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Erez

Israel | Member Since 2007

394
HELPFUL VOTES
  • 45 reviews
  • 400 ratings
  • 476 titles in library
  • 11 purchased in 2014
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56

  • Wise Blood

    • UNABRIDGED (4 hrs and 55 mins)
    • By Flannery O’Connor
    • Narrated By Bronson Pinchot
    • Whispersync for Voice-ready
    Overall
    (117)
    Performance
    (79)
    Story
    (77)

    Flannery O’Connor’s astonishing and haunting first novel is a classic of 20th-century literature. It is the story of Hazel Motes, a 22-year-old caught in an unending struggle against his innate, desperate faith. He falls under the spell of a “blind” street preacher named Asa Hawks and his degenerate fifteen-year-old daughter. In an ironic, malicious gesture of his own non-faith, and to prove himself a greater cynic than Hawks, Hazel founds The Church of God Without Christ but is still thwarted in his efforts to lose God.

    Darwin8u says: "Grotesque Southern Gothic Masterpiece"
    "Excellent novel, some problems with the narration"
    Overall
    Performance
    Story

    First off, let me say that I was really very impressed with the book. On the surface, it's basically a freak show of religious nuts, con artists and madmen, with none of the plot lines making too much sense; but when you go beyond the surface you see the different themes -- religious, philosophical, social -- that make this such a deeply brilliant and open-ended work.


    However, a couple of things about the narration bothered me. Bronson Pinchot has a very clear and pleasant voice, but I felt almost like he was performing the characters, rather than narrating a book. The biggest problem was that whenever characters speak in a low voice he actually whispers. For anyone who listens to audiobooks while commuting, this makes some phrases almost impossible to hear. Indeed, I had to listen to some passages over and over again before I could make them out.


    The other issue I had with his narration is more a matter of taste: he took great care to give the characters different voices, but to me it resulted in over-interpretation. For example, he performs one character in the book (Enoch) as having a permanently stuffy nose, so that he would pronounce "I mean it" as "I bead it". Now, there is no trace of this in the printed book (I checked), and so I feel like the narration added more than I wanted. Like I said, I'm sure many people wouldn't mind this at all, but I like narrators to add the minimum required for me to be able to differentiate speakers, no more.


    So, in the bottom line, I would recommend this book, but if, like me, you listen to audiobooks in an environment where there is some outside noise, or you prefer a more subdued narration style, be prepared.

    12 of 13 people found this review helpful
  • The Golden Bowl

    • UNABRIDGED (21 hrs and 43 mins)
    • By Henry James
    • Narrated By Katherine Kellgren, Simon Prebble
    Overall
    (36)
    Performance
    (28)
    Story
    (28)

    Published in 1904, The Golden Bowl is the last completed novel of Henry James. In it, the widowed American Adam Verver is in Europe with his daughter Maggie. They are rich, finely appreciative of European art and culture, and deeply attached to each other. Maggie has all the innocent charm of so many of Jamess young American heroines. She is engaged to Amerigo, an impoverished Italian prince; he must marry money, and as his name suggests, an American heiress is the perfect solution.

    Erez says: "Collapses under the weight of its own brilliance"
    "Collapses under the weight of its own brilliance"
    Overall
    Performance
    Story

    I have read several works by Henry James and usually like him very much. But something about The Golden Bowl didn't work for me. On the one hand, the mastery of the author is undeniable. On the other, I found the novel too indirect and ultimately unsatisfying. Though event do happen in the novel, James never references them directly; rather, he has the characters discuss in the vaguest possible terms their impressions of each other's musings on the reflections these events may have or would hypothetically have had on their elusive perceptions of some unspecified concepts.

    What bothered me with this was not that it was hard to follow--I like difficult writing--but that, when you actually decode these infinitely intricate references you get characters that are not as deep or psychologically striking as the author seems to regard them. In other words, I felt that James had provided a brilliant analysis of characters not very convincing.

    Consider this sentence, for example: "Her greatest danger, or at least her greatest motive for care, was the obsession of the thought that, if he actually did suspect [that she suspected he was unfaithful to her], the fruit of his attention to her couldn't help being a sense of the growth of her importance."

    The narrator did an excellent job. Her characterizations are subtle but clear, and she uses a "Mid-Atlantic" accent which I think perfect for Henry James.

    0 of 0 people found this review helpful
  • The Sailor Who Fell From Grace With the Sea

    • UNABRIDGED (4 hrs and 34 mins)
    • By Yukio Mishima
    • Narrated By Brian Nishii
    Overall
    (22)
    Performance
    (13)
    Story
    (13)

    A band of savage 13-year-old boys reject the adult world as illusory, hypocritical, and sentimental, and train themselves in a brutal callousness they call 'objectivity'. When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard this disallusionment as an act of betrayal on his part - and the retribution is deliberate and horrifying.

