town, London, and the countryside. More and more cylinders fall to Earth from Mars. A few people survive, but only by chance and only temporarily. It is the planet Earth itself that rejects the invaders.

    1 of 2 people found this review helpful
  • Gormenghast: Volume 2 of the Gormenghast Trilogy

    • UNABRIDGED (18 hrs and 29 mins)
    • By Mervyn Peake
    • Narrated By Robert Whitfield
    Overall
    (168)
    Performance
    (71)
    Story
    (72)

    Enter the fantastical world of Mervyn Peake's Gormenghast Trilogy, one of the undisputed fantasy classics of all time. Novelist C.S. Lewis called Peake's books "actual additions to life; they give, like certain rare dreams, sensations we never had before, and enlarge our conception of the range of possible experience."

    Jefferson says: "A “Supernaturally Outlandish” Masterpiece"
    "Satisfying conclusion to the story in Titus Groan"
    Overall
    Performance
    Story

    The same reader, Robert Whitfield, did this unabridged Gormenghast as read the first volume, Titus Groan. His reading is brilliant, in my opinion: this is of course a very difficult book to read well, as it's experimental fiction on the order of Ulysses and it is a form of poetry in prose: note the very careful choice of every word, for the dire, the scary, the unsettling. The plot is vivid and full of action, but could be told in a third the words: but the words are the point. So enjoy them. This book is not about the plot, exciting though that is. It's not about the characters, fascinating though they are. It's about the second-by-second elaborate description of the experience.

    There is a production problem that did not occur in Titus Groan: I counted eleven times when the reader repeated whole sentences, having apparently stopped, taken a break, and then went on repeating from the top of the paragraph. Obviously the editor should have edited out the repeats!! Bad production not to bother. It should be done right and reissued. However, it's still a very good rendition and well worth hearing.

    The conclusion is highly satisfying and there is no need to go on to the post-mortem third volume cobbled together from notes on the author's desk. I would advise first reading the two works, then listening to them, and finally watching the excellent BBC movie starring John Rhys Meyer as Steerpike. It's a star-studded cast: you will be surprised at the important actors you recognize. They stay very close to the text, though it must have been hard to make, given the spectacular scenery and events.

    0 of 0 people found this review helpful
  • Farthing: Small Change, Book 1

    • UNABRIDGED (9 hrs and 46 mins)
    • By Jo Walton
    • Narrated By John Keating, Bianca Amato
    • Whispersync for Voice-ready
    Overall
    (220)
    Performance
    (184)
    Story
    (191)

    One summer weekend in 1949 - but not our 1949 - the well-connected "Farthing set", a group of upper-crust English families, enjoy a country retreat. Lucy is a minor daughter in one of those families; her parents were both leading figures in the group that overthrew Churchill and negotiated peace with Herr Hitler eight years before....

    Nancy J says: "It Couldn't Happen Here, Right? RIGHT?"
    "Superb Alternative History post-WWII"
    Overall
    Performance
    Story

    Farthing seems at first to be a comfortable English country house mystery. It quickly becomes unusually candid about toxic relationships, however. Our heroine, Lucy, heiress to all the money of a very large and historic English estate, hates her mother, and it becomes apparent that she is right to do so. She also has married a Jew, and this in an England twisted out of the shape it has in our world by an early peace settlement in 1941. The war did not last five years and Hitler was not defeated. Instead, the Rudolf Hess flight to Scotland in May 1941, widely believed by many to this day, including me, to have been a separate peace offer from Hitler (it is, after all, what Hess claimed at the time!) was in that alternative reality taken up by a clique called the "Farthing set" which out-maneuvered Winston Churchill, who intended to fight on and would have squelched the initiative and jailed Hess as a madman as in our reality. The best alternative histories have that one tiny change that is plausible: England ended the war early, in 1941, with the Farthing slogan "Peace With Honor" after a short negotiation with Hitler. The resonances with the earlier real-time appeasement by Chamberlain in Munich are obvious, and add to the plausibility.

