Written over the course of several months in 2005 as Murakami prepared for the New York City Marathon, this memoir is about more than just running—though it is most certainly about the mindset of a long-distance runner and the type of commitment and life a dedicated runner leads. The book is just as much about aging, being a novelist and Murakami himself. Providing an insight into the kind of person Murakami is while also sharing his particular worldview, this memoir is a must-read for his fans and runners alike.
After being unjustly accused of stealing this book from my brother, I downloaded the audio version from Audible, and I’m actually glad I did. I listened to it while walking my dog, and it was a perfect fit. The memoir unfolds in a meandering, stream of consciousness way that was fulfilling and gave me much food for thought as I walked. Listening to it while outside and active seemed like the ideal way to fully appreciate the book—giving me a view into the experience of running as I simulated it on a much slower and less punishing level.
I liked that the book wasn’t just focused on running. Many times, Murakami asserts that running and being a novelist are two similar activities. In fact, he began long-distance running when he decided to become a novelist, and the two have gone hand-in-hand ever since. As Murakami says, you have to be a certain type of person to be a novelist and a long-distance runner—one who has the stamina and endurance to go the distance, whether in a marathon or in a long-form novel. The process for both is often punishing and requires significant training and preparation. Both require a significant amount of pain.
In addition, since Murakami wrote the book later in life, it often muses on the process of aging—when you realize that no matter what you do, your body is just not going to respond as well as it once did. Coming to terms with this is one of the main themes of the book, and I think Murakami’s attitude of acceptance but unwillingness to stop pushing himself is one that we should all consider.
For people searching for a narrative about running, the memoir also provides detailed information about Murakami’s extensive running experiences—from his participation in an ultramarathon (which ended up becoming an almost out-of-body experience) to his recent decision to do triathalons. He also discusses the rhythms, pleasures, pain, and solitary nature of long-distance running.
ABOUT THE NARRATION
Ray Porter was an excellent narrator. He read with a commitment that made it seem as if he had written these words himself. In fact, it felt like someone talking to you rather than someone reading another person’s book. The translation from Japanese must have been top-notch too as I found the language to be wonderfully lucid and flowing. After hearing so much about the strangeness and weirdness of Murakami’s fiction, I feel relieved that he was so accessible in this book. Hopefully this is the start of a beautiful relationship between the two of us.
Recommended for: Murakami fans, runners and those who appreciate well-written memoirs.
Warning: This book will have you diagnosing your friends, family and acquaintances as psychopaths. Proceed with caution!
This is my second Jon Ronson book, and it was a kick to visit with him again. This time out, he explores the madness industry, which seems a perfect fit as he is drawn to the bizarre and odd. Exploring topics such as the development and influence of the DSM (Diagnostic and Statistical Manual of Mental Disorders) and psychopathy in the corporate world, Ronson makes a case that we are all a little bit mad … but some of us are the “right kind of mad,” others are insane (but harmless) and there are those who are almost another species altogether (the psychopath). Fascinating, rambling, informative and often very funny, The Psychopath Test is both entertaining and educational. The audiobook is narrated by Ronson himself, and his voice is a perfect fit for a book written in the first-person.
Although only my second Kate Morton book, it is obvious she has a formula … but what a wonderful, involving formula it is!!
I enjoyed The Secret Keeper even better than The Forgotten Garden, though the intergenerational mystery and the going back and forth in time felt familiar. This story focuses on the secrets kept by a mother and one of her daughter’s attempts to unravel these secrets. What kind of person was her mother when she was young? Why did she react the way she did when a mysterious stranger visited the family home one day in the 1960s? The answers to these questions are quite interesting, and Morton keeps a few surprises tucked up her sleeve to reveal at the end—surprises that I found very gratifying and realized I had unconsciously hoped for. If you’re looking for an engrossing, sprawling big fat novel, you’d can’t go wrong with this one. I listened to it on audio, and the narrator (Caroline Lee) was superb. I’ve heard she narrates all of Morton’s books so I’ll be sticking to audio for all my future Morton books.