    Erez says: "Unsettling writing, flawed reading"
    "Unsettling writing, flawed reading"
    Overall
    Performance
    Story

    I can only agree with a previous reviewer. The novel itself is very moving and exquisitely done. It has a fluid, effortless flow, and at the same time is unrelentingly brutal (and really not for the faint of heart). In some aspects it reminded me of "The Lord of the Flies", of "Crime and Punishment" and Sartre's "The Nausea". In one of the strongest scenes in the book, a group of boys kill and "dissect" a stray kitten in order to train themselves in "perfect lack of feeling" -- I had a very hard time listening to this. But the most striking thing is the seeming ease with which the writing shifts between points of view, between past and present, between events and reminiscences. It could have been an outstanding audiobook.

    But unfortunately it isn't, and that is due to the reader. It's a shame, because Brian Nishii reads very clearly and pronounces all the Japanese names correctly. But for some reason he almost always seems to emphasize the wrong part of the sentence. It's as if he reads every sentence separately, with no notion of context. In the end, it was possible to follow and enjoy the writing, but I had to overcome the flaws in the narration to do that. And that's the exact opposite of what an audiobook narrator should do.

    Bottom line: recommended, but proceed with caution.

    6 of 7 people found this review helpful
  • The Song of Hiawatha

    • UNABRIDGED (4 hrs)
    • By Henry Wadsworth Longfellow
    • Narrated By William Hootkins
    • Whispersync for Voice-ready
    Overall
    (39)
    Performance
    (14)
    Story
    (15)

    Longfellow's great narrative poem has been unjustly neglected in recent years though it gives a sympathetic portrait especially of Hiawatha, reared by Nokomis, daughter of the Moon, and his bride Minehaha.

    Doris says: "More fascinating than I expected"
    "The narrator is amazing"
    Overall
    Performance
    Story

    It is difficult to think of a narrator better suited for The Song of Hiawatha than the late, great William Hootkins. I believe he reads the poem almost better than it's written, with such feeling, grace and timing, perfect pathos and emotion. And the poem? It's enchanting, with its clear, hypnotic meter. It evokes a clear sensation of an ancient, hallowed story, of an ancient native legend. Sure, it's parodied quite widely (I myself am almost tempted to compose this humble comment in trochaic tetrameter) but it doesn't really matter.

    Very highly recommended.

    1 of 1 people found this review helpful
  • The American

    • UNABRIDGED (13 hrs and 47 mins)
    • By Henry James
    • Narrated By Robin Lawson
    • Whispersync for Voice-ready
    Overall
    (53)
    Performance
    (38)
    Story
    (42)

    During a trip to Europe, wealthy American businessman Christopher Newman proposes marriage to the scintillating and beautiful aristocrat Claire de Cintré. To his dismay, he comes up against the machinations of her impoverished but proud family, who find Newman to be a vulgar example of the American privileged class. Brilliantly combining elements of comedy, tragedy, romance, and melodrama, this tale of thwarted desire vividly contrasts nineteenth-century American and European manners.

    Erez says: "Pleasing novel, seemingly read by the protagonist"
    "Pleasing novel, seemingly read by the protagonist"
    Overall
    Performance
    Story

    I really enjoy Henry James, and this book was no exception. It is a portrait, perhaps one of the earlier, of a character encountered in a number of books (e.g., Sinclair Lewis' Dodsworth): the intelligent, successful, open and likeable American who goes out to see the (old) world and who is somehow completely blind to European social structure and conventions. In some aspects he is naive, but he is not stupid or inexperienced; he is simply unable to grasp the way members of a class-based society perceive humanity. And above all, he is genuinely likeable. I was also somewhat surprised to find that this book was written in 1877 -- to me, it really felt like an early-20th century novel, though I can't explain the precise reason. It wasn't the greatest piece of literature I've ever read, but it was very nice.

    As for the narrator: it's really hard to rate him. On the one hand, he has a very warm, pleasant, clear voice, and he has a touch of that slightly outdated American accent which is perfect for the character and the narrator. He makes no attempt at characterizations, which I thought was fine -- I never felt confused as to the identity of the speaker. But the major problem with him is that he simply doesn't know any language other than American. Most of the story takes part in France, and there are quite a few French characters and expressions. For all of these, the narrator sounds like a caricature of an American mispronouncing French. He even mispronounces French expressions that are used in English, such as "coup d'etat" (he pronounces the final t). And the only character he tries to supply with an accent -- an elderly English woman -- sounds more or less like Dick Van Dyke's hilarious mock-Cockney accent in "Mary Poppins". It really sounded as if the main character was reading the novel. And just like the main character, the narrator has such a pleasant and earnest voice that it was hard to "blame" him for this shortcoming -- that's just the way he is.

