These short stories, which collectively form a meditation on aging and connection (or disconnection) and love, are linked by shared characters (especially Olive Kittredge, who appears in all of them). They are set in a small town in Maine, and at times you can feel the salt in the air. Some of the characters are more compelling than others, but Olive is the most memorable: complicated and frustrating and ultimately wise and appealing. This is not a novel but rather a "novel in stories," a format that turns out to feel very different from a novel. In some ways it's the best of both worlds: you experience the vignettes, the moments in time, that constitute the modern short story--but also have some sense of the wider context in which these episodes are occurring.
The reading was generally good, though I did feel annoyed by the slow, halting Maine (?) cadence that the narrator used with some characters. I noticed it less over time, fortunately.
If you like modern short stories of the New Yorker type but also like more meaty novels, I'd recommend this book. I don't think I'll be forgetting the character of Olive anytime soon, and I'm grateful to have known her in the (audible) pages of this book.
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