The idea that the town's executioner should be more worried about justice than the burghers is a great premise. The story moves along, but the repetition in the prose is off-putting. Character development is slow and that's not always bad - but in this case, some of the major characters are still incomplete at the end of the book. Hints are given, but clarity would be nice. I found it strange that the reformation was totally ignored.
...too light on the cerebral. I liked this book, but Walt needs to be smarter, less "bull in a china shop". It would have been smarter for him to take the old woman to town and let Henry set the trap. The plot being what it is, he still would have had the conflict, but he would have used his head in that Henry was healthier and more likely to be able to stand up to the adversary. This is just the most glaring instance, but there were several others.
Looking forward to the next installment.
... good and bad. Duct tape mummies lashed to hand rails are one person's practical joke and another's nightmare. The feeling that "we're all in this together" that drew people closer than ever before or since, tempered by the organized hazing of "Bluenose" and "Shellback" ceremonies. It is a fairly tame collection of stories. As Del said, the one thing that you didn't want to do was show what got to you. I was glad that I went through it, but I wouldn't want to do it now.
This is not great literature, and I've read sea stories that were better written. Reading the other reviews, I get the impression that the collective response was more about the memories and less about the writing. I'm giving it to several family members that didn't ride the boats to see what their thoughts are.
... the Salem Witch Trials seem even more barbaric. It seems very much like the Taliban version of Sharia Law bought to life in colonial New England.
Kathleen Kent's retelling transports you back and inhabits the harsh realities of life in the late seventeenth and early eighteenth century. The tale reveals a picture of the Carrier family in compelling prose.
Mare Winningham holds true to the writing and time.
This is the best Audiobook I've heard since "Unbroken".
Nothing wrong with the story but it lacked completeness. Too many possibilities exist for expanding or continuing or prefacing. Kind of like going into a store and not being able to make up your mind because there were too many options. It made it feel incomplete - like it was published because it could be, rather than it should be.
Mare Winningham gave her normal very good performance for the material she had.
Both the A&Eseries and the book are good whodunits - complete with modern cowboys and indians, but they are actually different. The people described in the book don't jive with the characters on the screen. I was happy that the only thing that's the same from the A&E series are the names. It gives you a whole other set of plots.
Mr Johnson does a good job of moving the police procedural out of the city. The collaboration of law enforcement with Cheyenne mysticism feeds the imagination and rounds out the story very nicely.
I recommend the book - I look forward to reading the whole series
After wading through "Cell" and "11/26/1963", I started wondering where the Stephen King that I enjoyed was. While not as innovative as "Carrie" or as just plain scary as "'Salem's Lot", "Doctor Sleep” stands alongside its predecessor as a good read that can provide more than just chills. It haunts you all the way through and leaves you fulfilled at the end.
Good Job all the way around.
...but much more endearing. A well rounded memoir played for comic effect. Her asides and disclaimers were hilarious.
Upfront - everyone with a sense of humor should listen to this book. His boyhood friendship with Lew Alcindor (Kareem Abdul Jabbar) and later acqaintances and friendships with Mickey Mantle and Mohammad Ali would make a great book.
There were moments that were awkward and you can tell that were somewhat awkward for him. He didn't seem that he wanted to talk about religion or W, but they were part of his life. And he decided not to hide anything. I give him credit for that.
...but in the end there was a contradiction that was too glaring for it to be satisfactory. Most of the contradictions were because it is written from the perspective of one person and no one person can know everything. I have no problem with that.
I'll leave it at that rather than playing spoiler and in advertantly giving away the ending. Suffice it to say that the error is glaring and disconcerting and could have easily beeen resolved. You wonder whe edited the book.
...because the elapsed time helps you cope with the heinous nature of the events by tempering the horror. It doen't remove the horrific nature of the defining moment of the book. It sneaks up on it with sidelong glances that allow it to be viewed slowly until it comes into view and even then, takes several angles until it is fully focused and brought into sharp relief.
The flashback style makes this different from Ms. Flynn's other books. She, of course, uses flashbacks in "Sharp Objects" and "Gone Girl" to great effect, but they are more incidental and peripheral.
"Dark Places" is another story of broken people that is every bit as dark and foreboding as "Sharp Objects" and "Gone Girl". I recommend it to anyone that likes her other books.
Report Inappropriate Content