Nothing could salvage this
Narrator sounded like Ralphie from The Simpsons,faking (badly) an Irish accent. Wildly wrong for a story set in the south of England. Giving the heroine a child-like voice made it even more annoying.
I'd have found a 'phone-book more entertaining.
Reunited after 2 years apart, the two main protagonists enjoy a lengthy 'pity party' and the occasional bout of sexual intercourse. Most of the book deals with events that have already taken place with the 'real time' action being scarcely more than a hiccup in a rather dull, and quite ridiculous, exposition. I purchased this book based on the author's previous efforts but I suspect she was just fulfilling her contract quota with this lacklustre effort.
Don't waste your credit. This author should not be writing historical fiction if she cannot be bothered doing even basic research on the social mores of the period.
'Dumberina and the Dom'. Honestly!, if I hadn't been cleaning my oven I wouldn't have let it run on, but I have a policy of not claiming a refund if I have listened to more than 5 minutes of a book and I was too busy to take my rubber gloves off. The 'author' has cannibalised extensively from other writers to compile a melange of erotica loosely tied together by a ludicrous plot with an even more ridiculous ending. The narrator did a valiant job of trying to breathe life into turgid prose.
A decent editor could tidy up this story into something workable as the bones of it aren't bad but the author has a regrettable tendency towards repeating herself, often within the same sentence, which succeeds in making nonsense of the prose, i.e. a reflection having a reflection. The narrator however, is the last nail in the coffin and this one seems to feel that a Highland burr can only be effectively conveyed by ending every phrase with a rising terminal, thereby making them all sound like questions. She also endows the heroine with high-pitched voiced, perhaps intending to portray her youth and scatter-brained choices, but which merely results in becoming an added irritant.
This latest adventure from the imagination of Kresley Cole is faultlessly performed by Robert Petkoff. It is a masterful combination which enables me to become totally engrossed in the story. I can hardly wait for the next one.
Apart from some blatant plagiarism in parts, the story is quite entertaining; however the narrator's monotonous nasal twang, apart from the habit of finishing every phrase with a two-note terminal (up, then down) even on single syllables, can drive the most even-tempered listener to drink. It was rather like listening to a teenage boy with a half-broken voice and a very bad sinus infection, definitely not an enjoyable experience!
Quite the silliest book I've listened to in a long time, made even more so by the narrator giving the heroine the squeaky little voice of a sexually precocious 8 year old, but Hey! it was on sale so my expectations were low to begin with; However I really did LMAO at the utterly preposterous storyline and ridiculous dialogue so Thanks for that. The suspense from waiting for the next disgorgement of nonsense brightened a dull day but I won't be repeating this extravagance.
A monotonous droning narrator made listening impossible.
I could not persevere with listening as the narrator made utter nonsense of the prose.
Ross Pendleton, James Langton, Jeff Woodman.
Try again with a different reader and I'll let you know. Nobody could endure 20 hours of that noise and stay sane.
I couldn't even use this as a soporific on a sleepless night as the narrator crossed over from being simply boring into downright infuriating.
I enjoyed the inter-twining plot threads involving several minor characters as this made the ending more unpredictable.
To be honest, I thought at first that I'd already heard this book before as the storyline was so familiar at the beginning, but it did develop after a while and ended on a less predictable note than I'd feared.
The guilt-driven hero, Griffin Blackmore, aroused my sympathy.
I enjoyed the tension of Anne's rescue from the cave.
James Langton is a wonderful narrator who can lift any story above the average. This man is a consummate professional and a delight to listen to. I do hope he is frequently employed on audiobooks.
It will make me more wary in future
Pitkin pauses every few words, thereby removing all meaning from any prose.
I would like a refund but am having the utmost difficulty in getting this processed by you.
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