This is actually the 4th book I have read about Walt Longmire -- I didn't realize until recently that there were two in between 'Death Without Company' and 'The Dark Horse.' I'm so glad I did finally read this, though, because a lot of things have happened by the time of Dark Horse and much is referred to there that actually occurs in this book.
This is the book in which Walt and Henry go to Philadelphia where Bear is to be honored and give some lectures at the Pennsylvania Academy of Fine Arts, with all sorts of complications ensuing -- as you know they would.
I wanted to say how well Craig Johnson portrays Philadelphia, not just using it as a backdrop, but making it an essential character and flavor in the book. And he gets pretty much everything right (that I could tell, and that mattered to me). I was impressed, being a native Philadelphian. I've never heard the Benjamin Franklin Bridge referred to as "the BFB," more as "The Ben Franklin," but that's about the only point that didn't ring true.
Hats off to Johnson for writing it and to George Guidall for reading it so well! Guidall is Walt. I read there is a television series coming up this summer based on the books. It will be a hard act to follow after years of George Guidall embodying all of the characters for me!
By the way, the story is just complicated enough, there is humor and poignancy, and Dog comes along for the ride, even though he ends up having to stay out of a lot of the action. Can't say more. I highly recommend these books, and you obviously get the most out of them if you read them in order.
This was a cute, if very predictable, prequel short story for the Royal Spyness series. I know; it was free.
I must object to Kathryn Kellgren's narration of late. She continues to treat everything that happens (with her voice inflections) as if some momentous or horrible event is about to occur - when it definitely isn't. The last full book (Queen of Hearts) was full of these outbursts and got very tiresome. Previous to Queen of Hearts, I have greatly enjoyed all the books of this series, and laughed all through Georgie's adventures, cherishing Kathryn Kellgren's narration.
I hope Rhys Bowen and Kathryn Kellgren are both able to recover their earlier form in Georgie's next adventure!
Reading this book made me feel like coming home. Louise Penny's writing is so exquisite and her characters are so memorable, it is a real gift to be able to have a new one to read or listen to. And I love to listen to these books. I have listened to several of them over again, which I can't say of many other authors. Ralph Cosham's voice is just perfect for these stories and I love the way it slides over the French names and exclamations. His mastery of the many voices of French Canada is wonderful. The pacing and cadence of his voice is unmatched.
In The Long Way Home, Gamache has begun a new life in Three Pines, but of course we knew he wasn't finished detecting. The bonus is that all of our favorite characters become involved in this one to some degree. I don't need to say more than that, just get this one and enjoy.
If you are not already familiar with the Armand Gamache series, just go back and listen to the first one (Still Life) and proceed from there. You won't be disappointed.
Let me preface this by saying that this was my first Alafair Burke novel. I didn't know what to expect.
I was disappointed with Audible (or the publisher) that the "book details" gave away so much of the story. It seemed that I must have listened to over an hour of the book before I heard anything new!
My first impression as I listened was that it was set up the way Mary Higgins Clark frequently sets up her novels: several different threads begin and eventually come together as the story is woven into cloth. I didn't know at the time that Alafair Burke has written a series with Ms. Clark. I also didn't know that she is the daughter of James Lee Burke (whose beautifully-written series I found depressing, so I gave up after the first one).
That being said, I enjoyed this story, and liked the twists and turns. I empathized with Alice's bewilderment, and appreciated the use of a Facebook account as a plot device.
I find that the "separate threads" method is difficult when I am listening to a book, and means that I end up going back a lot and listening again when I realize the narrator is no longer talking about the same person or place. But I did get used to it and realized I had to pay closer attention.
Worth an attentive listen!
I'm so annoyed at myself for giving Faye Kellerman another chance. I have liked a number of her books in the past. I think that her point of view of a family living an Orthodox Jewish life (always in the background and often coming to the foreground) is an interesting and different addition to these character-based police procedurals. There is almost always a strong family story that is a component of Kellerman's books, which frequently lend a reality as well as contrast to the sometimes gruesome crimes that our hero, Lieutenant Peter Decker, investigates for the LAPD.
But this one, which had two basic story lines which fractured further into additional subplots, had an unsatisfactory ending that to me made no sense. I can't go into it further because it will spoil any other reader's journey through the story.
I felt this was an example of a really interesting book which was quite enjoyable as I was reading it, but was ruined for me by a lame ending.
I have to say that the first time I listened to this first book in the Phryne Fisher series, I wasn't crazy about Miss Fisher (an earlier review of mine states that emphatically). But I liked the setting of Australia in the 1920's enough to give Phryne another try, proceeding to listen to about 10 more of her stories so far over the past couple of years.
