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Yocheved

Freelance journalist, now living in Israel. Audible books listener for 30 years, when I had to pretend to be blind to get access.

Rocklin, CA, United States | Member Since 2004

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  • The Rope: An Anna Pigeon Mystery, Book 17

    • UNABRIDGED (12 hrs)
    • By Nevada Barr
    • Narrated By Joyce Bean
    • Whispersync for Voice-ready
    Overall
    (440)
    Performance
    (361)
    Story
    (354)

    Thirty-five years old, fresh off the bus from New York City, and nursing a shattered heart, Anna Pigeon takes a decidedly unglamorous job as a seasonal employee of the Glen Canyon National Recreational Area. On her day off, she goes hiking into the park never to return. Her co-workers think she’s simply moved on - her cabin is cleaned out and her things gone. Anna herself wakes up, trapped at the bottom of a dry natural well, naked, without supplies and no clear memory of how she got into this situation. As she slowly pieces together her memory, it soon becomes clear that someone has trapped her there....

    karen says: "Great book, no question. But...."
    "Great book, no question. But...."
    Overall
    Performance
    Story

    The Rope is everything you expect from the best of Nevada Barr -- and then some. Lots of white-knuckle moments, when you have to stop whatever you're doing and just listen, afraid to even move lest you miss a word. Lots of interesting stuff about the outdoor life, hiking, 'canyoneering', about Lake Powell and 'Dangling Rope'.

    I had some trepidation: first, not hearing the voice of Barbara Rosenblat took a little getting used to. Rosenblat's wry, little-bit-hoarse voice, tinged with good humored, self-deprecating sarcasm, has come to mean 'Anna Pigeon' to me, and I thought I'd miss that. But no, Joyce Bean does a very credible job -- in fact, it might have been smart to have someone else read this 'prequel' to the rest of the books, when Anna was young and foolish.

    Foolish? Indeed. Anna as a young woman proves herself not to have been any different from any number of other young protagonists -- an older and wiser Anna would never have gone off -- twice! -- on dangerous hiking/canyoneering trips with questionable people, when she knew very well that someone out there had tried to kill her several times. Okay, okay, so sweet young protagonists have to do those kinds of things, because if they didn't, there wouldn't be much of a story. Still, for the canny Anna we've come to know through the other books, it took some adjustment to think she'd be dumb enough, naive enough, to do such a fool thing.

    So it's a great book. I enjoyed it. That said, I'm starting to see why it is that I'm liking the more sophisticated quasi-cozies these days than the kind of hard-boiled stories like this one. Why? There's too much animal torture involved. Authors can't seem to stay away from it. Look: humans are fair game in these books. They fight, they die, we know it's just a story. Most of us probably have never met someone who actually murdered someone else. But to include too much animal torture gives me the willies -- I have a feeling that this is giving too many sick people out there ideas. I don't like it. Leave the animals alone. And as I've said before, to find detailed descriptions in a paper book is one thing -- you can flip the pages. Much harder to duck it in an audio book -- I take my ear buds out, then check in periodically to see if they're done yet, but that doesn't leave me with good feelings about the book, in general.

    So I'm gravitating to other authors -- Susan Rogers Cooper, Julia Spencer-Flemming, Deborah Crombie -- any of the British authors, actually -- Alafair Burke, Carol Lea Benjamin, all of the books by the late Phillip Craig, all of these writers turn out great mysteries, great reading. And none of them doom innocent animals to death by sick sadists.... much better, for me, at least.

    5 of 5 people found this review helpful

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