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Sharon

ratings
32
REVIEWS
32
FOLLOWING
2
FOLLOWERS
2
HELPFUL VOTES
125

  • Mourn Not Your Dead

    • UNABRIDGED (9 hrs and 3 mins)
    • By Deborah Crombie
    • Narrated By Michael Deehy
    • Whispersync for Voice-ready
    Overall
    (191)
    Performance
    (143)
    Story
    (146)

    Scotland Yard Superintendent Duncan Kincaid and Sergeant Gemma James are sent to suburban Surrey to investigate the murder of a high-ranking police officer. Alastair Gilbert was bludgeoned to death in his kitchen, and the list of potential suspects is long--the man's arrogance earned him widespread enmity both in the village where he lived, and in police circles. But Duncan and Gemma must put aside their personal feelings--for the victim, as well as for each other--to solve the most troubling case either has faced.

    Sharon says: "Great listen!"
    "Great listen!"
    Overall
    Performance
    Story

    Good story and good narration. Well worth a credit. One of those books you can read again next year and enjoy the second time around.

    2 of 2 people found this review helpful
  • Smokescreen

    • UNABRIDGED (8 hrs and 34 mins)
    • By Betty Rowlands
    • Narrated By Julia Barrie
    Overall
    (5)
    Performance
    (5)
    Story
    (5)

    A wealthy, bestselling author, owner of a country estate a few miles outside Bristol, is drowned in her bath just days after being threatened by a seriously disturbed fan who has subsequently disappeared. The missing woman is the obvious suspect, and DC Sukey Reynolds and her friend and colleague DC Vicky Armstrong are given the task of finding her. But although the suspect is found this turns out to be just the start of the investigation.

    Sharon says: "Three murders, and yet....dull."
    "Three murders, and yet....dull."
    Overall
    Performance
    Story

    We are introduced to a cast of characters here, but it's like reading a roster. We don't ever get more than mildly acquainted with any of them. This book illustrates the importance of fleshing out the characters enough to arouse the reader's interest in their actions. No one in Smokescreen evokes even tepid curiosity, so at the denouement the reader shrugs "Huh.", immediately - and completely - forgetting it. How I know that is I chanced across this book in my library a couple days ago, where it showed as downloaded in April 2012. Not remembering it at all, I decided to read it again. I finished it this evening, and the memory is already fading fast. Again.
    Nothing particularly bad, just...dull.

    0 of 0 people found this review helpful
  • A Cure for All Diseases

    • UNABRIDGED (15 hrs and 49 mins)
    • By Reginald Hill
    • Narrated By Jonathan Keeble
    Overall
    (167)
    Performance
    (68)
    Story
    (69)

    Convalescing in Sandytown, Dalziel befriends Charlotte Heywood who is researching the benefits of alternative therapy. With much in common, the two soon find themselves in league when trouble comes to town. Sandytown's principal landowners have grandiose plans for the resort -- none of which they can agree on. One of them has to go, and when one of them does, in spectacularly gruesome fashion, DCI Peter Pascoe is called in to investigate -- with Dalziel and Charlotte providing unwelcome support.

    Ellen says: "Excellent!"
    "Kept me listening throughout!"
    Overall
    Performance
    Story

    Reginald Hill is one of the best, and this is one of his best. Engrossing storyline and outstanding narration (by another one of the best) means you don't ever drift off, having to rewind to catch up. As always, the humor contained in the writing had me laughing out loud more than once, but it's never contrived or slapstick. Reading a book like this one is like eating a wonderful meal when you're really, really hungry, and I couldn't recommend it more highly.

    1 of 1 people found this review helpful
  • Why Shoot a Butler?

    • UNABRIDGED (10 hrs and 43 mins)
    • By Georgette Heyer
    • Narrated By Ulli Birvé
    • Whispersync for Voice-ready
    Overall
    (62)
    Performance
    (58)
    Story
    (58)

    On a dark night, along a lonely country road, barrister Frank Amberley stops to help a young lady in distress and discovers a sports car with a corpse behind the wheel. The girl protests her innocence, and Amberley believes her – at least until he gets drawn into the mystery and the clues incriminating Shirley Brown begin to add up. In an English country-house murder mystery with a twist, it's the butler who's the victim, every clue complicates the puzzle, and the bumbling police are well-meaning but completely baffled.

    Sharon says: "Baaaaad narration is ruining this book!"
    "Baaaaad narration is ruining this book!"
    Overall
    Performance
    Story

    If you are a Georgette Heyer fan, skip these new ones until they are released with a different narrator. Ulli Birve is sleepwalking her way through - I am one hour in, and unless the plot can overcome her narration in the next hour, this one is going back.
    What is going on? Doesn't anybody at Audible listen to these productions before they are released? Not only is her voice a deadpan monotone, context and punctuation are blithely ignored as she stutters her way through the sentences. Example: "Fountain looked annoyed, and shook his head." The narration: "Fountain. Looked Annoyed. And shook his head."
    It's extremely distracting, and definitely not what Georgette Heyer's books deserve!

