This was one of the most enjoyable audio books I have listened to. The readers were fine, and the content was wonderful. Particularly memorable were the one-two punch of Feynman's letter to his mother describing the first atomic bomb test, followed immediately by a love letter to his wife Arlene, written more than a year after her death. Very moving. Other highlights for me were his advice to people to never stop pursuing the things in life that they are really crazy about. Feynman was a fine example of the great results that can come from doing that. I am a physicist, but the book is highly recommended to anyone who would like to spend some time with a great soul--no knowledge of physics required.
This is a short but enjoyable account of how and why people play music. Centered around the author's quest to learn guitar as an adult, it touches on many aspects of learning and playing music. The author was an excellent reader. A couple of reviews complained that it didn't give them tips on improving their playing; that is no reason for a negative review, as the book doesn't promise that any more than it promises to teach you to ride a bike. I plan to read more books on this interesting topic.
Today I started listening to this again as I was re-organizing my audio library, couldn't shut it off, and was shocked to realize that I didn't review this when I first heard it. About the book: It will horrify a significant portion of the population. It is full of brutality, filth, pedophilia, profanity, etc. If you don't know what you are getting into, beware. At its best, it is brilliant satire. I give the story one star because there is no story, but there is not supposed to be. The book will more many of those readers that it doesn't offend. It contains some tedious repetition, and passages that could probably only be interesting if one is as wasted on drugs as the author was when he wrote it. It also contains many brilliantly inspired passages and images that have endured through the years.
The thing that kept me listening again today is the narration. Every narration is necessarily just one interpretation of a book, and Bramhall puts a unique stamp on this one. His voice is a drawl, I suppose spun off of Burroughs' own, but much more extreme. You might like it or you might not, but I found his style enjoyable when I got used to it. The best part of it is the voices that he gives to the various characters. These interpretations are brilliant and hilarious.
I do most of my reading at bedtime, and was unable to finish reading this book because it gave me nightmares (as it reportedly did to Jack Kerouac when he helped transcribe the original text). The audiobook let me get through it during my commute. It made me forget the work day.
The audiobook is highly recommended to those who understand what they are in for.
This was my first Charles Dickens; I think the review "Dickens in Full Sentimental Mode" captures my reaction well. The characters were brilliantly drawn and vivid. I think it could have been trimmed a bit without being hurt, and a few of the resolutions of story lines and the happy ending did feel a bit contrived, but I loved spending time with these characters. I stand in awe of Simon Vance's narration, and wish I could shake his hand. By chance I listened to the interview with Lemony Snicket that's available (free) on Audible just as I started this novel. Snicket narrated three of his wonderful "Series of Unfortunate Events" novels but, as he describes in the interview, he found it the most grueling experience of his life and had to pass the job over to Tim Curry (too bad, as we loved Snicket's readings). He conveyed how very difficult it is to narrate a book, which made Vance's narration of Copperfield seem all the more awesome. Vance can do voices, and brought them all to wonderful life. All in all, a great listen!
I scanned some reviews here and I see that others have said it more eloquently than I can, but I had to post my five-star review. I just finished this and it was an absolutely stunning book. I wondered ahead of time if such a very short book would tell me anything about this time that I hadn't heard before, but indeed I've never heard anything like this. Short, eloquent, and narrated by a voice that was absolutely perfect, it packed a huge punch, and left me thinking deeply about my love for my family and for others. As the author says, no one who has not experienced something like the camps can imagine it, but the book gave me a hint of the limits of human endurance, and left me thinking about how to better love my fellows in this world. One of the best listens/reads of all time for me.
A delightful listen. Many reviewers here apparently did not know what they were listening to. This is not "On the Road"; this is an early version of that novel, much more stream-of-conscious and meandering, as typed on a single scroll with little sleep and many stimulants. The narrative structure of the originally published version seems a little questionable to me, and this is even more meandering, with interludes and characters that really go nowhere. But if you appreciated the beauty of the original (and as some of the negative reviewers surmised, learning how to have fulfilling, mature relationships is not one of the things you should come here for), hearing this considerably longer version is wonderful. "Artie Bucco"'s reading is a joy--I kept forgetting that I wasn't listening to Kerouac reading it. He really captures the spirit, and was one of the best matches between reader and material that I have heard.
I never read the Odyssey in college or anywhere else, and found that it was becoming impossible to get through life without understanding all the references to it. The first time I started the audiobook (on my commute) I gave up and put it away for a while, due to what seemed a flood of unfamiliar names, son of so-and-so, etc. Recently I tried it again and after the first few minutes got quite pulled in. You have to be in the mood, and able to devote full attention since it is different from modern literature, but it is a stellar experience to finally hear this story, and I thought the narrator was excellent--just right for the material. Beautiful literature, beautifully presented.
After this I wanted to hear him read The Iliad too, but now I gather that The Iliad is a lot harder slog than the Odyssey.
My first impression of this was that it was not as well-written as "Running with Scissors." (I heard that this was written first, even though it comes later chronologically, so "Scissors" may be a more mature work.) I very much warmed up to it, though. There are priceless descriptions of alcoholic craving, of the regrets and failures that feel impossible to face up to, and of the moment when one faces the pain, which is the first step toward recovery. As another reviewer stated, alcoholics/addicts will recognize it all, while others will learn something about the disease. Another reviewer stated that he emphasized his gayness and spent a lot of time talking about his sexual feelings; this was not the case. There were places where the writing didn't grab me, but the treasures scattered throughout make this an easy recommendation.
War is peace! Freedom is Slavery! Ignorance is Strength!
I recently listened to this audiobook, about 30 years after last reading 1984. It was unbelievable how much of this book has come true. The novel provides great insight into modern politics and mass media, particularly under the Bush regime of 2000-2004. (I'm sure George never read it, but the people running things clearly studied it carefully.) Besides being prescient, it is also very well written for the most part. It drags a bit during a couple of long expository passages that provide background, but those minor offenses are easily forgiven. The audio was quite outstanding as well. Perfectly read. (Note to antother reviewer: I believe that the bad singing on the part of the reader was intentional.)
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