As per usual, Lois is spot on the issue. Her writing is tight and interesting. However, in her desire to stay true to Vorpatril's character, she ends up sacrifising the humour and devilish twists that a Miles narrative offered.
In fact, the funniest scene was when Miles makes a brief appearance, and Lois's dialogue blossoms, so to speak. But, straight away, that sword is back in its scabard, as the Vorpatril narrative takes over, and we are back at Mr Straightlace and a unique situation.
In Cetaganda, Vorpatril came off as the opposite to Miles, where Miles was the studious/hard working spy and Vorpatril as the seducer and debonair type. Sadly, that element isn't explored. Instead, Vorpatril becomes a staid and boring character who realises he's becoming a tired old bachelor.
Tej/Tez tries to cover up the blankness of the Vorpatril's narrative, but again, all I can say in despair is, "Miles, Miles, where are you!?"
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