    10 of 11 people found this review helpful
  • The Long Way Home: Chief Inspector Gamache, Book 10

    • UNABRIDGED (12 hrs and 8 mins)
    • By Louise Penny
    • Narrated By Ralph Cosham
    • Whispersync for Voice-ready
    Overall
    (865)
    Performance
    (785)
    Story
    (780)

    Happily retired in the village of Three Pines, Armand Gamache, former Chief Inspector of Homicide with the Sûreté du Québec, has found a peace he'd only imagined possible. On warm summer mornings he sits on a bench holding a small book, The Balm in Gilead, in his large hands. "There is a balm in Gilead," his neighbor Clara Morrow reads from the dust jacket, "to make the wounded whole." While Gamache doesn't talk about his wounds and his balm, Clara tells him about hers. Peter, her artist husband, has failed to come home. Failed to show up as promised on the first anniversary of their separation. She wants Gamache's help to find him. Having finally found sanctuary, Gamache feels a near revulsion at the thought of leaving Three Pines. "There’s power enough in Heaven," he finishes the quote as he contemplates the quiet village, "to cure a sin-sick soul." And then he gets up. And joins her.

    David Walker says: "Back in 3 Pines"
    "Louise, what were you thinking?"
    Overall
    Performance
    Story

    I have long been a Louise Penny fan, although Ralph Cosham's superb narration has as much to do with that as the writing, perhaps even more. I admit to a growing weariness of the continued plot-line of "Conspiracies and Plots Against Gamache and Beyond", and was delighted when the resolution of that particular thread was resolved. It seemed that at long last we could get back to Three Pines and the gang, with a tantalizing mystery attached to a solid resolution as in Still Life and The Cruelest Month. Alas, it was not to be. An unbelievably far-fetched (farcical?) murder method, gratuitous violence which infuriated me, and an ending that had me feeling like I was watching a shell game (This! No, that! No, the other!) left an overall - and deep - disappointment. Guess I'll just have to go back and read the first few - excellent - books. Bummer!

    6 of 6 people found this review helpful
  • Big Little Lies

    • UNABRIDGED (16 hrs)
    • By Liane Moriarty
    • Narrated By Caroline Lee
    • Whispersync for Voice-ready
    Overall
    (3151)
    Performance
    (2886)
    Story
    (2882)

    Pirriwee Public's annual school Trivia Night has ended in a shocking riot. One parent is dead. The school principal is horrified. As police investigate what appears to have been a tragic accident, signs begin to indicate that this devastating death might have been cold-blooded murder. In this thought-provoking novel, number-one New York Times best-selling author Liane Moriarty deftly explores the reality of parenting and playground politics, ex-husbands and ex-wives, and fractured families.

    Joanne M. McGowan says: "I didn't want to press the stop button!"
    "New Liane Moriarty fans!"
    Overall
    Performance
    Story

    My husband and I listened to this book while driving to (and from) a vacation destination, and were thoroughly engrossed throughout. A very interesting presentation of events, EXCELLENT narration, and a satisfying ending all worked to make this a 5 star book.

    8 of 8 people found this review helpful
  • The Corpse with the Silver Tongue: A Cait Morgan Mystery, Book 1

    • UNABRIDGED (9 hrs and 1 min)
    • By Cathy Ace
    • Narrated By Cathy Ace
    • Whispersync for Voice-ready
    Overall
    (8)
    Performance
    (7)
    Story
    (6)

    In the south of France, where hatred simmers in the heat, a man seemingly admired, and certainly feared, drops dead at a dinner party. All of the guests fall under suspicion, including Welsh-Canadian professor Cait Morgan. A criminologist who specializes in profiling victims, Cait sets out to solve the murder - and clear her name. Add to this the disappearance of an ancient Celtic gold collar said to be cursed and there you have the ingredients for a Nicoise salad of death, secrets, and lies.

    Sara says: "First Book in a New Mystery Series"
    "Why?"
    Overall
    Performance
    Story

    The Mensa-Member-Genius heroine is in a delightful country for a handful of days & accepts a dinner invitation from a man she hasn't seen for years and completely despises. (Why?) At dinner with her host and several other guests she has never seen before, the host drops dead into his bowl of escargot, and she is immediately Chief Suspect. (Why?) Later, surrounded by the other suspects, a glass of beer appears out of nowhere when she is alone, so our Genius gulps it down. (Why?) When she subsequently wakes up in a pitch-black tunnel with a bad headache, she is groping her way out when she pauses briefly for a "Wakeful Dream" and presto! realizes the identity of the murderer, and also (gasp) that she herself is In Danger! (What?) While all of this goes on, she mutters (un)witty little asides to herself mentally. A thoroughly annoying heroine, equally unlikeable cast of characters, farcical plot. The synopsis was the only good thing about this book. Why, oh why, did I select it?

    1 of 2 people found this review helpful
  • Tell Me You're Sorry

    • UNABRIDGED (13 hrs and 48 mins)
    • By Kevin O'Brien
    • Narrated By Michael Kramer
    • Whispersync for Voice-ready
    Overall
    (34)
    Performance
    (30)
    Story
    (28)

    Separate incidents with two common threads - a first wife who took her own life, and a secret the victims took to their graves. Stephanie Coburn has barely recovered from her sister's mysterious suicide before her brother-in-law and his new wife are murdered, her face disfigured beyond recognition. Stephanie never met the bride, has never even seen a clear photograph. But she knew her sister, and she knows something is desperately wrong.

