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Mark

Sorokahdeen

United States | Member Since 2008

1
HELPFUL VOTES
  • 4 reviews
  • 11 ratings
  • 357 titles in library
  • 40 purchased in 2014
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  • Nine Princes in Amber: The Chronicles of Amber, Book 1

    • UNABRIDGED (5 hrs and 31 mins)
    • By Roger Zelazny
    • Narrated By Alessandro Juliani
    Overall
    (1547)
    Performance
    (1391)
    Story
    (1407)

    Amber is the one real world, of which all others including our own Earth are but Shadows. Amber burns in Corwin's blood. Exiled on Shadow Earth for centuries, the prince is about to return to Amber to make a mad and desperate rush upon the throne.

    Joe says: "Great begining of the series"
    "Needs a Different Reader"
    Overall
    Performance
    Story

    Roger Zelazny's Amber series is one of the best-written and highly imaginative pieces of fantasy fiction ever written: you might not believe that if you only listen to the audiobook.

    Personally speaking, I have nothing against Alessandro Juliani and have no cause to dislike him, but he is not the person to have read this series. This is true for a number of reasons. The first is his vocal timber.

    Nine princes in Amber is a first-person narrative, a tale told by an interesting character, Corwin who is a son of the ruling family in a mediaval culture that contains the one true world of which our world is only one of an infinite number of possible shadows. He is over a thousand years old and has spent at least three- to four- hundred of those years as an immortal amnesiac, most often employed as a mercenary. Mister Juliani reads Corwin's voice as his own voice: his base voice. He makes Corwin sound like an accountant.

    If that is bad, the voices of peripheral characters in his reading are worse with some of the reader's choices defying logic and so crashing the logic of the story as to be painful. In mister Juliani's mouth, highwaymen sound like Lord Fauntleroy, Oxonian officers retired from the British army sound generically British while Benedict, Corwin's brother, who was raised in the same household as he was, sounds like someone who was born in backwater in Louisiana and is trying to hide it with little success.

    I love Zelazny's work, and I think I may well listen to all of the books, and I can say that Mister Juliani reads well and consistently but not convincingly for the material he is reading. It wouldn't be so bad, but every time I listen to a set of passages, I cannot but imagine how things would have been had they been read by someone who could sound more like someone who'd given and taken orders on a battlefield and less like a bearded virgin who was about to ask you about what deductions you wanted to claim.

    0 of 1 people found this review helpful
  • The Price of Inequality: How Today's Divided Society Endangers Our Future

    • UNABRIDGED (13 hrs and 4 mins)
    • By Joseph E. Stiglitz
    • Narrated By Paul Boehmer
    • Whispersync for Voice-ready
    Overall
    (415)
    Performance
    (350)
    Story
    (352)

    The top 1 percent of Americans control 40 percent of the nation's wealth. And, as Joseph E. Stiglitz explains, while those at the top enjoy the best health care, education, and benefits of wealth, they fail to realize that "their fate is bound up with how the other 99 percent live." Stiglitz draws on his deep understanding of economics to show that growing inequality is not inevitable. He examines our current state, then teases out its implications for democracy, for monetary and budgetary policy, and for globalization. He closes with a plan for a more just and prosperous future.

    Grant says: "Dense, but important."
    "This is a book that will genuinely frighten you."
    Overall
    Performance
    Story
    If you could sum up The Price of Inequality in three words, what would they be?

    A frightening book.


    What was the most compelling aspect of this narrative?

    Stiglitz paints a very compelling picture of American economic inequality and its consequences for America and the world. In its descriptions of area after area of the Economy, it functions as both an explanation and a warning that American Capitalism as it is practiced today is incompatible with anyone's model of fairness, reason or simple decency. His description of "rent-seeking" (the process by which companies and individuals seek forms of subsidy to make money faster and with less effort), is clear, compelling and almost painful.

    Stiglitz and Boehmer make you understand this, and once you do, you understand the fundamental problem with American economic policy and why it is that YOU as an American have bailed out the richest slice of American Economic actors (who make money by *breathing*) but not the poor people who were the victims of unscrupulous lending policies made in the name of those at the top and who are even now being evicted from homes.It is a great book that is clear and current and one that will make you angry.


    What does Paul Boehmer bring to the story that you wouldn’t experience if you just read the book?

