College Station, TX United States | Member Since 2007
After listening to this and the preceding Wolf Hall, I despair of ever having so much satisfaction on an audiobook and its performance. Mantel's writing is exquisite. Each sentence is carefully crafted, balanced, purposeful. The story is amusing, engrossing, horrifying, comforting, and always compelling. If feels like history but somehow one is transported into Cromwell's head and behind his eyes.
And Vance must feel the same way I do. His reading...his performance....is absolutely spot on.
I will NOT enjoy any other book, or pair of books, as much. It's all downhill from here.
I just wish we would get another volume...perhaps it will yet come. The last words in the book state that the end is the beginning.
I feel like I have had a course in Tudor history, but with a lot more of the important social and economic detail than you would ever get in a classroom.
Pure magic. Seriously, there must be a lot of scholarship....the details are so dense and believable. But the primary thing is the lyrical writing.
It was too short.
Regret that I am done with it. Play it again, Sam.
This would be great as a class project on how to write a bad novel. I cannot find the right words beyond trite, predictable (in the worst way)., boring in the extreme. I resolved to continue listening about half way just to recalibrate my standards. But it was tough. I have never been so glad to finish anything.
I like doomsday books, but mostly I read fiction that deals with real history.
His reading was OK. It must have been hard to keep coming up with the emotive cues when a book is as bad as this one is.
All of them. Not a single character was believable. The Josh character is a horrible racist joke. The Swan character might be the worst fiction creation I have ever experienced. I was rooting for the devil character by half way through the book.
It is just possible that the author wrote this as a gag, putting in every cliche he could think of. It is a gag, one way or the other.
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