Any parent with a shred of a sense of humor will find this book to be a veritable hoot. Being narrated by Sam Jackson; priceless.
On the run and searching for answers, Tris and Tobias explore other factions in this dull, formulaic sequel. The movie was well done, suspenseful, casting was spot-on perfect, and the director took the time to introduce and explore the characters' personalities. Against my better judgment, I downloaded book two to keep the story going. Since I didn't love book one, don't know why I thought book two would be better (although Emma Galvin is excellent).Don't spend your credit, wait the 11 months for the next film.
Lila came to Henbane under duplicitous circumstances, disappearing from a seemingly happy life. Present day daughter Lucy searches for clues to her friend's murder and mother's past. The characters in this backwoods, gritty story are well drawn out and McHugh's writing style is fluid and easy. The first 3/4 of the book kept my attention and enjoyed the narrator for Lila (Shanon McManus?). Lucy's story was mildly immature and didn't care for the narrator's voice. While waiting for the final big reveal, the book ended. Oops, hate it when that happens. Found this entertaining, but cannot hold a candle to "Winter's Bone".
This book begins strong with Tawna waking up post party in a barn finding out all her friends have been eviscerated by vampires. Her backstory sheds light on her current beliefs about vamps and the beginning of her journey is interesting, with promise. Unfortunately what follows is a banal walk through the usual teen book layout. Pity, this author probably could have done better.
Predictable and formulaic sum it up. Moyes wrote the moving and powerful, "Girl You Left Behind" and penned the entertaining, yet doomed relationship in "Me Before You" and this offering is only one step above a romance novel. Main character, Jennifer never showed why the men in her life were obsessed with her, other than her blonde hair and perfect posture. Stayed with it out of respect for her other works, but the more I waited, the less I was rewarded with tired, regurgitated details and banal ending. The narrator had a lovely voice, but her performance couldn't save this fluff. I would still try a new book written by Jo Jo Moyes, but this one was disappointing.
Holly was flighty, fake, fun, and completely redeeming. Superbly written story narrated by the enigmatic Michael C. Hall, at the low, low price of $4.95 made for a fantastic listen. Thank-you to Audible for courting the likes of Hall!
Maybe it's unfair to rate this after just having finished, "Twelve Years a Slave". I found this book formulaic and forced. Alternating narrators told the side of Hettie, a young slave girl, clever and quick, and superbly performed. She deserves four stars, but split the difference with the narrator for Sara, privileged Charleston girl who sounds as if she is constantly suffering from the vapors.
Hettie and the story of her intelligent, cunning, talented mother give the first part of the book life. The credit spent was worth it for her story. The last 2/3 mingle Hettie's trials and Sara's arrogant journey. I couldn't wait for her to stop talking so I could hear from Hettie. The girls' friendship never felt authentic or touching, yet forced and when they meet up again at the end, it feels too contrived. Finding out this was based on a true story surprised me, but did not change my overall opinion of the writing. Perhaps my expectations were too high. This was no "12 Years a Slave" nor was it "The Secret Life of Bees". Try the book, "Wench" for a grittier, heart-wrenching tale of friendship and camaraderie during the ugly times of slavery.
Lena and Ethan, the star-crossed couple battling dark magic, and the prejudices of the townsfolk in Gatlin, SC in Beautiful Creatures was fresh and engaging. This one falls peril to the mistakes of most second novels, they tried to make it bigger and more complicated.
The first 20 min continued with Lena and Ethan fighting their feelings and then an enormous chasm opens with new characters, supernatural beings, and other worlds followed through tunnels beneath the Caster Library, creating a jumbled mess. Peripheral characters receive too much time, revealing how uninteresting they truly are and takes attention away from the main focal point. The last 10 minutes finally brought the young lovers back together, but also set up a new problem for further books; those I will not read.
The flower on the book was an omen foreboding me to step away. Romance novel was my gut instinct, and left it at that, until magazine after magazine touted this as one of the year's best. I caved and spent my credit only to find I was correct.
Cousins fight over a the same man; jilted lover hooks up with old high school beau; and spoiler alert...husband has a secret! This book isn't complete rubbish, but it's certainly not great lit either. Reminds me of another book given the same distinction, "Life after Life" and after the second time, I wanted to kill the narrator myself.
If you're expecting clever twists, witty dialogue, precarious situations, this is not for you.
In 1929, an Irish girl whose parents died was shuttled on a train of orphans going to various mid-West stops in hopes of finding placement with a family. It wouldn't be a story if she didn't meet with hardships.
Now an elderly woman, "Dorothy" works with a girl from the foster care system to sort through her belongings. She recalls childhood memories and the two share a bond.
The book is a little predictable, you can guess what will happen, but the trip was worth it. Definitely recommend for an entertaining, fun read.
Read great reviews on this one, so settled in to hear details about purposeful selection and murder of patients. What I discovered much to my delight and horror was the opposite. Charles Graeber writes from the perspective of a floating, non-judgmental narrator taking you through the events. I (and probably most of us) wanted to believe there was a reason he killed so many people. Was it for mercy or prejudice or hatred or a childhood traumatic event. When the answer is no, the story becomes creepier.
My advice is not to read too much detail from the summary and especially other reviews giving you play-by-play analysis. There is no gore, the shock factor is a slow build. Listen and let the story unfold walking you through the hospital, a place of trust with administrators, nurses, and the mystery of medicine. Was this the perfect storm for a serial killer? You decide.
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