    Paul Boehmer's vocal timbre and reading clarity make the writings of a world-class economist more easily accessible.


    Any additional comments?

    In most reviews, the usual approach is to say, "blah, this and that were good" or "blah, this and that could have been improved." With Stiglitz and Boehmer, the only thing to say is: "I recommend this and I think you should hear it."If you read it, you will understand and despise, Mitt Romney.

    1 of 7 people found this review helpful
  • Sharpe's Escape: Book X of the Sharpe Series

    • UNABRIDGED (15 hrs)
    • By Bernard Cornwell
    • Narrated By Patrick Tull
    Overall
    (175)
    Performance
    (78)
    Story
    (76)

    It is 1810, and in Napoleon's determination to conquer Portugal, and push the British back to the sea, he sends his largest army yet across the Spanish frontier. But between the Portuguese border and Napoleon's seemingly certain victory are two obstacles; a wasted land, stripped of food by Wellington's orders, and Captain Richard Sharpe.

    Jesse says: "Classic Cornwell, Terrible Tull"
    "At its worst, it is actually painful..."
    Overall
    Performance
    Story

    In Sharpe's Escape, you have an historical fiction written using Bernard Cornwell's fusion of masterful storytelling with British Military history that has allowed cornwall to write thousands of pages of fiction.

    This is a great achievement, but it can be a trap that leaves the writer stuck in the trough of his own ability, writing material for which there is a demand, but which has lost all interest for the person writing it; casting him and his storytelling into a doldrums where what he writes becomes not a matter of inspiration and technique but a matter of technique and nothing else.

    Sharpe's Escape, makes you wonder if Cornwell has reached this point because the liaison between the written word and the performed one never quite seem to gel well enough for you not to notice the holes, coincidences and other contrivances that are an integral part of most adventure fiction but which become painfully glaring in this particular performance and a lot of that can be laid at the narrator's door.

    The previous elements of the Sharpes series as audiobooks are read by Frederick Davidson whose crisp, upper-crust English accent lends credibility to the things he reads. Unfortunately for the reader, Sharpe's escape, is read by Patrick Tull, who has an accent similar to mister Davidson's but whose reading lacks Davidson's range of the regional accents that differentiate characters.

    Worse still, mister Tull seems to be more actor than reader: He doesn't seem to 'get' what Cornwell's prose is doing so that he constantly employs an annoyingly upbeat, rising emphasis on Cornwell's sedate transitions between scenes and paragraphs, which, when thrown together with the rest of his gravelly-voiced, asthmatic, swallowing-punctuated reading, makes for an experience that is distinctly rocky at times, if not at times, actually painful.

    For most things, Tull is a perfectly adequate reader, but his making you miss Davidson is nothing to recommend his reading.

    0 of 0 people found this review helpful
  • The Colour of Magic: Discworld #1

    • UNABRIDGED (7 hrs)
    • By Terry Pratchett
    • Narrated By Nigel Planer
    Overall
    (2589)
    Performance
    (1050)
    Story
    (1058)

    The Colour of Magic, the first novel in Terry Pratchett's wildly imaginative Discworld series, takes the listener on a remarkable journey. The magical planet of Discworld is supported by four massive elephants who stand on the back of the Great A'Tuin, a giant turtle swimming slowly through the mysterious interstellar gulf. An eccentric expedition sets out to explore the planet, encountering dragons who only exist if you believe in them, and of course "The Edge" of the planet.

    Joel says: "Start in any of seven Disworld books"
    "A Good Rendition but not a Great One"
    Overall
    Performance
    Story

    Nigel Planer's rendition of the Colour of Magic is good, but not great. His command of accents and ability to play parts is certainly there. He certainly has a repertoire, but some of his peripheral characters seem lackluster, but more important than that in his reading is his emphasis on the dramatic over the literary especially at the end.

    Terry Pratchett's use of English is beautiful and effective--making him one of the few writers of genre-fiction whom one can read aloud for the charm not only of what he says but how he says it and at times, Planar's reading seems to simply fail to notice it, transitioning directly from voice-acting to bland recitation when reading passages that *should* be entrancing.

    Planar's reading is certainly adequate to the task--it is hard to actually *harm* writing as solid as Pratchett's--but listening to the book to the end gives one the smallest impression of flatness as if everyone involved had been constantly aware that they had some other, better thing to do.

    0 of 0 people found this review helpful

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