I would not have thought that there was such a thing as a literary dystopia, but Peter Heller has managed to write one. At times lovely and poetic, at other times crude and violent, The Dog Stars is one of the most realistic and lovely postapocalyptic tales I've read. (It reminded me a bit of Laura Kasischke's In A Perfect World and, as Ti and Alyce both said, a lighter and gentler version of Cormac McCarthy's The Road.) The writing is often lyrical and gorgeous. The passages on grief and loss were some of the best I've ever read. In addition, the descriptions of outdoor pursuits like fishing and hunting made me think of Norman McLean's writing in A River Runs Through It. Yet for all the lovely parts, there are equal measures of stream-of-consciousness fragments that take some getting used to. There are also moments of brute violence that contrast sharply with the more lyrical parts. It is an interesting book, and I enjoyed it once I got used to its odd rhythms and pace.
As in many dystopias, The Dog Stars takes place in a world where almost the entire human (and animal) population has been wiped out by a virulent flu. Our narrator, Hig (an outdoorsman, pilot and poet), is eking out a living at a small airfield in Colorado with only his dog Jasper for company. His closest neighbor and ally is Bangley, a taciturn weapons expert who lets his guns do the talking for him. Together, Hig and Bangley have carved out a life and routine for themselves. Hig patrols their "territory" from the air in his 1950s Cessna, while Bangley provides firepower and tactics for dealing with the less than friendly strangers who sometimes visit their lonely outpost. This is a world where you shoot first and ask questions later--an approach that doesn't naturally fit Hig and his lack of commitment to Bangley's methods often get him into trouble. With Bangley being such a closed down person, Hig's best friend and constant companion is Jasper, with whom Hig talks to as if he was a person. After life-changing events shake up Hig's world, he decides to leave the relative safety of the airfield and go past his "point of no return" to chase after a long-ago radio transmission he heard years earlier.
The things I liked most about this book was how grounded and realistic it felt. Heller really seems to have considered what might work and not work given the situation he created for his characters (how long gas would last, what kind of food would be available). It felt like Hig and Bangley were the type of people who could survive in such a world. In addition, I liked how Hig and Bangley form a kind of symbiotic relationship that becomes richer and deeper over the course of the book. But what makes the book work most of all is Hig's voice--his confusion, ambivalence, practicality, optimism and poeticism made him a deeply likable character. You want things to turn out for him. Although it takes awhile to get into his head and the rhythms of his thoughts, you'll like what you find there. If you're looking for a dystopia written for grown-ups, this would be an excellent choice.
About the Narration: Narrator Mark Deakins had quite a challenge as sentences were often choppy and fragmented. There were also times when I was a bit confused about whether something was a conversation or just Hig thinking. But Deakins did an excellent job and created a voice for Hig that felt authentic. His voices for the other characters (particularly Bangley and Pops) were terrific, and it was easy to tell when they were talking. Although this might be a book where reading it in print might be easier than listening on audio, it was a worthy listen.
This is a book about the ins and outs of the 2008 campaign (you know … the one where a young upstart named Barack Obama beat out Hilary Clinton for the Democratic nomination and went on to defeat John McCain and his running mate Sarah Palin). I’m not into politics AT ALL but I found this book utterly fascinating (which makes me wonder if I’m more interested in politics than I think or if it was just such an interesting campaign). I mistakenly thought it dealt more with Sarah Palin than it does (her part is only the last third of the book), but it didn’t matter—the battle between Obama and Clinton provided more than enough drama and intrigue. (And the whole John Edwards disaster was like watching a car accident in slow motion.) However, I did get the payoff I was looking for as the book provides a rather damning look into the selection of Palin and the realities of her candidacy. (If you didn’t guess by that last sentence, I’m not a big Palin fan.) Trust me … you don’t need to be a political junkie to enjoy this book. It was gripping from the start and, even though I knew how things turned out in the end, I was still on the edge of my seat as all the various aspects of the race unfolded. I listened to this book on audio, and Dennis Boutsikaris was the perfect choice of narrator. I’m hoping that the authors chronicled the 2012 campaign as I’d LOVE to read about it and find out the details and behind-the-scenes stuff that we don’t really get in regular news coverage. This will definitely be on my “best of the year” lists.