    Sharon says: "I am really, really sorry."
    "I am really, really sorry."
    Overall
    Performance
    Story

    The reviews of "Awesome", and "You won't be sorry", led me to purchase this book expecting a really interesting ride. I just fast-forwarded to the end (at about the two thirds mark) because I could not stand any more of the following: ridiculous choices made by some of the characters (supposedly in mortal fear for themselves and their families), such as inviting a complete stranger you met on the street into your home to babysit your children; involving a potential suspect's father in your top secret investigation; not involving the police because the crimes had all taken place in different jurisdictions; tortuously detailed paragraphs along the lines of, "She stepped on the brake pedal until the car slowed to a crawl. With her hands at two and ten o'clock, she swung the steering wheel to the left to pull into the driveway. She brought the car to a halt in front of the garage doors. Reaching into a zippered pouch on the side of her purse, she pulled out the remote garage door opener. Pointing it at the garage doors, she pressed OPEN". And all of this contrived tedium was narrated in a snore-inducing drone. Definitely sorry for the wasted credit.

    2 of 3 people found this review helpful
  • Waiting for Wednesday: A Frieda Klein Mystery

    • UNABRIDGED (14 hrs and 10 mins)
    • By Nicci French
    • Narrated By Beth Chalmers
    Overall
    (192)
    Performance
    (168)
    Story
    (167)

    Ruth Lennox, housewife and mother of three, is found dead in a pool of her own blood. Detective Chief Inspector Karlsson can’t piece together a motive and calls in Frieda, hoping her talents will offer a new angle on the case. When it emerges that the mother was hiding a scandalous secret, her family closes ranks. Frieda herself is distracted, still reeling from an attempt on her life, and struggling with her own rare feelings of vulnerability. Then a patient’s chance remark sends Frieda down a dangerous path that seems to lead to a serial killer who’s long escaped detection.

    RAMON says: "A well written , well performed name mystery."
    "Thank God it's over!"
    Overall
    Performance
    Story

    Yet another in a long, dreary line of tales about a fiercely independent career woman who treats everyone who cares about her like absolute crap, never answering her phone calls or messages, etc. etc., ad nauseam. All this while being completely consumed with guilt about:
    The murders of girls she never met and didn't save because she hadn't had any reason to suspect the existence of the murderer who did them in;
    The torching of her despised arch-enemy's home by her strangely benevolent stalker;
    The fall-out suffered by the friends/family of the murderers she does identify and bring to justice.
    Sleeplessly she grapples with her overwhelming sense of responsibility towards all people known and unknown, EXCEPT of course, for the ones who care and worry and attempt to reach out to her. (Insert retching noise)
    I have read a previous Nicci French and found it enjoyable, so I won't give up on her. But this is the last time Frieda and I will ever encounter each other.

    2 of 3 people found this review helpful
  • Overture to Death

    • UNABRIDGED (10 hrs and 13 mins)
    • By Ngaio Marsh
    • Narrated By Ric Jerrom
    Overall
    (53)
    Performance
    (24)
    Story
    (26)

    It was planned as an act of charity: getting up an amusing play to finance a new piano for the parish hall. The question now under bitter discussion is, who shall play the overture? Though Eleanor Prentice wins, on the night of the performance she cannot play. Miss Campanula steps triumphantly into the breach. A chord is struck, a shot rings out, and Miss Campanula is dead, shot between the eyes.

    Kimberly says: "Not bad"
    "My favorite Ngaio Marsh"
    Overall
    Performance
    Story

    The story is good old-fashioned cozy, and Ric Jerrom narrates it perfectly. Thoroughly enjoyable!

    2 of 2 people found this review helpful
  • Murder in Thrall

    • UNABRIDGED (9 hrs and 18 mins)
    • By Anne Cleeland
    • Narrated By Marcella Riordan
    • Whispersync for Voice-ready
    Overall
    (82)
    Performance
    (77)
    Story
    (76)

    First-year detective Kathleen Doyle is a plucky Irish redhead of humble origins and modest means. Chief Inspector Michael Acton is her antithesis: a British lord turned cop. He's tall, handsome, and enigmatic - to a fault. He also has a knack for solving London's most high-profile crimes. Acton selects Doyle out of the newbie squad to partner with him on a series of investigations because she always knows when someone is lying - a trait that comes in handy when interviewing suspects and witnesses.

    Tracey says: "Great new entry into British mysteries"
    "I'm returning it."
    Overall
    Performance
    Story

    I'm taking down the Christmas decorations, not exactly a distracting process. But after less than 3 hours in, I have had to rewind a dozen times. Ms Riordan has a very pleasant voice, but her characterizations are lousy (the men often sound more like women than the women do) and inconsistent; I keep losing track of who is speaking. Her narration is also rather lifeless, which made it hard to determine if the story is any good. It certainly did not hold my attention. Going to have to exchange this one, because finishing it is out of the question.

    4 of 6 people found this review helpful

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