Danville, AR, United States | Member Since 2007
Perfect, except that it had to end. And bittersweet, for we can sense the end of the series looming. Still, Harrison has created such a rich world with The Hollows series, she can can go in many different paths with offshoot series, short stories, novellas, etc. But that is for another day (when we can't look forward to another Rachel Morgan novel in the offing.) I look forward to the next volume coming out every year -- yes, I even lamely mark it on my calendar. Harrison is one of the few novelist that never fails her fans with slapdash fodder. And she DELIVERS with "Ever After." Virtually every major/minor character from the series makes an appearance in this volume; the action is virtually non-stop and we get to see a lot more of the demons, which I think is a big plus (and some significant character development for Al.) The dialogue is as crisp as always and we get to hear more Jinks-speak (is it me, or are his Tinks' ____ one-liners getting more tame?)
I made myself listen to this when I could devote full attention to the book (not as I usually do, "reading" and multi-tasking.") I am sad only because it will be another year before there will be another Rachel Morgan book coming out.
If you have never read this series, I recommend purchasing "Dead Witch Walking" NOW -- your world will never be the same.
Brekke has done an excellent job (and kudos to translator) in this police procedural. It was sometimes difficult (especially at the beginning) to remain engaged in the transitioning narrative (from 1500's Europe, to 21st century Norway and Virginia) and I didn't find the story in Virigina (outside the Poe Museum, that is) as engaging as the other 2 narratives, but by the middle, I was hooked -- and missing sleep.
Best moments occur after the 2 police detectives unite in Norway (and my favorite line "This isn't Texas" from Odd Singsaker, the Norwegian detective). It was a bit redolent of those buddy cop films, but I loved the interaction between the characters (and styles.)
I especially loved the inclusion (however indirectly) of Poe trivia into the plot.
The characters were well-developed and the plotting intriciate.
If you are a fan of Nesbo or Fossum (or other Scandinavian mystery writers), you will not be disappointed with this book.
David Menken does an excellent job with the narration, especially well with the Virginian accents, which can easily be overdone. I liked that the only other accents were when speakers were not speaking their native langauges (I find it baffling when narrators give people speaking their native languages -- albeit, translated for the "readers" -- foreign accents.) Odd does not pick up his endearing accent until he needs to speak English with his new "partner", Felicia Stone (the Richmond detective.)
I am looking forward to many more novels from Brekke!
This book hooked me from the opening scene, and was difficult to put down.
In retrospect I wished I had purchased the kindle version of this as well, as there are so many characters and interrelated plots, I found myself wanting to refer to a flow chart. I felt mollified when I did a search for this book on Amazon to find there is a Kindle "Cliff's Notes" type summary of this book available for purchase.
Nevin has a great facility with character AND plot development, while keeping the lingo amount the police characters quite realistic.
George Kuch does an excellent job with the narration, especially helpful with the constantly shifting scenes and characters.
I rarely listen to books twice, but this is one I will probably listen to again -- it's that good.
Excellent police procedural set in Cambridge, UK featuring 25-year old DC Gary Goodhew, a new detective, who is viewed with mistrust and envy due to his quick rise to the DC role.
The book follows the stories of suspects, victims and police, showing the varying point of views (POVs) as we seek to unravel this complex mystery.
DC Gary Goodhew is a bit of a maverick at the station, following his own methodologies and uncanny hunches, much to the chagrin of his boss, DI Marks who is determined to make Goodhew a team player or let him go.
I loved the writing, especially how well all of the characters were fleshed out and the intricate relationships between the families and the co-workers.
Jonathan Broadbent did an excellent job with the narration, although his pacing can be a bit "off-putting" at first.
I found it difficult to truly classify this book and found that to be a positive aspect of this unique new voice to British mysteries. This is part police procedural, part romance (with a slightly creepy bent) and part quasi-paranormal.
Newly promoted DC Kathleen Doyle, with her lilting Irish accent and the fey ability to "read" the truth in people becomes the protégé of DCI Michael Sinclair, an English lord called Holmes behind his back for his uncanny ability to solve the most complex of mysteries.
The mystery is moderately complex, but the true joy in this book is the unique voice of the protagonist. I look forward to reading more of Cleeland's novels, as she begins to make her mysteries more taut, because her characters are already "spot on."
Marcella Riordan's narration is superb, especially her delivery of Doyle's Irish voice!