    All in all, an enjoyable if slightly confusing experience.

    3 of 3 people found this review helpful
  • A Personal Matter

    • UNABRIDGED (7 hrs and 14 mins)
    • By Kenzaburo Oe, John Nathan (translator)
    • Narrated By Eric Michael Summerer
    • Whispersync for Voice-ready
    Overall
    (12)
    Performance
    (11)
    Story
    (11)

    Oe's most important novel, A Personal Matter, has been called by The New York Times "close to a perfect novel". In A Personal Matter, Oe has chosen a difficult, complex though universal subject: how does one face and react to the birth of an abnormal child?

    Erez says: "Should have been better"
    "Should have been better"
    Overall
    Performance
    Story

    (Slight spoiler below)

    Everything the reviews on the product page say is true, so I won't repeat that the novel has more of an American "feel" than a Japanese one, etc. The key, to me, is in the quote from the New York Times calling this "a close to perfect novel". Why not perfect? Well, most of the book is indeed very good (though it was probably more shocking when first written than it is today). It is the story of a selfish, immature man who can't face the birth of his deformed son and just wants the baby to die. The character is well drawn, and his fear, anxiety and escapism are heart-wrenchingly realistic. But then comes the final chapter which to me felt tacked on. The ending is so optimistic, such a "happy ending" that I found it unbelievable, basically "and then he grew up and did the right thing and everything was Very Good." I felt cheated. That said, cut off this last chapter and I would have given the story five stars. As it is, I don't think I'd recommend it -- it's certainly not bad, but it should have been better.

    The narrator, Eric Michael Summerer, does an excellent job.

    3 of 4 people found this review helpful
  • On the Nature of Things

    • UNABRIDGED (9 hrs and 15 mins)
    • By Lucretius
    • Narrated By Charlton Griffin
    Overall
    (95)
    Performance
    (57)
    Story
    (56)

    This famous work by Lucretius is a masterpiece of didactic poetry, and it still stands today as the finest exposition of Epicurean philosophy ever written. The poem was produced in the middle of first century B.C., a period that was to witness a flowering of Latin literature unequaled for beauty and intellectual power in subsequent ages. The Latin title, De Rerum Natura, translates literally to On the Nature of Things and is meant to impress the reader with the breadth and depth of Epicurean philosophy.

    Lawrence says: "A Masterpiece"
    "I didn't like the structure of the audiobook"
    Overall
    Performance
    Story

    I don't have much to add about the poem itself, which is truly marvelous; the translation here is the one by Rolfe Humphries, and it is indeed extremely good. However, there's another aspect of the audiobook which I didn't care for. In addition to the poem itself, the audiobook contains two short essays: a biographical sketch of Lucretius by William Young Sellar, and an overview of Epicureanism by William Wallace. I actually found the essays an interesting addition, but for some reason they are not include before or after the text, but interspersed with it. I normally like to read or listen to introductions after the text itself, and I found that the arrangement here broke the flow of the text. If you're like me, the following layout might be useful:

    0h0m to 0h15m: Lucretius biography, part 1
    0h15m to 1h29m: Book I of the poem
    1h29m to 1h45m: Lucretius biography, part 2
    1h45m to 3h04m: Book II
    3h04m to 3h20m: Epicureanism, part 1
    3h20m to 4h32m: Book III
    4h32m to 4h46m: Epicureanism, part 2
    4h46m to 6h13m: Book IV
    6h13m to 7h54m: Book V
    7h54m to 9h12m: Book VI

    As for the narrator: I've bought quite a few of Charlton Griffin's audiobooks, and there's no denying he's an excellent narrator. He's not my personal favorite, because I find his booming voice a little too, well, booming. I sometimes felt like it was an irate Roman god reading the poem, and not an atheistic poet. Not a real problem, of course, just my personal taste.

    In short: an excellent poem, beautifully translated, expertly read. I only wish the extra parts were concentrated in one place, either at the beginning or the end.

    17 of 17 people found this review helpful
  • Death in Venice

    • UNABRIDGED (3 hrs and 6 mins)
    • By Thomas Mann
    • Narrated By Peter Batchelor
    Overall
    (27)
    Performance
    (26)
    Story
    (25)

    A stunningly beautiful youth and the city of Venice set the stage for Thomas Mann’s introspective examination of erotic love and philosophical wisdom.

    Erez says: "A problem with the narration"
    "A problem with the narration"
    Overall
    Performance
    Story

    The book itself is well worthy of the name "classic". It is deep, intelligent and moving, and the most impressive thing about it, to me, was the apparent ease with which the author portrays such a complex protagonist and such deep feelings. However, I was only able to reach these conclusions after reading a print version of the book, since in the audiobook I could only barely follow the story.

