Too much religion, not enough story. So-so narration. I don't have the patience to get thru the hallelujas and praise be's. Sending this one back.
I've been a fan of Zombie Lit forever, and this ranks right up with the best. No new angles really; the usual order of walking dead and survival, but it's very well written. Fast paced and believable, and Jay Snyder is pitch-perfect. Looking forward to the sequels.
Story is simple and straightforward; a nice glimpse into early 1900's New York, especially for newly arrived immigrants. Nicola Barber is good as the main character, Molly, and various children's voices. Her way of reading male character's voices, especially American accents, and certain older women, borders on cringe-worthy. Still, I like the story and care about the characters well enough to stick with it.
Moving account of a family's tragic loss of a beloved daughter. Mr. Rosenblatt's calm, even narration of what had to have been an incredibly painful experience was remarkable. His writing style is both simple and gracious. He chronicles events after his daughter's sudden death: how he and his wife stepped right in and smoothly as they could helped their grief-stricken son-in-law cope with life and their 3 small children. He speaks freely of his and his family's pain, help from wonderful people in their lives, and also stories and events from his children's early lives.
Wasn't sure I'd like this one as it doesn't feature Erlendur, one of my favorite literary characters, but was pleasantly surprised. Sigurdur Oli turns out to have a lot more depth than previously portrayed. I like his no-nonsense, straightforward style, with a streak of compassion where it counts. As usual, lots of interesting, sometimes desperate characters, a plot that methodically moves along, with some unexpected turns. Great narration by George Guidall.
Well written story of a disfunctional family, told from two completely different perspectives. This tale brought out deep feelings for all the characters, from sympathy and empathy, to loathing and incredulty. Great narration from Rebecca Lowman. If you like Gillian Flynn's work, this is a book for you.
Good story, tho after the initial action, it slows down for too long. Could have done with fewer dog-bonding scenes - we get it already - and more action. Ending was great, tho seemed tacked on and not long enough. Compared to the Pike/Cole books, this wasn't as good, but maybe we'll see more of Scott and Maggie and have a chance to get to know them better. I'd definately listen to more. Narrator was pretty good; I'll look for other reads by him.
Truthfully, I'm not sure if this is a good story or not - given how popular this series is, it's probably not bad, but I couldn't get very far with this narrator. If all he had to do was read text, no dialogue, then it maybe could pass as moderately ok. When the dialogue kicks in, I almost cringe at his interpretation of the characters' voices (oddly, Jack Reacher's isn't terrible). Bad, bad, bad! Jonathan McClain goes on my "automatic pass on this book" list.
I tried, really I did. This "story" is all over the place. Even my favorite narrator, George Guidall, couldn't make this work for me. I hope Audible will take it back.....
Well-paced, understandable (if you read/listen to spy novels, you'll know they can easily become convoluted) plot, and believable characters. Allon was his intense but in-control self, Chiara a bit more involved in this one. A few new characters were introduced, and I hope to see them again in future books. Interesting and for the most part, unpredictable. As usual, George Guidall's narration was perfect. He can read his grocery list to me and I'd probably be riveted.
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