I've read quite a lot of OSC and I have to disagree with a lot of the reviewers. I found this one really dragged for me. The characters were interesting, as was the story, but there were endless conversations about the intricacies of time travel with the same concepts repeated over and over. I would have found the book moved much more quickly without that. If you read time travel books, you know there are paradoxes and you simply suspend those in your head and keep reading. I felt like he was trying to justify the physics of time travel with these repeated conversations and it just got in the way for me.
In addition (like many have mentioned), the narration was a mess. No individual narrator was bad, but there was no flow from character to character. It was like whoever happened to be in the studio that day did the narration. Very disjointed.
I'm not moving on to the next in this series.
Unlike others, I didn't have a problem with the narration. Sometimes the publishers request the distinct voices and I thought the narrator did a decent job maintaining it.
I thought the book was fine, but not great. Mostly I was disappointed in the end, which felt like a big southern cliche to me, which I find particularly tedious from non-southern writers. The characters were fairly interesting, but after listening through the whole thing I was left feeling a little let down. I'm always looking for more thriller writers, but I may continue my search elsewhere.
It's really hard not to like Karin Slaughter, although I'll admit I haven't tried that hard. Her books are just so tight and easy to listen to and Cop Town didn't disappoint.
As an Atlanta resident, it's so interesting to hear the clearly well researched history of the city. The Atlanta I moved back to 8 years ago bears little resemblance to the 1974 Atlanta of this book, but it's a good reminder that a mere 40 years can change so many things. It helps us all remember that fighting the good fight of racism, sexism and homophobia can yield results not in some distant future, but in our own lifetimes.
Like the early story of Amanda Wagner, this book follows the path of a young APD officer as she navigates 1974 Atlanta and the cataclysmic changes that were happening in the city at that time - changes that paved the way for the city I now live in.
If you've never read Karin Slaughter before, this book will send you back to her archive to listen to more. If you've heard all the rest, then you won't be disappointed.
One note on the narrator: While she's perfectly good with characterization albeit a little weak on southern (which I've simply come to expect in media), I'm really surprised that no one has ever bothered to correct her pronunciation of a few of the street names in Atlanta. I've noticed it in every book she's narrated for this author and it always takes me out of the book for a moment. Ponce de Leon has a correct pronunciation (the Spanish way), but only about 10 people out of Atlanta's 6 million use it (and they're either newbies or solely Spanish speakers). In Atlanta, the street is pronounced Ponce (one syllable) de Leon (like the man's name). And Cheshire Bridge Rd. is pronounced Che - sher with no long "i."
This is my second James Rollins novel and I chose it based on my algorithm recommendations at Goodreads (largely because I love the Pendergast books by Child/Preston). Despite that, it didn't completely suit me. The story is quite good with an intriguing plot, but there's so much fighting and running and hiding that it kind of got lost in the shuffle for me. I'm not totally opposed to those kinds of books as I love the Gray Man series, but I need to spend more time in the heads of the characters.
I think in the end the Sigma books are geared toward the physical more than the mental (similar books to the Pendergast series, but totally opposite emphasis) and I just got bored by the end.
I just went back and listened to the entire series again (something I almost never do) after the Riyria Chronicles came out. I'm so glad I did! I had forgotten what a treat these characters were. I had also forgotten how sorry I was after it was over. You know something is good when you mourn the loss of the characters in your daily life.
Enough people have given a synopsis of the books, so I'll skip that part. I'll just say if you're on the fence about whether or not to buy these books, don't be. You'll drive further or sit longer at your desk (I listen to books while editing photos) because these stories are like visiting with wonderful old friends. You never want them to go home.
If you've had a bad experience with fantasy, don't worry, you'll be fine with these books. The story and the characters will carry you straight through any willing suspension of disbelief you need during the process. And Tim Gerard Reynolds is superb at rendering the different voices. I would recognize Royce and Hadrian anywhere, just by hearing them speak.
A note to Michael J. Sullivan: More please!
This was so much fun hearing the front story to Hadrian and Royce's relationship as well as gaining a better understanding of Gwen. After the next book, I'm going to go back and listen to the Riyria Revelations again (something I never do with audio books) just to hear it all in one neat package.
Some have said don't start here, but I don't think it would hurt anything. I do think understanding the characters before you hear this book might be useful and give you a better appreciation of it, but you would still understand the story with no problem.
If you're on the fence about reading any of these books, don't be. I have over 500 books in my audible collection and this is one of my favorite series of all of them. The only bad thing about the series is it eventually ends and you have to leave all these guys behind. Do yourself a favor and add Royce and Hadrian to your collection of fictional friends.
While I've liked a lot of YA novels, this one just bored me senseless. I got 1.5 hours in and gave it up. Maybe if all of the references or fantasy fiction was new to you it might be worth the time, but it just felt cliched to me. I kept waiting for something interesting to happen but kept getting hit with yet another fictional reference. It seemed to be the entire point of the book.
If you're looking for something to share with your kids, go for it. If you're an adult who likes fantasy, keep looking.
This was a perfectly good listen when all pistons were firing, but it definitely got bogged down at times. The character of Mary was fun and interesting and the author did a good job of capturing the Holmes we all know and love. But my mind wandered during the times when the story got sidetracked and away from the cases. The Palestine trip read like a Zionist travelogue and it felt really jarring in the midst of a mystery novel; like the author was attempting to bring true depth to a not particularly deep book. And just to make it clear, I would have felt the same way had she gone to Rome and waxed poetic for quite a long time about Catholicism while quoting scripture. It just seemed out of place.
That said, it was an enjoyable listen although I probably won't seek out any more of the series.
I like Michael Connelly a lot. I lived in LA for 20 years so that's always a fun aspect for me, but I love the humanity of his characters. We're all flawed but most of us do the best we can and Connelly's characters truly embody that. Mickey Haller is particularly irresistible.
This one just took off for me from the first moment and never let go. I'm not going to give away the plot or write a synopsis, but if you like Michael Connelly or courtroom dramas in general, you will love this book!
Yes, this is sweet and a bit sentimental in parts, but it's also a really nice coming of age story. 21 is an emotional time in life and hindsight gives us the opportunity to cringe at what seemed important at the time. I think King did a great job of showing Devin as a real guy dealing with the ups and downs of becoming an adult while tossing a decent mystery into the mix.
Having spent a summer of my own at a local amusement part (including "wearing the fur,") I appreciated the details of being young among the carnies. It's a magical world you know you'll leave at summer's end, but some part of it will never leave you, as it never did Devin.
If you're looking for old school King horror, this probably won't be your cup of tea, but if you're looking for a really good listen with a few tears and laughs along the way, then by all means download this book.
This was my first Joe Hill book (got interested after reading about the King family in a recent NYTimes mag story). While I understand why he needed to shed his family name, it had nothing to do with his skill as a writer. He's every bit as gifted as his dad (and his mom as well, she's just not as well known) and has a very distinct voice.
The characters were nicely drawn (and the narration was perfect) and the story ticked by quickly, keeping me in my office chair long after I was ready to stop working (editing photos). And it's such a unique story line. After a lifetime of reading, I'm always happy to find something that feels completely different to me. And while you had a pretty good idea how things were going to turn out, guessing the twists and turns wasn't really the point of this story. It was the ride along the way and the outrageous nature of the situations people found themselves in.
Also, it wasn't classically horrific. It didn't keep me awake at night or have me looking over my shoulder. It was creepy at times, sure, but there was a cartoon quality to the characters that kept it more about the story and less about the fear. I can't imagine anyone being disappointed with this book.
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