From the blurb, I thought I would love this novel, as I am a big fan of British mysteries, especially police procedurals. However, I never really related to any of the characters and there was no "mystery," as we are introduced to the villain's point of view (POV) early on. The shifting POV was a bit jarring occasionally (from victim to police to villain to witness and back to police) and the narrative voices seemed a bit unrealistic at times.
Despite the choppy writing and the underdeveloped characters, I would probably purchase the next book in this series, as I believe the writer will continue to improve her product.
Lucy Price-Lewis, the narrator, did a good job of differentiating the many characters.
With some serials, the output diminishes over time, with the writing becoming formulaic and staid. However, Sally Spencer (nom de guerre of Alan Rustage) continues to deliver taut, suspenseful police procedurals.
"Lambs to the Slaughter" is the 5th entry in the series (25th if you consider the 20 books in which DCI Charlie Woodend is the primary protagonist and Paniatowski is his protégé) , set in 1970's Northern England. This book revolves around a potential coal strike and a murder in the town of Bellingsworth.
The mystery itself is complex. However, the hallmark of this series is the continued development of the police team. I look forward to many more books in this wonderful series and anticipate more intricate mysteries and more windows into the characters.
Another great joy is the brilliant delivery of Penelope Freeman. She captures wonderfully the accents and characters of the book, male and female.
I am sure I will be in the minority again on this one, but, having ready every single Kitty book and short story (in addition to Vaughn's other tomes, such as "Discord's Apple"), I am becoming increasingly disappointed with each new entry in this series. The last volume seemed to be light in action, but it did have the saving grace of the supporting characters (namely Cormac and Rick.) I kept waiting for something (anything) to happen in this one. Kept checking the time stamp, thinking "when would this end?" I am not a quitter though, so kept listening. A lot (A LOT) of internal monologues (have you ever wondered how supple and kissable a human's lips are? -- well, Kitty has) but not much happens here and the book doesn't really move the grand story arc along.
Gavin's performance, as usual, is engaging, but even she couldn't breathe life into this entry into the Kitty Norville series.
The protagonist, Cormoran Strike, is an ex-military policeman who lost a leg during service and is now trying to make ends meet as a PI in London. His "girl Friday", a temporary secretary named Robin whom he can't afford (but can't seem to turn away) arrives on a day his life's ebb hits a low point. I loved the rapport between these 2 characters.
I can't overstate how much I enjoyed this novel. One would never know by the lyrical writing, the twisty plot line and well-developed characters that this is a debut for Robert Galbraith.
My only disappoint is that the book ended and I didn't have anything else by Galbraith to read! I anxiously await his next book, which I hope continues Strikes' story.
Robert Glenister's narration is perfect!
The opening is great (especially the plane violence) and I immediately became engaged to the 2 protagonists, especially Patrick.
However good the story and concept was, the plotting and writing doesn't hold up.
Several characters are introduced and dropped (or killed off) soon thereafter. One potential great adult female character is introduced but never really developed and just disappears. Some plot lines peter out (Claire's involvement with the immigrant group?)
With some serious editing (this might have been a tight, 8 to 10 hour thriller) and tighter plotting, this could have been a great thriller. Although it was still a fun read, it could have been so much more.
The narrator, who is also the author, has a deep, resonating voice, but after several hours, it can be very distracting, detracting from the enjoyment of the story.
This is definitely not the best book in the series, but was still an enjoyable read. I think a lot of the inconsistency is due to Ms. Harris trying to give a cameo to as many of the pertinent characters in the series as possible, which led to some odd transitions in place, time and point of view. I was afraid that Ms. Harris would present a Seinfeldesque trial with all the past characters appearing in court, but at least we were spared something that derivative (although I did chuckle at Sookie's reminisces in jail of all the people she had killed.)
I think this will be a enjoyable read to anyone fan of the series who doesn't have an emotional investment as to the outcome. Yes, the plot was a bit contrived, the loose ends all tied up a bit too neatly (and everyone seems to be getting married or birthing babies, so may come off as a bit saccharine to those of us who like a bit more sauce or action in our books.) But, if you lower you expectations and enjoy Johanna Parker's stellar delivery, especially of those very Sookie phrases (e.g., "someone pushed the perc button on their ethical coffee maker"), this will be a credit you will not regret spending.
Although this may be the last Sookie Stackhouse book, I would not be shocked if Ms. Harris features some of the characters in future books outside of Bon Temps (much like Kelley Armstrong has created 2 YA trilogies in her Otherworld milieu.) Still, I will miss the unique voice of Sookie in future books. I am fond of Ms. Harris's other works (especially the Harper Connelly series), so I look forward to her future efforts.
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