Read it twice so far, and won't be deleting it in a hurry. It was a joy to have such a thoroughly well-researched novel from a writer who obviously loves her subject. So many other historically based offerings fall down badly with their jarring ignorance of the social mores of the time, but this one actually generates an interest to learn more.
Diana Gabaldon's time-travelling series come close.
I have only heard this reader's performance for the first of this (All Souls) series.
She does an excellent job of reading and although there are a few mispronunciations, she has very good breath control and the ability to recognise punctuation and it's purpose . Overall she captures the personalities of the characters and draws the listener into the story. I would listen to her again with pleasure
There were too many moving passages to list here but Diana's jeopardy in the tilt-yard at Greenwich, at the hands of Marlowe and Louisa had high tension, and the bitter-sweet homecoming to Sept Tours left me thirsting for more details.
I'm really looking forward to the third volume in this series, please make it soon!
If you enjoyed The Lion's Daughter then this one's for you. The characters are well-developed and narrator Kate Reading does an excellent job bringing them to life.
An unusual setting and an action packed story keeps the momentum going right to the finale.
This is one purchase to keep in the audio library to read again.
Judicious editing could have whittled this down to something worth my time but an overblown story, combined with an extremely irritating narrator, made this audiobook fit only for putting me to sleep.
This book takes up the story begun in Book ! after a gap in time of around 12 years, and develops the stories of those who were originally minor characters. There is plenty of action and suspense right up to the final pages. Superbly read by Nicholas Boulton, who has the ability to create exactly the atmosphere intended by the author.
More please from this combination!
It was a joy to revel in a complicated plot that had been so well-researched. The characters were well-developed and there was plenty of suspenseful action to draw the reader in, and I particularly enjoyed the characters' usage of authentic sounding language. Nicholas Boulton is a sublime narrator who is a joy to listen to.
Great combination of imaginative story-telling accompanied by outstanding narration. I liked this book so much that I sought out more titles by the same writer.
Reunited after 2 years apart, the two main protagonists enjoy a lengthy 'pity party' and the occasional bout of sexual intercourse. Most of the book deals with events that have already taken place with the 'real time' action being scarcely more than a hiccup in a rather dull, and quite ridiculous, exposition. I purchased this book based on the author's previous efforts but I suspect she was just fulfilling her contract quota with this lacklustre effort.
Don't waste your credit. This author should not be writing historical fiction if she cannot be bothered doing even basic research on the social mores of the period.
'Dumberina and the Dom'. Honestly!, if I hadn't been cleaning my oven I wouldn't have let it run on, but I have a policy of not claiming a refund if I have listened to more than 5 minutes of a book and I was too busy to take my rubber gloves off. The 'author' has cannibalised extensively from other writers to compile a melange of erotica loosely tied together by a ludicrous plot with an even more ridiculous ending. The narrator did a valiant job of trying to breathe life into turgid prose.
A decent editor could tidy up this story into something workable as the bones of it aren't bad but the author has a regrettable tendency towards repeating herself, often within the same sentence, which succeeds in making nonsense of the prose, i.e. a reflection having a reflection. The narrator however, is the last nail in the coffin and this one seems to feel that a Highland burr can only be effectively conveyed by ending every phrase with a rising terminal, thereby making them all sound like questions. She also endows the heroine with high-pitched voiced, perhaps intending to portray her youth and scatter-brained choices, but which merely results in becoming an added irritant.
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