This is an immigrant coming of age story about a young girl named Kimberly Chang who emigrates to America from Hong Kong with her mother and lives a dual life of brilliant student and exploited factory girl living in horrible conditions in Brooklyn. I’m not completely sure why I didn’t bond with this book, but I suspect it has something to do with the fact that many of the problems in Kimberly’s life could have been avoided had she just talked to someone! This drives me nuts in characters, and it annoyed me to no end in this book. However, if you enjoy immigrant stories, this might right up your alley. I read that the author immigrated to America as a young girl so I suspect much of book is based on her own experiences.
You’ve probably heard of Dr. Oliver Sacks—the neurologist whose collections of patient case studies have been the subject of various books and movies (including Awakenings). I’d been familiar with Oliver Sacks for years (my dad had many of his books) but never actually read any of his books. Despite the fascinating case studies described in the book (idiot savants, Left Neglect, memory loss), I found the writing off-putting and never really engaged with the book. I think it was a combination of Sack’s writing style (which might be too clinical despite being accessible) and my need for more personal details and depth than Sacks was able to offer.
\Arthur Opp is a morbidly obese ex-professor who hasn’t left his Brooklyn brownstone for years. Kel Keller is a 17-year-old baseball prodigy whose education at a posh private school is at odds with his poverty-stricken home life. The connection between these two strangers becomes clear during the course of the book,with the narration alternating between Arthur and Kel. (I listened to this on audiobook, and, in a stroke of genius, they had two separate narrators for Arthur and Kel.) The book tiptoes up to the point where our two protagonists are on the cusp of a new relationship and then quietly shuts the door. This is a quiet book about loneliness, taking chances on other people, and moving out of your comfort zone. It is definitely worth checking out.
Larson found two fascinating but disparate stories that happened concurrently (the creation of the 1893 World’s Fair in Chicago and a serial killer who was murdering women just blocks from the fair site) and wove them together without letting one overshadow the other. This is how I like my history (weird, accessible, contextual), and I see why everyone raved about this book. Scott Brick was a brilliant narrator, but since I listened on audio, I had to Google photos of the fair and the killer to get the visuals that Larson so eloquently described. You know when the building of a fair and the building of a killing room are equally riveting that you’re in the hands of a good writer.
First things first, this is not a book for the faint-hearted or the easily offended. I listened to it on audio when I was walking my dogs and there were times when I felt myself blushing from what I was listening to … ON MY HEADPHONES! I kept thinking “If people only knew what I was listening to now, they’d be shocked.” This is some hard-core, graphic writing … and hearing it read out loud makes it seem even more so. (By the way, Michael Kramer has the perfect voice for the material … with a kind of WTF/seen it all, done it all attitude.) The basic story deals with a love triangle between two pot dealers and their girl and what happens when they run awry of a Mexican drug cartel and the girl gets kidnapped. The writing—despite its bluntness and graphic descriptions—was good and often very funny. But this is by no means a “feel good” book. And if people in SoCal are really like the characters in this book, then I’m staying the hell away.
Bel Canto was my first Ann Patchett book, and I loved it. I then read a few more and didn’t love them. I’d written her off as “not for me” when everyone started raving about this book. Being easily influenced and because Hope Davis was the narrator, I gave it a listen. The book has an almost dream-like quality, and I found it quite involving. The basic plot it this: Researcher Dr. Marina Singh ventures deep into the Amazon to find her former mentor Dr. Annick Swenson—who has been isolated in the Amazon researching a potentially lucrative new drug for their mutual employer—to get some answers about the fate of Marina’s office mate, who preceded her into the Amazon but never returned. Patchett manages to spin a fantastical tale that also feels grounded in reality. Part of me could imagine such a world existing, and I fell under the same enchantment as Marina. The characters were always surprising me (particularly Dr. Swenson), and I’m glad I took the chance on Ann Patchett again.
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