Through those books I've become very fond of Phryne and her quirks, her thoroughly modern point of view, and her escapades. I recently discovered that there was a television series made about her and watched the first episode. I was happy to have pictures of the period (the cars and the clothes, particularly), but I remembered nothing about the book from watching the first episode (also called Cocaine Blues).
So I decided to give the book another listen. I think that I enjoyed it so much more because it reminded me of where Phryne met and befriended Dot, Bert and Cec, and gave a little background on Dr. MacMillan. Since I'm now I'm aware of Phryne's quirks and attitudes, as well as her generous spirit, I was able to be more sympathetic to her and see her as a person.
I guess my point is: (1) If you are a Phryne Fisher fan but also recall the first book as unsympathetic, give it another try.
(2) If you are NOT a Phryne Fisher fan and decided not to proceed with the other books after reading this one, please give her other books a try and come back to this one after that!
This is my favorite of this series, not because the mystery is any better -- and let's face it, we really don't read Bernie for the mysteries. I love it because the introduction of Raffles the cat adds a whole new dimension to the characters of Bernie and Carolyn. As well as some really funny bits about cat owners in general and women cat owners in particular!
I read all of the Burglar books a number of years ago, and like many fans of this series, always hoped that Lawrence Block would write at least one more. Now a new one is coming out, so I thought I would listen to them all this time around. Block used to narrate these himself, but I definitely like the new narrator's voice. He does great character voices, which is so important for this series, which is all characters.
Very happy to be introduced to this new pair of investigators! Also like the fact that it is set in the Georgian period -- just a bit before Jane Austen. Harriet Westerman is the wife of a sea captain who spent time with her husband at sea and now is land-bound. Even though she has chilldren and a large house to supervise, she is eternally curious and likely to do things that women are not known for in her day, such as reading scientific tracts. Her neighbor Gabriel Crowther is an amateur anatomist. He has written one of these tracts proposing that human bodies can tell us about their manner of death, particularly in the case of murder. So when a murder occurs on Harriet's land, she seeks out her anatomist neighbor to help.
The language and portrayal of the customs of the day feel right and are not intrusive to the story. One reviewer I read was appalled by the author's use of water and lemonade as refreshments during that time -- however, that is a minor flaw. The rest of the book reads and sounds accurate.
The story is complex and has two story lines proceeding through almost the entire book. Listening only, I found myself getting lost occasionally. The story frequently switches from one setting and group of characters to another with little or no warning. Sometimes there will be a chapter heading with date and place, but often not. A slight pause in the narration would have been helpful each time the change takes place.
Overall a very good story and likeable characters -- I've put the next two books on my Wish List!
I almost always enjoy Anne Perry's writing. I must say that Davina Porter's narration detracted for me from the story largely because I could rarely tell who was speaking. I have listened to a number of books narrated by Davina Porter and do not ever recall having this problem.
I found that I was constantly having to rewind a minute or two and listen again so that I could establish who was speaking. With Michael Page's narration, you always knew Victor Narraway's voice from Pitt's, and Aunt Vespasia's from Charlotte's. Since all four of these people figure prominently in this book, it was imperative to establish different character voices, and I don't think Porter succeeded.
From the way that the storyline proceeded, I understand that the sort of "cariacature" voice that Page established for Aunt Vespasia would not work when she became a major character (and a romantic interest!), but SOME major differentiation needed to be made.
This might be a book that you want to read in print.
This edition of the Butcher's Boy series is an incredible piece of writitng that just had me mesmerized. I loved being carried along in this stream of coincidences and mistaken identities as the Butcher's Boy once again makes his way across the U.S. on a mission, and my suspension of disbelief was firmly in place as I listened.
I don't know how to give a review of this book beyond my astonishment that I thought it was so good. It's both a simple and complex plot, and the characters are coming from different angles at the same information, with the listener in the background just drinking it in and thinking (at least I was), "No! That's not it at all!" We want to root for the government girl (Elizabeth), of course, but we want to root for the the assassin-protagonist (the Butcher's Boy), too. And in all of this, there is poignancy, sadness, suspense, and an undertone of humor that I think is a little bit of Thomas Perry's magic.
I recommend that you read the first installment (The Butcher's Boy) to have a full appreciation of this one, but I don't think it's totally necessary. Perry gives enough information when referring to events of 10 years before that you wouldn't be lost.
And of course, Michael Kramer's narration is superb.
Reads like a novel, but is a fascinating history of the search for a "magic bullet" that scientists had searched for for centuries. The discovery of the first sulfa drugs are the focus, beginning in the early 30's in Germany, but all kinds of background information is included, making for a really interesting listen.
On the human side, the story centers on Gerhard Domagk's life, and his quest to find an antibacterial agent that would be able to prevent infections and/or cure infections. He eventually was awarded a Nobel Prize in 1939 for his work in the development of the first sulfa drugs.
Amazing story and terrific audio. Highly recommended!
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