    The problem with the narrator is very simple: his voice is just too deep. He's not an untalented narrator, in that his pronunciation is very clear and he reads without any errors (I think I detected a hint of accent -- South African, perhaps?). However, he reads at such a low pitch that it is very hard to decipher what he's saying. Most of the time it sounds like someone grumbling to himself in another room. This would be a perfect voice for some sort of "mountain-man" in an animated film, but constantly straining to understand the narrator is not what you want in an audiobook.

    1 of 1 people found this review helpful
  • The Most Dangerous Game

    • UNABRIDGED (59 mins)
    • By Richard Connell
    • Narrated By B.J. Harrison
    • Whispersync for Voice-ready
    Overall
    (101)
    Performance
    (88)
    Story
    (90)

    A mysterious island, shrouded in fear, evil, and darkness. Here the amoral General Zaroff hunts. And what, you ask, is the most dangerous game? It is the manner and substance of his nightly killings.

    Erez says: "Not bad"
    "Not bad"
    Overall
    Performance
    Story

    The story itself is quite nice and well written, if slightly dated. Or perhaps you need to be younger to appreciate the story and ignore the fact that a lot of it has become cliche ("A mysterious island, shrouded in fear, evil, and darkness" etc.)

    As for the narrator, I must say I didn't care for his performance. It's not that he does anything "wrong": his voice is pleasant, his diction is flawless. But to my taste it was overacted. Mr. Harrison simply expresses too much emotion in his narration. As always, this is a matter of taste, but that's what I thought.

    All in all, well worth getting, especially for this price.

    5 of 5 people found this review helpful
  • Transparent Things

    • UNABRIDGED (3 hrs and 15 mins)
    • By Vladimir Nabokov
    • Narrated By Christopher Lane
    • Whispersync for Voice-ready
    Overall
    (10)
    Performance
    (9)
    Story
    (10)

    "Transparent Things revolves around the four visits of the hero - sullen, gawky Hugh Person - to Switzerland.... As a young publisher, Hugh is sent to interview R., falls in love with Armande on the way, wrests her, after multiple humiliations, from a grinning Scandinavian and returns to NY with his bride.... Eight years later - following a murder, a period of madness and a brief imprisonment - Hugh makes a lone sentimental journey to wheedle out his past...." (Martin Amis)

    Darwin8u says: "Moments of absolute and immortal genius"
    "Excellent"
    Overall
    Performance
    Story

    If you've never read anything by Nabokov then this probably isn't the first book you should get, but it's a very nice, very short novel. You get the feeling that it could just as easily have been a short story. As always with Nabokov, the writing is exquisite. I also found the plot and the main character quite touching.

    There is one point I hope might help some readers: For some reason, the general view among reviewers of this novel seems to be that the riddle in it (Nabokov has to have a riddle...) is very hard to figure out and that the book leaves the reader utterly bewildered. Maybe I was lucky, maybe the novel is easier to understand today than when it first appeared, in any case I found the "mystery" element pretty clear as such things go. It was nothing so complex as, say "Pale Fire". My point is, don't let the supposed difficulty of the book deter you from a rewarding listen.

    As for the narrator, he does a flawless job. He has the right voice, the right intonation, everything sounds just as it should. He does mispronounce a French word or two, but those really are minor nitpicks.

    In short: an excellent minor work from a wonderful author.

    3 of 3 people found this review helpful
  • Chimera

    • UNABRIDGED (11 hrs and 19 mins)
    • By John Barth
    • Narrated By Kevin Pariseau
    Overall
    (7)
    Performance
    (7)
    Story
    (7)

    In Chimera, John Barth injects his signature wit into the tales of Scheherezade of the Thousand and One Nights; Perseus, the slayer of Medusa; and Bellerophon, who tamed the winged horse Pegasus. In a book that the Washington Post called "stylishly maned, tragically songful, and serpentinely elegant", Barth retells these tales from varying perspectives, examining the myths' relationship to reality and their resonance with the contemporary world.

    Erez says: "Brilliant, but left me unfulfilled"
    "Brilliant, but left me unfulfilled"
    Overall
    Performance
    Story

    I'll start with the positive: if you're looking for infinitely sophisticated, superbly written and masterfully narrated postmodern (meta-)fiction, look no further. The book is a prime example of the genre, and the narrator does a perfect job.

    For me, however, there was something lacking. Had this been my first exposure to this type of fiction, I imagine I would have thought it the most amazing thing I'd ever read, but as things stand, I find that the style hasn't aged well. The structure, the language and the cleverness of it all are mind-boggling, but still it never drew more than a chuckle from me. It felt like an exercise in cleverness. The book isn't bad, far from it. I just felt that it lacked a point.

    1 of 1 people found this review helpful

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