John Steinbeck is excellent. In my opinion one of the most incredible authors of the twentieth century. An amazing understanding of the human condition.
Eh. He's good, but part of what I dislike about that book is a personal general dislike for the southern drawl style prevalent in this book and many others from the period. If that doesn't bother you, than Dylan Baker does a fine job.
Clearly the bot that creates these questions doesn't skim through IMDB first.
Great book, a classic, etc., etc. But, I would very highly recommend "East of Eden", also by Steinbeck. One of the greatest books ever written, and one which I think greatly outdoes "The Grapes of Wrath".
Extremely well written, with all of the King wit and perceptiveness. Having seen some of his more left-leaning incidents over the past six or so years, I expected a scathing liberal diatribe about how anyone who could ever want to own a gun is heartless. Instead, I found a well-balanced, fair examination of the issue, concisely written and with a perspective that I think, to one degree or another, regardless of what the media on either side of the aisle may try to tell us, the majority of Americans hold.
It's only 49 mins. anyway, and even if you disagree, hearing opinions you don't like is good for you. You're time will not be wasted.
This book would be excellent for those who have a specific interest in this particular genre/style; that is, the sort of pop fiction of the late nineteenth- early twentieth-century, and popular to films up through as late as the 1970's but peaking in the '30's 40's and 50's. A squad off young detectives in an uncivilized, crime-ridden New York City of the Fin-de-siecle, lead by their scientific mastermind - complete with idealized Austrian accent - who must battle against the ignorance of the Old World to prove his case and save a child. It's basically Tim Burton's rendition of Sleepy Hollow in literary form, and with a few extra cliches added to fill the thing out. And, of course, no Sir Arthur Conan Doyle rehash would be complete with out the perfunctory aborigine assassin.
Now, all that said, the book is well-written. The prose is good, and the story flows nicely, though, as it is a heavily overdone kind of story, don't expect any surprises. The characters are well developed, but they'd better be since authors have been developing exactly them for 175 years.
George Guidall is always an excellent voice, and a talented actor, and this is no exception. This book is great for people who are already in love with this very specific genre, otherwise I fear you will find yourself extremely bored early on, and this is no short read.
I've already listened to it a second time. Hermann's feel for the language, his cadence, and his comprehension of King's remarkable way with words isabsolutely outstanding.
King, as always, is one of those few brilliant authors who can take the impossible, the unbelievable, and convince that it is absolutely true, beyond any doubt.
His performance of the alcoholic outsider poet Gardner makes me wonder if perhaps Hermann himself might not need a few trips around the AA circuit.
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