    The war continues in Russia for many years and Jews are persecuted all over central and eastern Europe, and are losing ground in England, which had a substantial Fascist constituency before WWII and does again, since that was never defeated. An apparent murder at Farthing by Jews and a terrorist attack on Farthing by Bolsheviks puts Lucy's husband David right in the crosshairs, where he is intended to be. Can they escape? The chapters alternate between Lucy's narration and that of Inspector Carmichael, and so the producers have used two readers, a woman and a man. The woman reader uses the sad, falling-voice technique that I felt was a problem in the reading of Hillary Mantel's "Wolf Hall," too. After all, much of the life of Thomas Cromwell went very well. And Lucy Kahn is a more resolute than sad heroine. The male reader is excellent and the female one is quite good except for that one habit. This novel is sexually complex, but there is no explicit sexual description whatsoever; it's mainly characterization. I think this novel would be very suitable for late teens and any age after that.

    Lucy Eversley married David Kahn partly as adolescent rebellion at the stultified, restricted life she leads in the ultra-upper-class: even she realizes there is a component of rebellion. However, it's a real marriage: they fill out each other's lacks and they are extremely supportive of each other. She wants children and believes she is pregnant and is very happy about that. Therefore, the reader is both aghast and amused at the surprise she gets in the end: Lucy is definitely going to be paying her dues now and having an interesting life.

    I recommend Farthing strongly and plan to listen to the other two "Small Change" novels in the series.

    2 of 2 people found this review helpful
  • The Riddle Of The Sands

    • UNABRIDGED (10 hrs and 7 mins)
    • By Erskine Childers
    • Narrated By Anton Lesser
    • Whispersync for Voice-ready
    Overall
    (19)
    Performance
    (8)
    Story
    (8)

    Riddle of the Sands is set during the long suspicious years leading up to the First World War and is a classic of spy fiction.

    Katherine says: "Slow and Earnest"
    "A great read and excellent for the WWI centennial"
    Overall
    Performance
    Story

    Riddle of the Sands was published in 1903, 11 years before WWI started, but it is redolent with the suspicion between Germany and other countries that circulated at that time and resulted, finally, in the Great War. The Riddle is that our two young spies gradually realize that Germany is planning an invasion of England via the low-water tributaries in the Frisian islands, pulling low-draft troop carriers among the natural channels through the sands . The places named are real and you can follow the plot on Google Earth.

    Anton Lesser does a superb reading, and reads with the tones of a young man, which is crucial, because while the plot and action are gripping, the characterization and character development is just as beautifully and humorously written, and this is why it seems to me almost a crime to settle for an abridged version of this classic. You won't regret listening to the original.

    Our narrator, Carruthers, is a rising young star in the Foreign Office, and when he reluctantly boards the Dulcibella, he is deeply disappointed that it is not the stylish, elegant yacht with crew that he had dressed and packed for. He is a prig, and no sailor, and both faults get well and truly reformed during this story as he grows up, learns to sail, and finds his place in the world -- because however "at sea" he may feel in a boat, Carruthers has talent and courage as a spy on land that make the reader feel he would be wasted in the Foreign Office.

    Of course there is a beautiful girl. And a dubious father. And Germans, nice and otherwise, whose accents Lesser performs convincingly. Best of all, there is a VIP who comes to inspect how well the invasion plans are working out. This is "he who insists" on coming.


    SPOILER SPOILER SPOILER





    "He who insists" is the Kaiser. Kaiser Wilhelm II, ruler of Germany, avid yachtsman, committed to building up Germany's navy. The idea that Germany might invade England is hardly remarkable: most wars involve the aggressing Continental power considering it very carefully, or actually doing it. The last ones were Napoleon and Hitler, both of whom made elaborate plans for invasion, but never actually carried them out. Eleven years after this book came out, Germany used its navy to try to starve England out via U-Boots sinking ships carrying imports, rather than invasion. But in the meanwhile this book, Riddle of the Sands, resulted in some large changes in the British navy basing, because in fact, the plan was plausible.

    The most delightful moment in the book, to me, is when Carruthers, needing a quick exit from his hiding place, not only wrecks the Kaiser's boat, but also gets him to help cast off the dinghy he's in so he can row away. He gives brusque orders in the confusion of running the boat aground, and as a yachtsman used to quick hands-on sailing, the Kaiser obeys him!

    There is a Michael York movie of this book which is excellent and fairly close to the original.

    0 of 0 people found this review helpful

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